Re: Conductor cues using braces

Wow that indentation... here is the file. Le mer. 8 mai 2024, à 11 h 05, Pierre-Luc Gauthier a écrit : > > \version "2.25.15" > > \language "english" > > % _taken from the LSR : > #(define-markup-command (long-curly-bracket layout props arg-height) >(number?) >"Draw a curly bracket with

Re: Conductor cues using braces

\version "2.25.15" \language "english" % _taken from the LSR : #(define-markup-command (long-curly-bracket layout props arg-height) (number?) "Draw a curly bracket with a variable length." (interpret-markup layout props (markup #:translate

Conductor cues using braces

Hello there, Originaly : https://lists.gnu.org/archive/html/lilypond-user/2017-11/msg00303.html I still never got to add cue notes in my conductor scores to help me during rehearsals. Obviously, I could write them by hand but I (re-)compile my parts way too often for that. I have lowered my

Re: Cues and Rest Collision Warning

Thank you, Jean, for these very detailed explanations about how the voices are to be used -- and the alternate way to achieve the same result.  I hugely appreciate your input. Archer On 14/03/2023 19:09, Jean Abou Samra wrote: Le mardi 14 mars 2023 à 14:36 +, Archer Endrich a écrit :

Re: Cues and Rest Collision Warning

Le mardi 14 mars 2023 à 14:36 +, Archer Endrich a écrit : > Thank you Xavier and Jean.  The warnings have disappeared and the > MMrest with #-6 is perfectly placed on the E line of the staff. > The revised version looks like this: > \score { > >   \new Staff { >   

Re: Cues and Rest Collision Warning

Thank you Xavier and Jean.  The warnings have disappeared and the MMrest with #-6 is perfectly placed on the E line of the staff. The revised version looks like this: \score {   \new Staff {     \time 4/4     \clef treble     g'1^\markup{Fl 1} |   <<   { \voiceTwo   \once

Re: Cues and Rest Collision Warning

Le mardi 14 mars 2023 à 13:13 +0100, Xavier Scheuer a écrit : > On Tue, 14 Mar 2023 at 12:55, Archer Endrich > <[archer...@gmail.com](mailto:archer...@gmail.com)> wrote: > > > > The reason I used c'1\rest was so that the rest would be placed on the > > bottom line of the Staff.  I would

Re: Cues and Rest Collision Warning

On Tue, 14 Mar 2023 at 12:55, Archer Endrich wrote: > > The reason I used c'1\rest was so that the rest would be placed on the > bottom line of the Staff. I would really like a centered rest (R1) but > this automatically places it on the 2nd line from the top, which does > conflict with the

Cues and Rest Collision Warning

the definition outside \book made it all work perfectly. I have another problem with a very simple use of cues, using code as in the Notation Manual.  This is my example: %CuesandRestCollisions.ly \version "2.22.1" \header {   title = "Cues and Rest Collision Warning" }

Re: moving rests relative cues

Thanks to Jean's correction about quotedCueEventTypes here is a MWE that shows why there is still a collision. \version "2.23.5" aa = \relative{ f'4->( 4 d4 4) f4->( 4 d4 4->) } \addQuote qaa \aa bb = \relative{   \set Score.quotedCueEventTypes = #'(note-event rest-event tie-event       

Re: moving rests relative cues

On 12/13/21 16:37, Jean Abou Samra wrote: Le 14/12/2021 à 00:19, Paul Scott a écrit : On 12/13/21 16:03, Jean Abou Samra wrote: Le 13/12/2021 à 23:34, Paul Scott a écrit : I'm trying to move rests associated with cues.  The first measure shows the problem.  The second measure shows

Re: moving rests relative cues

Le 14/12/2021 à 00:19, Paul Scott a écrit : On 12/13/21 16:03, Jean Abou Samra wrote: Le 13/12/2021 à 23:34, Paul Scott a écrit : I'm trying to move rests associated with cues.  The first measure shows the problem.  The second measure shows the attempted solution. Changing #down to #up

Re: moving rests relative cues

On 12/13/21 16:03, Jean Abou Samra wrote: Le 13/12/2021 à 23:34, Paul Scott a écrit : I'm trying to move rests associated with cues.  The first measure shows the problem.  The second measure shows the attempted solution. Changing #down to #up is not reasonable in my real complex score

