Fancy glissando line style

Hi, I'm trying to use the fancy glissando snippet I found at https://lsr.di.unimi.it/LSR/Search?q=glissando (don't know if that is the official location ...) and it works well, but I'd like to use the trill line style, and can't figure out how to acheive that. Ideally it would use the current

Re: Adjust line spacing in markup column for fingerings

On Fri, 21 Jun 2024 at 11:09, Curt McDowell wrote: > baseline-skip seems to do the job: > > > > Found here: LilyPond snippets: Tweaks and overrides > > > Regards, > Curt > > On 6/20/2024 5:00 PM, Fennel wrote: > > Hi

Re: Adjust line spacing in markup column for fingerings

baseline-skip seems to do the job: || Found here: LilyPond snippets: Tweaks and overrides Regards, Curt On 6/20/2024 5:00 PM, Fennel wrote: Hi all, Getting this behavior when trying to put fingerings in column

Adjust line spacing in markup column for fingerings

Hi all, Getting this behavior when trying to put fingerings in column format on chords: \version "2.24.3" \relative c'' { \set fingeringOrientations = #'(left) } I’d like the 1 to be much closer to the 2. Does anyone know the correct property to adjust to make this happen / where in the

Re: Spontini line break slurs

cpts" #'() ^( s) }{ g4 } >> \break g4\jsShape "2" "cpts" #'() ( a b c-) } } % HTH! Paolo On Sun, Jun 16, 2024 at 7:45 PM bobr...@centrum.is wrote: > I think I may have run across a bug/limitation of Spontini. I was > adjusting slurs. When I adjusted

Spontini line break slurs

I think I may have run across a bug/limitation of Spontini. I was adjusting slurs. When I adjusted one that occurred over a line break I got unexpected results. I eventually figured out that only the part before the line break was changing even if I only moved the control points of the slur

Re: hairpin over bar line and over end of line

> >> It's in the "expressive marks" snippets, though I admit I > >> couldn't have found it myself without searching the docs source > >> code. > > > > Could you suggest index entries that I can add to the NR? > > Thank you for following up on this. Paul, the question is addressed to you, too

Re: hairpin over bar line and over end of line

Thank you for following up on this.PaulSent from my Galaxy Original message From: Werner LEMBERG Date: 6/11/24 8:51 PM (GMT-07:00) To: j...@abou-samra.fr Cc: waterhorsemu...@aol.com, lilypond-user@gnu.org Subject: Re: hairpin over bar line and over end of line >> How w

Re: hairpin over bar line and over end of line

>> How would I have found that in the documentation? > > It's in the "expressive marks" snippets, though I admit I couldn't > have found it myself without searching the docs source code. Could you suggest index entries that I can add to the NR? Werner

Re: hairpin over bar line and over end of line

lling-spanner-visibility-after-a-line-break signature.asc Description: This is a digitally signed message part

Re: hairpin over bar line and over end of line

On 6/11/24 11:50 AM, Jean Abou Samra wrote: \override Hairpin.after-line-breaking = ##f Thank you, Jean How would I have found that in the documentation? Paul

Re: hairpin over bar line and over end of line

> Probably a simple answer but how do I get a crescendo in this example to > continue to the next line? \override Hairpin.after-line-breaking = ##f signature.asc Description: This is a digitally signed message part

hairpin over bar line and over end of line

Probably a simple answer but how do I get a crescendo in this example to continue to the next line? \version "2.25.16" \fixed c' {   \override Hairpin.to-barline = ##f   a2\< b g4\! r4 r2 %This is what I  want any cresc., etc. to do   a2\< b \break   g4\! r4 r2 } TIA, Paul

Re: aftergrace consistently close to the next bar line

h of the time unit, > so the afterGrace notes should be placed as close as possible to the > following bar line (or time unit), consistently. > > How can I achieve this? > > For example: In the bar (image) above I would like to have the afterGrace > notes eih'' of the violins

aftergrace consistently close to the next bar line

to the following bar line (or time unit), consistently. How can I achieve this? For example: In the bar (image) above I would like to have the afterGrace notes eih'' of the violins at the same x-position (close to the bar line) as the fis' of the third voice. %%% % violin 1   \time 3/2 cis'2.\p

