Re: Using lyrics in a markup

Am 20.01.2011 09:20, schrieb jakob lund: 2011/1/19 Jan-Peter Voigt: Hello scheme-gurus, nr. 744 is bookmarked ;-) There's one more thing. I tried the verse-command and it works nicely, but it will wrap lines: say you have a stanza like this --snip-- strI = \lyricmode { \set stanza = "1." T

Re: Pentatonic Diatonic Transposition?

Am 21.01.2011 03:05, schrieb Daniel: Hello, Hello Daniel, I have recently discovered Lilypond, and wow. It is just great. I have been looking for something like this for a long time. :-) I have a question on how to diatonically transpose a motive in a non-major or minor scale in this case,

Re: Pentatonic Diatonic Transposition?

Am 21.01.2011 08:46, schrieb Basso Ridiculoso: Hello Marc, Danke für deine antwort zu meine frage! :) Its funny you point out those functins, because I have been looking at that...but I have not been able to make it work. I hope you don't mind a direct reply to your email. No problem, but sin

Re: Pentatonic Diatonic Transposition?

Am 21.01.2011 05:26, schrieb m...@apollinemike.com: Hey Daniel, Check out http://wiki.lilynet.net/index.php/JM_diatonic-transpose.ly . This is more or less the same info I emailed him - unfortunately, we both missed the fact that he asked for _pentatonic_ transposition, which isn't supported b

Re: Using lyrics in a markup

Am 24.01.2011 15:33, schrieb Jan-Peter Voigt: Hello Phil, I posted the "improved" version this morning with a bit more text about the possible overrides. So you can approve that and delete the old one or copy either the code of the new snippet (or the attached one) to the old and delete the n

Re: Extender style

Am 24.01.2011 04:24, schrieb Robert Stoddard: Undoubtedly, this is a simple request for those who understand Scheme... I don't think so, see http://lists.gnu.org/archive/html/lilypond-user/2008-05/msg00254.html How can I change the lyric extender from a solid line to a dotted one? Nothing

Re: Extender style

Am 24.01.2011 21:24, schrieb Marc Hohl: [...] With text spanners, customized dashed lines are easily created. Oops, you needed dotted lines, not dashed ones ... sorry, I have no clue at the moment. HTH, Marc Thanks, Robert www.bostonsing.org <http://www.bostonsing.

Re: error in predefined chord diagram?

Am 30.01.2011 23:28, schrieb Tim McNamara: [...] It would also be wonderful to be able to stack extensions and alternative voicings: D7(b5) (b9) D7#5(b13) but in one tall parentheses (there may be a way to do that already but I don't know how). A bit off-topic, but the jazz font

Re: Showing Beats in Complex Music

Am 31.01.2011 19:16, schrieb Laurentin Lévesque: With my choir we're doing lots of highly syncopated music this year. I am trying to rewrite my voice parts (with the lyrics) while having the beatcounts printed on top of the staff in their proper location with respect to the syncopated notes. Co

Re: [tablatures] Re: error in predefined chord diagram?

Am 03.02.2011 05:36, schrieb Carl Sorensen: [...] a) 1231xx or 1231x1 This is just Edim above up one fret, right? This could be useful for higher chords: f:dim 1231x1 fis:dim 2342x2 g:dim 3453x3 gis:dim 4564x4 a:dim 5675x5 bes:dim 6786x6 b:dim 7897x7 b) xx6464 or 4x646

Re: error in predefined chord diagram?

Am 06.02.2011 18:32, schrieb Tim McNamara: There is a fourth note, double one of the notes in the triad, in the dim fingerings that is not in the score. IME the fingering should match the score in cases where there is a score. I think this is the case with tablature, but considering the voicin

spacing between staves

Hello all, after reading the manual and the archives, I have to admit that I am probably too stupid for the new spacing system. I have the following song template and I want the staves to be further apart so they fill about 2/3 of the entire page. I fiddled around with ridiculously high values

Re: spacing between staves

Am 07.02.2011 11:52, schrieb Trevor Daniels: Marc Hohl wrote Monday, February 07, 2011 10:12 AM I have the following song template and I want the staves to be further apart so they fill about 2/3 of the entire page. I fiddled around with ridiculously high values for padding, basic-distance

Re: spacing between staves

Am 07.02.2011 12:42, schrieb Xavier Scheuer: On 7 February 2011 11:12, Marc Hohl wrote: Hello all, after reading the manual and the archives, I have to admit that I am probably too stupid for the new spacing system. I have the following song template and I want the staves to be further apart

Re: Using lyrics in a markup

Am 08.02.2011 12:00, schrieb Jan-Peter Voigt: Hello Marc, hello Jakob, hello list, I just wanted to share a tiny extension of the lyrics->markup function: ... (cond ((eq? (ly:music-property lyrics 'name) 'LyricEvent) (ly:music-property lyrics 'text))

Re: midi-output using one midi channel per string?