Re: moving rests relative cues

On 12/13/21 15:57, Kieren MacMillan wrote: Hi Paul, I'm trying to move rests associated with cues. The first measure shows the problem. The second measure shows the attempted solution. Changing #down to #up is not reasonable in my real complex score. TIA for any7 help, Does this solution

Re: moving rests relative cues

Le 13/12/2021 à 23:34, Paul Scott a écrit : I'm trying to move rests associated with cues.  The first measure shows the problem.  The second measure shows the attempted solution. Changing #down to #up is not reasonable in my real complex score. TIA for any7 help, Paul \version "2

Re: moving rests relative cues

Hi Paul, > I'm trying to move rests associated with cues. The first measure shows the > problem. The second measure shows the attempted solution. > Changing #down to #up is not reasonable in my real complex score. > TIA for any7 help, Does this solution suit? %%% \version

moving rests relative cues

I'm trying to move rests associated with cues.  The first measure shows the problem.  The second measure shows the attempted solution. Changing #down to #up is not reasonable in my real complex score. TIA for any7 help, Paul \version "2.23.5" aa = \relative{ f'4 4 4 4 4 4 4 4 }

Re: cues with lyrics

t; \cueL_VerseII     >>   >>   \layout {     \context {   \Score   \compressFullBarRests   \override LyricText #'font-size = #-1   \override NoteHead #'style = #'baroque     }   } } > Message du 19/04/20 07:37 > De : "Paul Scott" > A : "

Re: cues with lyrics

t; \cueL_VerseII     >>   >>   \layout {     \context {   \Score   \compressFullBarRests   \override LyricText #'font-size = #-1   \override NoteHead #'style = #'baroque     }    } }         > Message du 19/04/20 07:37 > De : "Paul Scott" > A : &qu

Re: cues with lyrics

te command but rather below in your \score block. I want the cue lyrics to be on one line under the vocal cues. This a standard opera or musical show need for the instrumental parts. This was taken from a snippet that I can't find right now but this is a working variation of it.  The lyric sylla

Re: cues with lyrics

On Sun, 19 Apr 2020 at 02:03, Paul Scott wrote: > > I posted this some time ago and didn't get answer so I thought I would > try again: > > This is an example that I reduced from a snippet. > > Can someone please tell me why the lyrics ("wordc") don't show up on the > third note (from the 2nd

cues with lyrics

I posted this some time ago and didn't get answer so I thought I would try again: This is an example that I reduced from a snippet. Can someone please tell me why the lyrics ("wordc") don't show up on the third note (from the 2nd cueDuring)? TIA, Paul \version "2.19.83" vcNotes =

RE: problems with cues

as testy remarks. If your ranting forces me to find a solution then that's good - I may even learn something. Cheers -Original Message- From: David Kastrup Sent: 16 December 2019 13:17 To: Peter Gentry Cc: Lilypond Users ; peter.gen...@sunscales.co.uk Subject: Re: problems with cues

Re: problems with cues

"Peter Gentry" writes: > This issue has been resolved with help from David. Unless one of the more helpful Davids on this list pitched in in private, I would not say that I had nearly enough information available to contribute anything that could in good conscience be called "help". This is

problems with cues

This issue has been resolved with help from David. Should anyone be interested all the files can be found at sunscales.co.uk under the composer Farrenc. I did get a bit confused with \cueDuring and \transposedCueDuring.. Regards Peter

Re: [SPAM] Re: Re Problems with cues

Aaron Hill writes: > On 2019-12-13 3:54 am, David Kastrup wrote: >> Peter writes: >>> A regular oddity is the message no glyph for U+92 in the .off file ? >>> significant? >> It means that in the given font there is no backslash. Text font >> layout >> of TeX fonts tends to be a bit weird but

Re: [SPAM] Re: Re Problems with cues

> pango-font.cc emits the warning with %0X, so that U+ number is in > hex. BTW, I've now slightly adjusted the warning message in git to make LilyPond emit 'U+0092' instead of 'U+92' – the 'U+' notation should return at least four uppercase hex digits. Werner

Re: [SPAM] Re: Re Problems with cues

On 2019-12-13 3:54 am, David Kastrup wrote: Peter writes: A regular oddity is the message no glyph for U+92 in the .off file ? significant? It means that in the given font there is no backslash. Text font layout of TeX fonts tends to be a bit weird but nevertheless this seems strange.