Re: end-of-line-invisible exception

On Tue, 26 Mar 2024 at 17:05, bobr...@centrum.is wrote: > > Is there a way to omit the key signature at the end of a line in this case? Hello, Well, here *it is* key cancellation. \override Staff.KeyCancellation.break-visibility = #all-invisible Kind regards, Xavier

end-of-line-invisible exception

Is there a way to omit the key signature at the end of a line in this case? \version "2.24.2" \score { \relative c' { \set Staff.explicitKeySignatureVisibility = #end-of-line-invisible \key b \major b1 \break \key c \major c1 } }

Re: remove key change at end of line

That did the trick! Thank you, Xavier. > From: "Xavier Scheuer" > To: "bobroff" > Cc: "Lillypond Users Mailing List" > Sent: Monday, March 25, 2024 9:37:38 PM > Subject: Re: remove key change at end of line > On Mon, 25 Mar 2024 at 22:19, [ m

Re: remove key change at end of line

On Mon, 25 Mar 2024 at 22:19, bobr...@centrum.is wrote: > > I want to remove a key change from the ends of lines/systems. I am *not* referring to just key cancellation, which I do also want. I mean, at the end of a line the new key should not appear before the new line. I haven't worked

Re: remove key change at end of line

On 2024-03-25 2:18 pm, bobr...@centrum.is wrote: I want to remove a key change from the ends of lines/systems. I am *not* referring to just key cancellation, which I do also want. I mean, at the end of a line the new key should not appear before the new line. I haven't worked it out

remove key change at end of line

I want to remove a key change from the ends of lines/systems. I am *not* referring to just key cancellation, which I do also want. I mean, at the end of a line the new key should not appear before the new line. I haven't worked it out. -David

Re: Tall bars in two-line music

ulting barlines are too tall. Tiny example: > %< snip >% >> >> Here, I expect the barlines to be the same height as the staff (i.e., not >> protrude) and I cannot figure out how to make that happen. > > The property you'll want to modify here is the bar-extent of

Re: Tall bars in two-line music

barlines to be the same height as the staff (i.e., not > protrude) and I cannot figure out how to make that happen. > The property you'll want to modify here is the bar-extent of BarLine - this sets the Y-extent of the bar line. Example: \version "2.24.3" \score { \relative c'

Tall bars in two-line music

Hi, I'm working on typesetting some chants with two lines per staff and the resulting barlines are too tall. Tiny example: \version "2.24.3" \score { \relative c' { \time 9/4 \slurDown \override Staff.StaffSymbol.line-count = #2 f4(g) a f(g) a(g) g2 | f4(g) a f(g) a(g) g2 | \break

Re: tied sharps after line break

Ah I see. Yes that's the one. Op zondag 3 maart 2024 om 18:21:59 +00:00:00 schreef Werner LEMBERG : 2. LilyPond's default behaviour in this situation is (in my opinion) sub-optimal. It's a bug known since 15 years... Werner

Re: tied sharps after line break

> 2. LilyPond's default behaviour in this situation is (in my opinion) > sub-optimal. It's a bug known since 15 years... https://gitlab.com/lilypond/lilypond/-/issues/649 Werner

Re: tied sharps after line break

Op zondag 3 maart 2024 om 18:58:45 +01:00:00 schreef Hans Aikema : Does not yet cover the case Martin was looking for - omitting the second accidental in a situation of a line-break on a tied accidental. Can be done however by an explicit \omit, which should be only \once, because otherwise

Re: tied sharps after line break

Does not yet cover the case Martin was looking for - omitting the second accidental in a situation of a line-break on a tied accidental. Can be done however by an explicit \omit, which should be only \once, because otherwise it would omit accidentals from that point onwards. The correct

Re: tied sharps after line break

quarter.The proposed behavior by Elain Gould in Behind bars (p 80) is to have a single sharp, without braces, on the second line before the tied note.Yes, that's what I had in mind. How can I prevent LilyPond from printing a second sharp in the second bar?MT

Re: tied sharps after line break

, on the second line before the tied note. Yes, that's what I had in mind. How can I prevent LilyPond from printing a second sharp in the second bar? MT

