Helge,
On 11 April 2012 13:02, Helge Kruse wrote:
> Am 11.04.2012 19:24, schrieb James:
>>
>> Well it requires that any changes I do in the English document are
>> picked up and translated by the trasnaltors. The assumption is that
>> those that do the German Translating see my checkins and make
On Wed, Apr 11, 2012 at 8:32 AM, Helge Kruse wrote:
> Am 10.04.2012 08:37, schrieb Janek Warchoł:
>
>> On Tue, Apr 10, 2012 at 6:31 AM, Helge Kruse
>> wrote:
>> It's not a matter of benefits - using stemUp/Down instead of
>> voiceOne/Two/.. simply produces typographically wrong results:
>> stemUp
Hello,
On 11 April 2012 17:53, Helge Kruse wrote:
> Am 11.04.2012 09:36, schrieb James:
>>
>> 2012/4/11 Helge Kruse:
>>>
>>> Honestly, I used the 2.13 documentation. Now I downloaded the 2.14
>>> documentation. Searching for stemDown\Up\Neutral I didn't find any hint
>>> to
>>> favor voiceOne/Two
Hello,
On 11 April 2012 17:53, Helge Kruse wrote:
> Am 11.04.2012 09:36, schrieb James:
>>
>> 2012/4/11 Helge Kruse:
>>>
>>> Honestly, I used the 2.13 documentation. Now I downloaded the 2.14
>>> documentation. Searching for stemDown\Up\Neutral I didn't find any hint
>>> to
>>> favor voiceOne/Two
Am 11.04.2012 09:36, schrieb James:
2012/4/11 Helge Kruse:
Honestly, I used the 2.13 documentation. Now I downloaded the 2.14
documentation. Searching for stemDown\Up\Neutral I didn't find any hint to
favor voiceOne/Two/Three. But I did not read thorough 763 pages. Which
section are you referrin
Hello,
2012/4/11 Helge Kruse :
> Am 10.04.2012 08:37, schrieb Janek Warchoł:
>>
>> On Tue, Apr 10, 2012 at 6:31 AM, Helge Kruse
...
>
> Honestly, I used the 2.13 documentation. Now I downloaded the 2.14
> documentation. Searching for stemDown\Up\Neutral I didn't find any hint to
> favor voiceOne/
Am 10.04.2012 08:37, schrieb Janek Warchoł:
On Tue, Apr 10, 2012 at 6:31 AM, Helge Kruse wrote:
What is the benefit of the two voices approach and when should I avoid the
stem up/down?
It's not a matter of benefits - using stemUp/Down instead of
voiceOne/Two/.. simply produces typographically
On Tue, Apr 10, 2012 at 6:31 AM, Helge Kruse wrote:
> What is the benefit of the two voices approach and when should I avoid the
> stem up/down?
It's not a matter of benefits - using stemUp/Down instead of
voiceOne/Two/.. simply produces typographically wrong results:
stemUp/Down only changes the
Am 09.04.2012 21:12, schrieb Thomas Morley:
I'd use \override Script #'staff-padding = #'() and \voiceOne,
\voiceTwo and \oneVoice:
This looks great. I also played around with an approach that doesn't use
the two voices since it's just the left hand that plays some part of the
voice.
\versi
Am 9. April 2012 20:53 schrieb Helge Kruse :
> Hello,
>
> I have some measures with similar rhythmic pattern but different pitch. But
> all look similar like this:
>
> \context PianoStaff <<
> \context Staff=right \relative c'' {
> \key g \major \time 3/4 s2. \stemUp
> d4~ d16 a' g\prall fis
Hello,
I have some measures with similar rhythmic pattern but different pitch.
But all look similar like this:
\context PianoStaff <<
\context Staff=right \relative c'' {
\key g \major \time 3/4 s2. \stemUp
d4~ d16 a' g\prall fis e\prall d cis\prall b | % 33
}
\context Staff=lef
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