Re: [SPAM] Re: Re Problems with cues

Please do not take discussions off the list without bothering to announce it. Resent, this time with list included. Peter writes: > Yes I did manually change using the Fresco snippet but only after the > problem in order to put all the files on the current version number. I > appreciate that

Re: Re Problems with cues

"Peter Gentry" writes: > Thanks for that response David. I wonder if the cause is to be found on my > machine rather than in Lilypond. The cause is, according to the comparatively sparse and vague information you provided so far, your input never could have worked in the form you claim it did.

Re Problems with cues

Thanks for that response David. I wonder if the cause is to be found on my machine rather than in Lilypond. I have recently been looking at Python (to try and stimulate a few aged grey cells) to which end I have blundered about with Trinket and also installed Python3.8 (64bit). These efforts

Re: problems with cues

Thomas Morley writes: > Am Mi., 11. Dez. 2019 um 15:16 Uhr schrieb David Kastrup : >> >> "Peter Gentry" writes: >> >> > It seems that the issue reared its head as a result of my "erroneous" >> > assumption that >> > >> > \book { >> > >> > Page layout stuff for front page >> > >> > } >> >

Re: problems with cues

Am Mi., 11. Dez. 2019 um 15:16 Uhr schrieb David Kastrup : > > "Peter Gentry" writes: > > > It seems that the issue reared its head as a result of my "erroneous" > > assumption that > > > > \book { > > > > Page layout stuff for front page > > > > } > > > > \bookpart { > > > > Header &

Re: problems with cues

On Wed 11 Dec 2019 at 15:16:04 (+0100), David Kastrup wrote: > "Peter Gentry" writes: > > It seems that the issue reared its head as a result of my "erroneous" > > assumption that > > \book { > > Page layout stuff for front page > > } > > \bookpart { > > Header & music > > } > >

Re: problems with cues

strup" To: "Peter Gentry" Cc: ; "Lilypond Users" Sent: Wednesday, December 11, 2019 2:16 PM Subject: Re: problems with cues "Peter Gentry" writes: It seems that the issue reared its head as a result of my "erroneous" assumption that \book {

Re: problems with cues

"Peter Gentry" writes: > It seems that the issue reared its head as a result of my "erroneous" > assumption that > > \book { > > Page layout stuff for front page > > } > > \bookpart { > > Header & music > > } > > \bookpart { > > Header & music > > } > > Was a way to go. > > > >

problems with cues

It seems that the issue reared its head as a result of my "erroneous" assumption that \book { Page layout stuff for front page } \bookpart { Header & music } \bookpart { Header & music } Was a way to go. Although this has worked over the years it doesn't today. If I

Re: problems with cues

"Peter Gentry" writes: > David > > > > I'm sorry my explanations are not very clear, probably because I am a bit > confused. You did not answer a single of the questions I asked for clarification. > However I may be getting somewhere when the Header file is introduced > I get This is very

problems with cues

David I'm sorry my explanations are not very clear, probably because I am a bit confused. However I may be getting somewhere when the Header file is introduced I get Starting lilypond-windows.exe 2.19.81 [Op38_Gg_L2_Test.ly]... Processing

re: multiple cues with lyrics 2.19..83

On Sat, 11 May 2019 09:25:42 +0200 (CEST), Remy CLAVERIE wrote: Hi Paul, Thank you for your reply, Remy. I don' know why the code doesn't work as expected because I dislike the cueDuring function. Are you willing to share what you don't like about cueDuring. I used to make cues similar

re: multiple cues with lyrics 2.19..83

fontSize = #-4 \words } >>   HTH   The best,   Rémy         > Message du 11/05/19 01:21 > De : waterho...@ultrasw.com > A : lilypond-user@gnu.org > Copie à : > Objet : multiple cues with lyrics 2.19..83 > > This is an example that I reduced from a snippet. > Can someone

multiple cues with lyrics 2.19..83

This is an example that I reduced from a snippet. Can someone please tell me why the lyrics ("wordc") don't show up on the third note (from the 2nd cueDuring)? TIA, Paul \version "2.19.83" vcNotes = \relative{ c'1 a d } \addQuote qvc \vcNotes oboeNotes = \relative{ \cueDuring qvc #down

cues with lyrics

This is an example that I reduced from a snippet. Can someone please tell me why the lyrics ("wordc") don't show up on the third note (from the 2nd cueDuring)? TIA, Paul \version "2.19.83" vcNotes = \relative{ c'1 a d } \addQuote qvc \vcNotes oboeNotes = \relative{ \cueDuring qvc #down