Re: tied sharps after line break

repeated for the 2nd cis in the 2nd bar. > I can imagine the reason to print the sharp sign after a linebreak and/or > pagebreak. But in such a case I would not repeat the sharp on the snd quarter. The proposed behavior by Elain Gould in Behind bars (p 80) is to have a single

tied sharps after line break

Hi LilyPonders, I bumped into a situation similar to this tiny example (In the real score the linebreak happened at such a situation without a forced \break but the result was the same): \relative c' { c4 c c *cis* *~* | \break *cis* *cis* cis d | } the sharp sign in the 2nd bar is

Re: extracting a single “vocal line” (including lyrics) from multiple variables

Hi Simon, > you can quote lyrics perfectly well. It’s just that of course the quoting > logic is based on durations, so I think explicit durations are unavoidable Ah! That makes sense. Despite the extra work, it’s probably QUITE worth it in my larger projects. Thanks! Kieren.

Re: extracting a single “vocal line” (including lyrics) from multiple variables

Hi Kieren, On 29.02.24 15:42, Kieren MacMillan wrote: I didn’t see an issue/request for quoting lyrics, so I added one (https://gitlab.com/lilypond/lilypond/-/issues/6700) and we’ll see how the discussion goes. :) I was curious and tried, and in fact you can quote lyrics perfectly well.

Re: extracting a single “vocal line” (including lyrics) from multiple variables

Simon Albrecht writes: > The downside of that is that I cannot add more tags to those groups on > the fly, and always have to add them directly to the library file.) Suggestions for a user interface to do that? -- David Kastrup

Re: extracting a single “vocal line” (including lyrics) from multiple variables

On 29.02.24 15:42, Kieren MacMillan wrote: use both \keepWithTag_and_ \removeWithTag like this: text = \lyricmode { \tag A { on -- ly al -- to } \tag nA { ev’ -- ry -- one ex -- cept al -- to } } #mindblown Why didn’t I think of using set theory?! THANK YOU! That hint

Re: extracting a single “vocal line” (including lyrics) from multiple variables

Hi David, On 29.02.24 15:54, David Kastrup wrote: I'd rather use \tagGroup alto,non-alto \lyricmode { \tag alto { on -- ly al -- to } \tag non-alto { ev’ -- ry -- one ex -- cept al -- to } } \keepWithTag alto ... \keepWithTag non-alto ... But one would need to look at the rest to see

Re: extracting a single “vocal line” (including lyrics) from multiple variables

Simon Albrecht writes: > This could be preferable if you can delineate the sections > well. Trying out \partcombine quickly made me avoid it until > absolutely necessary, but maybe it becomes manageable with clever and > experienced use of \partCombineApart and friends. In choral pieces, I >

Re: extracting a single “vocal line” (including lyrics) from multiple variables

Hi Simon, > huge respect for the kind of projects you are doing :) Thanks — I need all the [psychological] help I can get! LOL > Answering these questions is difficult because they can depend a lot on the > specifics of the music and any solution can become cumbersome because of only > a

Re: extracting a single “vocal line” (including lyrics) from multiple variables

: On 27.02.24 15:05, Kieren MacMillan wrote: In terms of efficiency (e.g., compilation time) and complexity (q.v., code maintenance) would it be better to: 1. \tag the various sections in question and then try to combine them (using \partcombine?) into a single vocal line; or This could

extracting a single “vocal line” (including lyrics) from multiple variables

of part to play from, and they said a lead sheet (i.e., marks + chords + vocals + lyrics) would be fine. I’d love to be able to tag different parts of the different variables (notes and lyrics) and compile a single line they can follow. Here’s my question: In terms of efficiency (e.g., compilation

Re: How to to a Lyrics extender line?

> Why not > > verseC = \lyricmode { \repeat unfold 4 { \skip 8 } lu __ _ >\markup \null \repeat unfold 3 { \skip 8 } lu __ _ } Thanks Kieren, that's kind of what I was looking for :) Kind regards, Michael -- Michael Gerdau email: m...@qata.de GPG-keys available

Re: How to to a Lyrics extender line?