Am 10.02.2011 08:59, schrieb Ingo Glöckner: Hello, I am using Lilypond for writing guitar music. In this process, the generated midi output can be a useful control. In order to get a more realistic impression, I would like to send the notes for each guitar string to a separate midi channel so th

Re: Use custom font's flat (b) and sharp (#) symbols for chords

Am 16.02.2011 10:29, schrieb Matthias Hüsken: Hi again, thx so far. Sorry for my English, I think I did not make myself clear enough, so I'll try to elaborate a little more. What I have: - I am setting notes and chords. - I changed the font for the chords to a custom one (real book style). - N

Re: [tablatures] chord repetition and strings in TabStaff

Am 20.02.2011 19:33, schrieb Federico Bruni: q forgets in which string a note is played and as a result you get a wrong chord in TabStaff: \version "2.13.49" \new TabStaff { % first chord is ok, second is "wrong" 4 q 2. q4 } Is it possible to improve q? Hi Federico, use \tabChordR

Re: Using lyrics in a markup

Am 04.03.2011 12:12, schrieb Jan-Peter Voigt: [...] Hello again, I came across our lyrics->markup snippet and made another extension: Stanza numbers often are left to the verse block. Now there is another bool-parameter to the verse-command, wich tells, if the stanza number shall be left

Putting fret diagrams in a separate score

Hello list, I try to put fret diagrams at the beginning of a piece. My input file looks like this: \version "2.13.50" \score { << \new ChordNames \chordmode { g:m } \new Lyrics \lyricmode { \markup { \fret-diagram #"w:4;4-o;3-o;2-1;1-3;" } } >> \layout { ragged-rig

Re: Text on slurs (faking bends etc)

g fine. Thanks, Federico ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user % % bend.ly % % preliminary tests for drawing bends % 2011-03-11 % % Marc Hohl % % TODO: % - draw dashed line for \holdBend % - en

Re: Putting fret diagrams in a separate score

Am 10.03.2011 19:52, schrieb Keith OHara: Marc Hohl hohlart.de> writes: I try to put fret diagrams at the beginning of a piece. My input file looks like this: << \new ChordNames \chordmode { g:m } \new Lyrics \lyricmode { \markup { \fret-diagram #&

Re: Putting fret diagrams in a separate score

Am 11.03.2011 18:52, schrieb Carl Sorensen: On 3/11/11 2:34 AM, "Marc Hohl" wrote: Am 10.03.2011 19:52, schrieb Keith OHara: Marc Hohl hohlart.de> writes: I try to put fret diagrams at the beginning of a piece. My input file looks like this: << \new Ch

Re: Putting fret diagrams in a separate score

Am 12.03.2011 21:39, schrieb Carl Sorensen: [...] [1] Searching the internet, there seems to be the general opinion that mandolins aren't supposed to play chords at all, but it sounds cool ;-) A quick search for "mandolin chords" on google showed lots of places with chord diagrams for mandolin.

Re: Putting fret diagrams in a separate score

Am 12.03.2011 21:39, schrieb Carl Sorensen: On 3/12/11 1:19 AM, "Marc Hohl" wrote: Am 11.03.2011 18:52, schrieb Carl Sorensen: Why not just use a FretBoards context? Good question; it looked way too complicated for my purposes. I need some chords played on a mandolin, and th

Re: Removing Time Signature entirely (not just transparent)

Am 14.03.2011 19:23, schrieb cte...@wesleyan.edu: Hello Everyone, I am working on some highly customized notation for proportionally notated phase music. I need all of the beats on the page to take up the same amount of space so that the rhythms can be clearly seen. What I need to do now is to t

Re: Removing Time Signature entirely (not just transparent)

Am 14.03.2011 20:40, schrieb cte...@wesleyan.edu: Hi Marc, Ahh yes, the custom clef. I have been having some fun with that. I am copying some handwritten music and I'm trying to retain the character of the music as much as possible. The clef is a design of someone else's so I won't include how t

Re: New version of articulate available

Am 18.03.2011 02:13, schrieb Graham Percival: On Fri, Mar 18, 2011 at 01:56:05AM +0100, Martin Tarenskeen wrote: But let's stay on-topic: Keep up the good work with your articulate script. Any chance articulate will be an integrated, built-in functionality in Lilypond in the future ? I estimate

Re: Convert Lilypond to MusiXTeX

Am 19.03.2011 12:28, schrieb Xavier: Hi all ! I just discovered Lilypond, and found out the way to export to pdf using lilypond-book and .lytex. Therefore, I wonder if there exists a way to convert .ly to anything readable by "MusiXTeX" (a TeX-package). Maybe a script or something like that...