Re: cues overlapping compressed multi measure rest

Am Sa., 4. Mai 2019 um 11:49 Uhr schrieb Thomas Morley : > [*] > Please attach images, or link to them. My local settings will filter out any > inline images. And I may not be the only one. > Looking in the archives is more tedious and probably one reason why this is > unanswered up to now.

Re: cues overlapping compressed multi measure rest

Am Do., 2. Mai 2019 um 23:10 Uhr schrieb Alex Jones < akjonesjeff...@gmail.com>: Normally when I make cues I use the << {} \\ {} >> structure such that I > might have code like the following, but it breaks up the multi measure > rest, any suggestions? > > \versi

cues overlapping compressed multi measure rest

I am trying to replicate an odd structure, which places cue notes over top of the conclusion of a compressed multi measure rest. Normally when I make cues I use the << {} \\ {} >> structure such that I might have code like the following, but it breaks up the multi measu

Re: Conductor cues using brackets

Wow, thanks Thomas, 2017-11-15 16:49 GMT-05:00 Thomas Morley : > HTH a bit, Yes, it helps a lot. I will look into adapting the path used in the snippet you provided from the LSR into your code. You can be sure I'll add that in my workflow even if it's a bit still "by

Re: Conductor cues using brackets

t is rather hard to explain, please see attached PNG. > > I often spend hours writing cue notes by hand (sharpy + color coded > pen, etc) on conductor scores mainly for notating player entry and > specific cues. The problem is that it obviously cannot be reproduced > if I, for whatev

Conductor cues using brackets

+ color coded pen, etc) on conductor scores mainly for notating player entry and specific cues. The problem is that it obviously cannot be reproduced if I, for whatever reason, reprint the score as those cues are hand written. So, what I would hope for, is some way of getting LilyPond to insert brackets

Re: Cues recursion

c...@gmail.com> ha scritto: > > David, Matteo, > > On Sun, Jun 19, 2016 at 9:53 PM, David Wright <lily...@lionunicorn.co.uk> > wrote: >> On Mon 20 Jun 2016 at 00:40:08 (+0200), matpen3@gmail wrote: >>> I’m preparing parts for a quite complex score,

Re: Cues recursion

David, Matteo, On Sun, Jun 19, 2016 at 9:53 PM, David Wright <lily...@lionunicorn.co.uk> wrote: > On Mon 20 Jun 2016 at 00:40:08 (+0200), matpen3@gmail wrote: >> I’m preparing parts for a quite complex score, and I’m using the ‘’\add >> quote” command for cues. > >

Re: Cues recursion

On Mon 20 Jun 2016 at 00:40:08 (+0200), matpen3@gmail wrote: > I’m preparing parts for a quite complex score, and I’m using the ‘’\add > quote” command for cues. Why aren't you using cues rather than quotes? > Everything is fine until I have to quote a part that contains a cue of th

Polyphonic Cues Using \cueDuring

All of the cue examples I’ve seen so far seem to only contain one voice, but it’s not uncommon to see cues containing the notes from multiple parts. If the different parts have the same rhythm, it works nicely to just create a polyphonic quote: \addQuote #”Two Voice Cue” {<< \partI \

Page Turns During Cues

Hey all, I have a piece that, due to its rhythmic complexity, needs a lot of cues in the parts. Unfortunately, as a result, several of the parts have three pages of consecutive music where LilyPond can't put a page turn. Is there a setting somewhere I can use to tell the page turn engraver

overrides in quoted cues

Through experimentation I have discovered that tweaks are effective in quoted cues, however overrides do not work. It is possible to make overrides work by adding StreamEvent to quotedCueEventTypes, however this brings with it additional events such as slurs and dynamics which are not desired