Hi Michael, Why not verseC = \lyricmode { \repeat unfold 4 { \skip 8 } lu __ _ \markup \null \repeat unfold 3 { \skip 8 } lu __ _ } ? Hope that helps! Kieren __ My work day may look different than your work day. Please do not

Re: How to to a Lyrics extender line?

t; Hi list, >> >> I often come across a problem like in the attached example where I want an >> extender line to stop (in the example upper system before bar 3). >> >> I can achieve something like it by adding e.g. a "." to the Lyrics and >> change the col

Re: How to to a Lyrics extender line?

> On 14 Feb 2024, at 10:17, Michael Gerdau wrote: > > Hi list, > > I often come across a problem like in the attached example where I want an > extender line to stop (in the example upper system before bar 3). > > I can achieve something like it by adding

How to to a Lyrics extender line?

Hi list, I often come across a problem like in the attached example where I want an extender line to stop (in the example upper system before bar 3). I can achieve something like it by adding e.g. a "." to the Lyrics and change the colour to white or something similar (see exa

Re: broken bar line across staff

On Wed, Jan 31, 2024 at 6:12 AM Robert Garrigos wrote: > Hi all, > > My first post in this list. > > Is there a way to accomplish this? > > > the bar line across the staff is broken to enable the text to be more > visible > The way I do it is to use whiteout and p

Re: broken bar line across staff

On Wed, 31 Jan 2024 at 15:12, Robert Garrigos wrote: > > Hi all, > > My first post in this list. > > Is there a way to accomplish this? > > > the bar line across the staff is broken to enable the text to be more visible Hello, Sure, use the whiteout property. In thi

broken bar line across staff

Hi all, My first post in this list. Is there a way to accomplish this? the bar line across the staff is broken to enable the text to be more visible Thanks Robert

Re: Footnote separator line

>> Simply removing \fill-line will shift the line to the left margin, >> leaving the length the same. > > To my eye that looks a lot better. It's really a matter of style. For example, https://tex.stackexchange.com/questions/214644/how-to-add-a-footnote-separator-rule sho

Re: Footnote separator line

footnote to some music. One thing puzzles me: >> >> As is traditional in all texts, Lilypond places a horizontal line above the >> footnotes, separating them from the music above. However the horizontal >> position of this line confuses me. I would have expected the line

Re: Footnote separator line

Hi Kevin, On Tue, Jan 23, 2024 at 8:06 PM Kevin Pye wrote: > For the first time in many years of using Lilypond, I have a need to add a > footnote to some music. One thing puzzles me: > > As is traditional in all texts, Lilypond places a horizontal line above > the footnotes,

Footnote separator line

For the first time in many years of using Lilypond, I have a need to add a footnote to some music. One thing puzzles me: As is traditional in all texts, Lilypond places a horizontal line above the footnotes, separating them from the music above. However the horizontal position of this line

Re: Including input files via command line

file via >> the command line? Currently I am using \include, but I would like to be >> able to choose the included file on the fly without editing the main >> file. > > If I recall correctly, LilyPond will process each source file included > on the command-line in

Re: Including input files via command line

On 2024-01-16 10:12 am, Benjamin Bruce wrote: Is there a way to compile multiple input files into one output file via the command line? Currently I am using \include, but I would like to be able to choose the included file on the fly without editing the main file. If I recall correctly

Including input files via command line

Is there a way to compile multiple input files into one output file via the command line? Currently I am using \include, but I would like to be able to choose the included file on the fly without editing the main file. Another thought I had was maybe there is a way to pass a value to the .ly

last line of section with ragged right

Hello, does anyone know of a simple way to have the last line of a section with ragged right, something like ragged-last=##t affecting not only the last line of a score, but also the last line of a section? Thanks, Gilg

Re: remove extra line in outside staff notes

Wonderful ! I’m sorry, didn’t know the name 凉. thank you, cor > On 29 Dec 2023, at 16:12, Aaron Hill wrote: > > On 2023-12-29 7:01 am, Cordelia wrote: >> Hello, >> is it possible to remove the outside staff lines notes in a "\override >> StaffSymbol.line-count = #1"? >> Thank you, >> Cordelia