Re: Major version: LilyPond 2.14.0 released!

Am 01.04.2011 07:10, schrieb Werner LEMBERG: GLASGOW, Scotland -- April 1, 2011 -- The LilyPond development team is proud to announce LilyPond 2.14, the latest stable release of our award-winning music engraver. Graham, thanks a lot for all of your efforts! Werner PS: I can't see a 2.

Re: Octava 8 in brackets?

Am 06.04.2011 10:04, schrieb Thomas Scharkowski: Hi, how can I put the "8" of e.g the "G_8" clef in brackets? I use the following definition parenthesizeOctavateEight = \override Staff.OctavateEight #'stencil = #(lambda (grob) (grob-interpret-markup grob (markup #:concat ("(" #:g

Re: Installing custom font for Lilypond

Am 09.04.2011 04:50, schrieb Aleksandr Andreev: Hello folks, Basically, I'm trying to create a library of Lilypond scores with some of my collaborators and I'd like to automate the process. I've installed Lilypond on my server and I've allowed each user to drop Lilypond source files via a Perl s

Re: How can I get good layout and good midi without writing everything twice?

Am 13.04.2011 01:55, schrieb Michael Ellis: On Tue, Apr 12, 2011 at 12:38 PM, Helge Hafting > wrote: What I need, is to get the midi output for \appoggiatura{e16 fis} e16 but the layout for e16\prall Hi Helge, You could use tags. Or, if yo

Re: score transposition problem

Am 13.04.2011 06:15, schrieb Tom Cloyd: I have a simple problem which I've never before faced, and I'm hoping there exists a simple solution about which someone can tell me. I play and write music for classic guitar, so I use "\clef "treble_8"" in my scores (classic guitar sounds an octave low

Re: How can I get good layout and good midi without writing everything twice?

Am 13.04.2011 08:56, schrieb Martin Tarenskeen: On Wed, 13 Apr 2011, Marc Hohl wrote: Or, if you are using the latest development version, you can use \articulate in your \midi { } block. don't you forget \include "articulate.ly" ? or is that not necessary anymor

Re: score transposition problem

Am 13.04.2011 09:56, schrieb Janek Warchoł: Hi, 2011/4/13 Marc Hohl: Am 13.04.2011 06:15, schrieb Tom Cloyd: I have a simple problem which I've never before faced, and I'm hoping there exists a simple solution about which someone can tell me. I play and write music for classic gu

Re: "Norm" sign of a note

Am 19.04.2011 13:35, schrieb alb84: I want to put the "norm" (or modulo, or absolute value, in math) on a note, \breve put a vertical line at the left and at the right of the note, but I'd like to put two lines at the left and two lines at the right... is it possibile? With the current developme

Re: More questions about road maps

Am 27.04.2011 19:14, schrieb Christopher R. Maden: [...] 3) It would also be nice if markup mode just ate or ignored double hyphens. I’d like to be able to have lyrics in the staff and at the bottom of the score, and not have to enter them twice. Have a look at http://lsr.dsi.unimi.it/LSR/It

Re: last end bar must be a repeat

Am 29.04.2011 05:13, schrieb Music Teacher: [...] but doesnt work. Whats wrong? voiceone = \relative c' { % \slurDotted r4 d8 d4 e8 fis4 e8 d4. d4 \breathe d8 d4 e8 fis4 g8 a4. a4 \breathe a8 d4 cis8 d4 a8 b4 b8 a4 \breathe a8 a4 a8 g4 fis8 e4. d \bar "|:" d'4^\markup{Solo/To

Re: last end bar must be a repeat

only \lyricsone and \lyricstwo. \repeat volta 2 { ... } should be ok in this case. HTH, Marc 2011/4/29, Marc Hohl: Am 29.04.2011 05:13, schrieb Music Teacher: [...] but doesnt work. Whats wrong? voiceone = \relative c' { % \slurDotted r4 d8 d4 e8 fis4 e8 d4. d4 \breathe d8 d4 e8