Re: overrides in quoted cues

Mark Knoop m...@opus11.net writes: Through experimentation I have discovered that tweaks are effective in quoted cues, however overrides do not work. It is possible to make overrides work by adding StreamEvent to quotedCueEventTypes, however this brings with it additional events such as slurs

Re: overrides in quoted cues

At 20:10 on 02 Aug 2014, David Kastrup wrote: Mark Knoop m...@opus11.net writes: Through experimentation I have discovered that tweaks are effective in quoted cues, however overrides do not work. It is possible to make overrides work by adding StreamEvent to quotedCueEventTypes, however

Re: overrides in quoted cues

At 20:10 on 02 Aug 2014, David Kastrup wrote: Mark Knoop m...@opus11.net writes: Through experimentation I have discovered that tweaks are effective in quoted cues, however overrides do not work. It is possible to make overrides work by adding StreamEvent to quotedCueEventTypes, however

Re: transposing cues

Paul Scott waterho...@ultrasw.com writes: On Sun, Apr 06, 2014 at 08:49:50AM +0200, David Kastrup wrote: Paul Scott waterho...@ultrasw.com writes: Now how can I write a clarinet part that goes back and forth between Bb and A and get the cues transposed correcly? URL:http

Re: transposing cues

On Mon, Mar 24, 2014 at 04:33:38AM +0100, David Kastrup wrote: Paul Scott waterho...@ultrasw.com writes: 2.19.3: When transposing parts that use cueDuring or quoteDuring how can I get the cues or quotes to be transposed? I thought this worked easily in a fairly recent version

Re: transposing cues

Paul Scott waterho...@ultrasw.com writes: Now how can I write a clarinet part that goes back and forth between Bb and A and get the cues transposed correcly? URL:http://lilypond.org/doc/v2.18/Documentation/notation/displaying-pitches#index-transposition_002c-instrument Second example

Re: transposing cues

On Sun, Apr 06, 2014 at 08:49:50AM +0200, David Kastrup wrote: Paul Scott waterho...@ultrasw.com writes: Now how can I write a clarinet part that goes back and forth between Bb and A and get the cues transposed correcly? URL:http://lilypond.org/doc/v2.18/Documentation/notation

Re: transposing cues

On Mon, Mar 24, 2014 at 04:33:38AM +0100, David Kastrup wrote: Paul Scott waterho...@ultrasw.com writes: 2.19.3: When transposing parts that use cueDuring or quoteDuring how can I get the cues or quotes to be transposed? I thought this worked easily in a fairly recent version

transposing cues

2.19.3: When transposing parts that use cueDuring or quoteDuring how can I get the cues or quotes to be transposed? I thought this worked easily in a fairly recent version. In the following I would want the flute cue to be transposed along with the clarinet notes. Thanks for any comments

Re: transposing cues

Paul Scott waterho...@ultrasw.com writes: 2.19.3: When transposing parts that use cueDuring or quoteDuring how can I get the cues or quotes to be transposed? I thought this worked easily in a fairly recent version. In the following I would want the flute cue to be transposed along

transposing cues

(I have looked this up in the NR) Should I be able transpose a part including the cues (or quotes)? \version 2.19.2 partB = \relative c' { \transposition f \key g \major c'1 d e } \addQuote qb \partB partA = \relative c' { \transposition c' \cueDuring qb #down R1 b'1 c } \score

Help with simple cues

about having rests in the cues, and rests outside the cues, seems to be sending the warning. It looks fine, but I don't want it giving me warnings, since that means I'm doing something wrong. So my question: How do I solve this, making it look like it already does, yet not throw warnings? I also

Re: neutral direction cues

-- View this message in context: http://old.nabble.com/neutral-direction-cues-tp33986363p34020869.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: neutral direction cues

Ramana Kumar ram...@member.fsf.org writes: OK, consider this example slightly modified from the Notation Manual: fluteNotes = \relative c'' {   r2. c4 | d8 c d e fis,2 | g'2 d | } oboeNotes = \relative c'' {   r1   \cueDuring #flute #UP { s1 }   g2 c, } \addQuote flute { \fluteNotes