Re: remove extra line in outside staff notes

On 2023-12-29 7:01 am, Cordelia wrote: Hello, is it possible to remove the outside staff lines notes in a "\override StaffSymbol.line-count = #1"? Thank you, Cordelia Are you referring to ledger lines? \layout { \context { \Staff \override StaffSymbol.line-count = #1

remove extra line in outside staff notes

Hello, is it possible to remove the outside staff lines notes in a "\override StaffSymbol.line-count = #1"? Thank you, Cordelia e.g. \layout { \context { \Staff \override StaffSymbol.line-count = #1 } } \score { \relative c'' { c5\( f\) } }

Re: Encoding Bar, Line breaks into MIDI?

Actually, this was a stupid question. Apologies for the noise. The bar line, the line break, and the starting note of the next bar all share the same moment. Which isn't helpful in terms of playing back a video of the score. What's necessary is to interpolate "when the bar is" in th

Encoding Bar, Line breaks into MIDI?

Hello list, I'd like to encode bar lines and line breaks into the midi output. There are some general purpose midi control change messages that could be abused for this purpose. These general purpose control change messages have id's of 80-84. I don't see a way to use them in the lilypond

Re: Extra space before line break before ossia staff

> Is this a bug? Yes , see https://gitlab.com/lilypond/lilypond/-/issues/4263 signature.asc Description: This is a digitally signed message part

Re: Extra space before line break before ossia staff

Solved with \set Staff.explicitKeySignatureVisibility = #end-of-line-invisible \version "2.24.3" \layout { ragged-right = ##t } mainKey = { \key es \major } \new StaffGroup { \new Staff = main \relative { \mainKey g'1 | \break << { g1 }

Extra space before line break before ossia staff

It seems to me that when an ossia staff (or similar supplementary staff) happens to begin at a line break, Lilypond meaninglessly sets space apart for a key signature before the line break even though there is no key signature printed there. Is this a bug? Is there a workaround? The output

Re: What's causing this extra bar line and empty bar?

On Mon 20 Nov 2023 at 00:23:45 (+), Robert Hickman wrote: > Good point. I'm using 2.18.2 which is what's in the repo for debian 10. On Mon 20 Nov 2023 at 00:43:59 (+), Robert Hickman wrote: > Updating to the latest version fixed the issue, and also the unwanted > extra space. Problem was

Re: What's causing this extra bar line and empty bar?

s extra > barline doesn't appear. Can you try updating to the most recent version > of lilypond (.24 or .25), and see if that helps? > > Thanks, > -William > > On 11/19/23 19:00, Robert Hickman wrote: > > Hi people. I'm trying to reproduce the formatting from a tune th

Re: What's causing this extra bar line and empty bar?

gt; On 11/19/23 19:00, Robert Hickman wrote: > > Hi people. I'm trying to reproduce the formatting from a tune that > > started out in ABC notation, which is formatted with line breaks > > around phrases instead of bars. It is working as intended, except for > > an empty bar th

Re: What's causing this extra bar line and empty bar?

out in ABC notation, which is formatted with line breaks around phrases instead of bars. It is working as intended, except for an empty bar that's showing up after the first repeat sign, and I have no idea what's causing it. Also there's extra space being added before the other line breaks as we

What's causing this extra bar line and empty bar?

Hi people. I'm trying to reproduce the formatting from a tune that started out in ABC notation, which is formatted with line breaks around phrases instead of bars. It is working as intended, except for an empty bar that's showing up after the first repeat sign, and I have no idea what's causing

Re: Setting line-width for individual lines

know how to set line-width in the \layout block to apply it to the >> whole score. But is it possible to set line-widths on an individual >> line basis (or for groups of lines), for example one width for lines >> 1-2, and then a different width for lines 3-4? I know about >&g

Re: Setting line-width for individual lines

On 2023-10-16 7:15 pm, Benjamin Bruce wrote: I know how to set line-width in the \layout block to apply it to the whole score. But is it possible to set line-widths on an individual line basis (or for groups of lines), for example one width for lines 1-2, and then a different width for lines 3

Setting line-width for individual lines

I know how to set line-width in the \layout block to apply it to the whole score. But is it possible to set line-widths on an individual line basis (or for groups of lines), for example one width for lines 1-2, and then a different width for lines 3-4? I know about ragged-right, but I don't

Re: how to modify footnote numbered mark line length

> Here is the example. The line between the grob and the footnote number is controlled by the number's position, i.e., the first argument to the `\footnote` command. ``` \version "2.24.2" { \footnote #'(-1 . 3) "A note." a'4 a'4 \footnote #'(-5 . -5) &q

Re: how to modify footnote numbered mark line length

Here is the example. Many thanks. Il dom 15 ott 2023, 16:02 Werner LEMBERG ha scritto: > > > someone know how to modify line length footnote between number and > > music object? > > Please show images that explain what you want to do. > > > Werner >

Re: how to modify footnote numbered mark line length

> someone know how to modify line length footnote between number and > music object? Please show images that explain what you want to do. Werner

how to modify footnote numbered mark line length

Hello everyone, someone know how to modify line length footnote between number and music object? Many thanks. Paolo

Re: textSpanner - disable repeat of text on new line

> 7 okt. 2023 kl. 21:13 skrev Bevan Broun : > > > > Hi All > > > > When using a text spanner I get the text repeated after a line break, > followed by new dashes. Can I disable getting the repeat of the text and > only get dashes on the new line? I have a case where t

Re: textSpanner - disable repeat of text on new line

On Sat, Oct 7, 2023 at 1:39 PM Bevan Broun wrote: > Hi All > > When using a text spanner I get the text repeated after a line break, > followed by new dashes. Can I disable getting the repeat of the text and > only get dashes on the new line? I have a case where the repeated text

Re: textSpanner - disable repeat of text on new line

Hi Bevan! I think what you are looking for is: \override TextSpanner.bound-details.left-broken.text = ##f HTH /Leo > 7 okt. 2023 kl. 21:13 skrev Bevan Broun : > > Hi All > > When using a text spanner I get the text repeated after a line break, > followed by new dashes. Can

textSpanner - disable repeat of text on new line

Hi All When using a text spanner I get the text repeated after a line break, followed by new dashes. Can I disable getting the repeat of the text and only get dashes on the new line? I have a case where the repeated text is banging up against some other text and it would be clearer with just

Re: Extend bar line to fit raised staff

Thank you very much! Il giorno sab 26 ago 2023 alle ore 22:18 Xavier Scheuer ha scritto: > > On Sat, 26 Aug 2023 at 15:16, Gerardo Ballabio > wrote: > > > > Hello, > > I'm using Staff.StaffSymbol.line-positions to raise the staff position > > in the

Re: Extend bar line to fit raised staff

On Sat, 26 Aug 2023 at 15:16, Gerardo Ballabio wrote: > > Hello, > I'm using Staff.StaffSymbol.line-positions to raise the staff position > in the middle of a line. When the change is at the end of a measure, > the bar line is aligned with the new staff, leaving the old staff &g

Extend bar line to fit raised staff

Hello, I'm using Staff.StaffSymbol.line-positions to raise the staff position in the middle of a line. When the change is at the end of a measure, the bar line is aligned with the new staff, leaving the old staff partially "open", that is, the bar line doesn't extend over all the height

Re: Is there a better way to have a boxed part letter at the beginning of an arbitrary line?

Le mercredi 16 août 2023 à 14:50 -0400, Kevin Cole a écrit : > While this is also good to know about, and I thank you, it turns out > that the \sectionLabel is more of what I'm looking for. In your > example, the boxed text is too far to the right, whereas the > \sectionLabel put the label right

Re: Is there a better way to have a boxed part letter at the beginning of an arbitrary line?

On Wed, Aug 16, 2023 at 2:42 PM Michael Werner wrote: > > Hi Kevin. > > It sounds like you might be able to do want you want with rehearsal marks. > They're built into Lilypond and do pretty much what you seem to be > describing. Details at >

Re: Is there a better way to have a boxed part letter at the beginning of an arbitrary line?