Re: Re: neutral direction cues

Hi, wouldn’t be #NEUTRAL be more consistent with other Lilypond syntax? (I don’t know the Lilypond internals well enough, but in the user interface there is e.g. \stemNeutral and so on.) Cheers, Joram Am 16.06.2012 14:01, schrieb David Kastrup: I'm interested in changing the #UP to a neutral

Re: Re: neutral direction cues

I agree that #NEUTRAL would be a better mnemonic. However, I was under the impression that David was just reusing #CENTER which already exists... So, #CENTER should probably be renamed to #NEUTRAL everywhere. (Or both should exist as aliases for #0). By the way, David, thanks a lot for your

Re: neutral direction cues

Noeck noeck.marb...@gmx.de writes: Am 16.06.2012 14:01, schrieb: I'm interested in changing the #UP to a neutral direction because I want the stems in the cue to be neutral direction. But If I use #0 instead of #UP, the notes are not formatted as cue notes at all. #CENTER is more mnemonic.

Re: neutral direction cues

David Kastrup d...@gnu.org writes: Noeck noeck.marb...@gmx.de writes: Am 16.06.2012 14:01, schrieb: I'm interested in changing the #UP to a neutral direction because I want the stems in the cue to be neutral direction. But If I use #0 instead of #UP, the notes are not formatted as cue

Re: neutral direction cues

a quote, i.e. those during my spacer rests. can you please give some code as example !? - I'm not sure to understand your request correctly. thanks Eluze -- View this message in context: http://old.nabble.com/neutral-direction-cues-tp33986363p34020869.html Sent from the Gnu - Lilypond - User

neutral direction cues

Hi LilyPond Is it possible to do something like \cueDuring without specifying a direction? I know there is a polyphonic situation, but sometimes the thing happening during the cue is entirely spacer rests. In that case it would be nice to format the cue with a neutral direction. I tried giving

Re: Cues (CueVoice) and quoted instrument name : InstrumentSwitch

used for the cue (quoted) instrument. cueDirection = NEUTRAL % actually I need this, currently we can only define cued UP or % DOWN but I have seen in many scores cues with normal (neutral) % stem directions (idem for ties, slurs, etc. - equiv. \oneVoice). } { R1 } Maybe

Re: Cues (CueVoice) and quoted instrument name : InstrumentSwitch

On Sun, 09 Oct 2011 04:13:39 -0700, Xavier Scheuer x.sche...@gmail.com wrote: It would be great if someone could extend cueDuring Trevor has made one at http://lilypond.org/doc/v2.14/Documentation/notation/opera-and-stage-musicals that we might want to include by default in LilyPond. It is

Cues (CueVoice) and quoted instrument name : InstrumentSwitch

Hi, IIRC in some previous version of the doc it was recommended to use \new CueVoice \with { instrumentCueName = quoted instrument name } in order to print the name of the quoted instrument (shown in small notes). Now I see (version 2.14/2.15 of the doc, NR 1.6.3 Writing parts

Re: Cues (CueVoice) and quoted instrument name : InstrumentSwitch

Xavier Scheuer x.scheuer at gmail.com writes: IIRC in some previous version of the doc it was recommended to use \new CueVoice \with { instrumentCueName = quoted instrument name } in order to print the name of the quoted instrument (shown in small notes). I had so much trouble

Re: Cues + ties/LV

At Thu, 7 Jul 2011 10:43:11 +, James Lowe wrote: You can explicitly state which 'events' (slurs, ties etc) you want in the cue part \set Score.quotedCueEventTypes = #'(your event here ...) I know (as I revamped this entire section very recently) that there are potentially more

RE: Cues + ties/LV

Hello, )-Original Message- )From: lilypond-user-bounces+james.lowe=datacore@gnu.org )[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On )Behalf Of James Harkins )Sent: 07 July 2011 04:43 )To: lily-users )Subject: Cues + ties/LV ) )Was just playing around with cues

Cues + ties/LV

Was just playing around with cues, and got it mostly figured out (thanks to the great documentation). But I'm stuck on one point -- In the bit pasted below my signature, if I were writing this by hand, I would add a \laissezVibrer tie to the last note of the cue, but omit the note at the other

How To Display Cues

an easy way to display cues ? The three bars below I'd like to be cues for another instrument. In Finale, all I did was reduce the note size 50 or 60 percent. Is there a simple way to do this in Lilypond ? e8-.\pp ^\markup { { Corno I Solo. } } e-. e4-. f2- e8-. e-. e4-. a2