On Wed, Aug 16, 2023 at 2:18 PM William Rehwinkel < will...@williamrehwinkel.net> wrote: > Dear Kevin, > > I use "\sectionLabel"s for this. > I KNEW there had to be a simpler way. Thanks. \sectionLabel is exactly what I was looking for. I should have tried more adjectives for "part" in my

Re: Is there a better way to have a boxed part letter at the beginning of an arbitrary line?

Hi Kevin. It sounds like you might be able to do want you want with rehearsal marks. They're built into Lilypond and do pretty much what you seem to be describing. Details at http://lilypond.org/doc/v2.24/Documentation/notation/bars#index-rehearsal-mark A modification of your MWE using them:

Re: Is there a better way to have a boxed part letter at the beginning of an arbitrary line?

oduces what I want, it seems very ugly, and I suspect there's a better way to accomplish the same thing: Placing the [A] and [B] boxed letters for the tune parts at the beginning of a line. \version "2.24.2" \language "en

Re: Is there a better way to have a boxed part letter at the beginning of an arbitrary line?

to a note, but tied to the beginning of a line.

Is there a better way to have a boxed part letter at the beginning of an arbitrary line?

A minimum working example will make the question clearer: Although the following produces what I want, it seems very ugly, and I suspect there's a better way to accomplish the same thing: Placing the [A] and [B] boxed letters for the tune parts at the beginning of a line

Re: How to supply missing end-of-system bar line?

On Tue, Jul 18, 2023 at 6:30 PM Jean Abou Samra wrote: > Le mardi 18 juillet 2023 à 18:07 -0400, Trevor Bača a écrit : > > Is this intentional? And, if it is, is there a way to re-supply the > missing bar line? > > > > Yes, and yes. This is a frequent question, so I've

Re: How to supply missing end-of-system bar line?

Le mardi 18 juillet 2023 à 18:07 -0400, Trevor Bača a écrit : > Is this intentional? And, if it is, is there a way to re-supply the missing > bar line? Yes, and yes. This is a frequent question, so I've wondered a couple times if we should come up with a new command to recommend instead o

How to supply missing end-of-system bar line?

Hi, The bar line at the end of the first system below appears to be missing: %%% BEGIN %%% \version "2.25.3" \layout { indent = #0 ragged-right = ##t } { c'4 c'4 c'4 c'4 \bar ".|:" \break c'4 c'4 c'4 c'4 } %%% END %%% Is this intentional? And, if it is, is ther

Re: Start repeat after Ending bar line

On 2023-06-21 10:47, dfro wrote: On 6/21/23 13:17, Jean Abou Samra wrote: Le mercredi 21 juin 2023 à 12:55 -0400, dfro a écrit : Hello fellow music engravers, I would like to have a staff system end with an 'ending bar line', then \break the staff, and then have the next staff system

Re: Adjusting length of final line

quot; & "\startStaff" - that was exactly what I'd been looking for. Many thanks both for the supportive community, and the incredibly impressive documentation! Dave On Mon, 19 Jun 2023 at 22:32, Dave Shield wrote: > > I've been trying to adjust the width of the final line of a piece, &

Re: Start repeat after Ending bar line

On 6/21/23 13:17, Jean Abou Samra wrote: Le mercredi 21 juin 2023 à 12:55 -0400, dfro a écrit : Hello fellow music engravers, I would like to have a staff system end with an 'ending bar line', then \break the staff, and then have the next staff system begin with a 'start repeat

Re: Start repeat after Ending bar line

Le mercredi 21 juin 2023 à 12:55 -0400, dfro a écrit : > Hello fellow music engravers, > > I would like to have a staff system end with an 'ending bar line', then > \break the staff, and then have the next staff system begin with a > 'start repeat'. > > The following

Start repeat after Ending bar line

Hello fellow music engravers, I would like to have a staff system end with an 'ending bar line', then \break the staff, and then have the next staff system begin with a 'start repeat'. The following code causes the first system to have no bar line at the end, and the 'start repeat' command

Re: Adjusting length of final line

Dave Shield wrote: How can I get the general spacing of the last line to be similar to the other lines in the following example? (i.e. roughly half the width of the page). Previously I would have, after \halfscale, added \stopStaff s16*20 where you adjust the 20 to taste

  1   2   3   4   5   6   7   8   9   10   >