Re: How To Display Cues

a Windows OS. The last obstacle was finding a replacement for Finale.My use of Lilypond will be mainly transcription/transposition. Can anyone suggest an easy way to display cues ? The three bars below I'd like to be cues for another instrument. In Finale, all I did was reduce the note

Making cues visible on parts but not on conductor's score

I am processing an orchestral lilypond score. I would like cues to appear just before an instrument start playing after a long rest, but only in parts, *not* the conductor's score. As discussed before, I use a small driver lilypond script to produce each individual instrument part score

Re: Making cues visible on parts but not on conductor's score

Use \tag. It's discussed somewhere in NR 3, different editions from one score or something like that. Cheers, - Graham On Wed, 1 Oct 2008 14:56:34 +1300 Daryna Baikadamova [EMAIL PROTECTED] wrote: I am processing an orchestral lilypond score. I would like cues to appear just before

cues?

My original contains cues: small notes (played by someone else) near the end of an extended rest that are there to help the player come back in at the right time. I suppose that my problem is that I don't know what such notes are called in Europe. I couldn't find cue in the index. thanks

Re: cues?

Hi, James: I couldn't find cue in the index. Look in the docs (User Manual), section 8.3 Orchestral Music. [BTW: I find the PDF version of the User Manual to be most helpful, because you can search for things like cue more easily...] Best, Kieren.

Re: cues?

On 26-May-06, at 1:58 PM, James Wilkinson wrote: I couldn't find cue in the index. Added to CVS, thanks. - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Two questions: slashes and rhythmic cues

Graham Percival wrote: On 12-May-06, at 10:33 AM, Stan Mulder wrote: But when the parts are transposed the slashes move all over the place for the Bb and Eb instruments. Is there are way to keep the slash exactly on a certain note and ignore the transposition? As it happens, this is part

Two questions: slashes and rhythmic cues

. Is there a way to differentiate it from a repeat slash marking so as to not have it play in the midi output? The second question regards rhythmic cues, smallish notes that would appear in or above the staff indicating rhythmic hits or kicks, but again this would only indicate rhythm and not be a playable

Two questions: slashes and rhythmic cues

and ignore the transposition? Also, that symbol should not be a playable one. Is there a way to differentiate it from a repeat slash marking so as to not have it play in the midi output? The second question regards rhythmic cues, smallish notes that would appear in or above the staff indicating

Re: Two questions: slashes and rhythmic cues

On 12-May-06, at 10:33 AM, Stan Mulder wrote: But when the parts are transposed the slashes move all over the place for the Bb and Eb instruments. Is there are way to keep the slash exactly on a certain note and ignore the transposition? As it happens, this is part of an example in 9.2.6

Re: Two questions: slashes and rhythmic cues

Graham Percival wrote: On 12-May-06, at 10:33 AM, Stan Mulder wrote: But when the parts are transposed the slashes move all over the place for the Bb and Eb instruments. Is there are way to keep the slash exactly on a certain note and ignore the transposition? I was about to ask the same

Re: Lyrics and Clefs in Cues for Horns

.) Something like this should work: Key = { \key c \minor} Oboe = \relative c'' { \Key c4 d es2 } Horn = \relative c' { % \Key % uncomment this line if you *do* want a key sig for the hornist c4 d es2 } When I show cues for instruments in a different transposition, it seems appropriate to show

Lyrics and Clefs in Cues for Horns

myself.) Near the very end of a movement, I want to set lyrics to choral (soprano?) cues for two measures. The horn part is shown on two staves (1st horn, 2nd horn) and I want the cues in the top staff, with the lyrics between the staves. Is there a way to drop this in? Or does it (a lyrics context

cues in multimeasure rest

to mind is to put in a measure that fits the duration of the cues and make the barline/time signature invisible before the cues so that it ends up looking like the example above. Any better ideas? -David ___ lilypond-user mailing list [EMAIL PROTECTED

Re: cues in multimeasure rest

in at the end. To the performer they obviously belong to the end of the final measure of the multimeasure rest. The first, indeed the only, thing that comes to mind is to put in a measure that fits the duration of the cues and make the barline/time signature invisible before the cues so that it ends