Re: \chordGlissando and finger

Am 01.05.2011 01:47, schrieb Mario Moles: Hi! I have double fingerings in this code: \version "2.13.59" myMusic = \relative c' { \set fingeringOrientations = #'(left) \chordGlissando 8 } \score { << \new Staff { \clef "treble_8" \myMusic } >> } Do you have a solution? The glis

Re: Half and whole notes in tab notation

Hello Peter, Am 04.05.2011 20:05, schrieb Peter Crighton: In 2.13.61 half notes in tab notation are distinguished from quarter notes through a second stem. Now I haven't seen this method before – it would seem natural to me to draw a circle around the "tab note", the number, and have only one

Re: \tie and polifonie

Am 04.05.2011 10:57, schrieb Mario Moles: In this file the function \tie don't work: Why don't you use separate voices for the upper and the lower part? It is easier to write, because you don't have to take the pich of the upper voice into account when writing the lower parts, and the ties wo

Re: Half and whole notes in tab notation

is in the wrong context? I think it would be easier to find the culprit if you send a minimal example. Regards, Marc 2011/5/5 Marc Hohl mailto:m...@hohlart.de>> Hello Peter, Am 04.05.2011 20:05, schrieb Peter Crighton: In 2.13.61 half notes in tab notation a

Re: window 7 -64 bit

Am 06.05.2011 20:10, schrieb MING TSANG: Question: Does Lilypond run on window 7 64-bits hardware? I installed it succesfully on my win 7 laptop (but I don't use windows very often ;-) HTH, Marc ___ lilypond-user mailing list lilypond-user@gnu.o

Re: \mergeDifferentlyHeadedOn, voice and stem issue

Am 08.05.2011 22:23, schrieb ivan.k.kuznet...@gmail.com: Appended is a snippet of two measures, the first measure is what I intended, the second measure is not. In the second measure, I would like the top voice triplet 16th notes B natural and A natural to occupy the same space as the lower voic

Re: \mergeDifferentlyHeadedOn, voice and stem issue

Am 08.05.2011 22:36, schrieb Ivan Kuznetsov: If I can trouble you yet again, here is a second snippet with a similar issue, I would like the triplet E natural in the top voice to take the same space as the E natural half note in the bottom voice and then "disappear". Well, from the readers' sig

Re: harmonicByRatio usage... plus harmonicsOn and TabStaff

Am 17.05.2011 23:30, schrieb Federico Bruni: I have two questions about harmonics. First one is about harmonicByRatio. I've seen in the command index that it is undocumented (like harmonicByFret). There's an explanation here: http://lilypond-s-support-for-tablatures.3383434.n2.nabble.com/harmoni

Re: looking to contract with someone to add meta-data to svg export

Am 20.05.2011 20:34, schrieb Michael Geary: hi folks, i have a paying project where I could save a lot of time if i could get Lilypond to add some degree of information to the SVG export. My ultimate objective is to be able to discretely identify (all the nodes comprising) a given note (e.g.

Re: harmonicByRatio usage... plus harmonicsOn and TabStaff

Am 22.05.2011 21:33, schrieb Federico Bruni: Hi Federico, it's in the snippets: http://lilypond.org/doc/v2.13/Documentation/snippets/fretted-strings#fretted_002dstring-harmonics-in-tablature Ok, thanks! BTW, I think that in that snippet some pitches are not correct. I'll write to lilypond-bug

svg output broken?

Hello list, I needed some lilypond svg graphics, and while lilypond -dbackend=svg myfile.ly worked with 2.13.x, it now doesn't with 2.15.0 and complains with GNU LilyPond 2.15.0 ERROR: Wrong number of arguments to # Has the syntax changed? I searched in the archives, but I didn't find anythi

Re: svg output broken?

Am 10.06.2011 17:55, schrieb Patrick McCarty: Hi Marc, On Thu, Jun 9, 2011 at 11:34 PM, Marc Hohl wrote: Hello list, I needed some lilypond svg graphics, and while lilypond -dbackend=svg myfile.ly worked with 2.13.x, it now doesn't with 2.15.0 and complains with GNU LilyPond 2.15.0

Re: svg output broken?

Am 11.06.2011 03:15, schrieb Patrick McCarty: On Fri, Jun 10, 2011 at 11:56 AM, Marc Hohl wrote: Am 10.06.2011 17:55, schrieb Patrick McCarty: On Thu, Jun 9, 2011 at 11:34 PM, Marc Hohlwrote: Hello list, I needed some lilypond svg graphics, and while lilypond -dbackend=svg myfile.ly

Re: Rebroadcasting events from a single timestep

Am 16.06.2011 12:58, schrieb Graham Percival: On Thu, Jun 16, 2011 at 11:01:18AM +0200, m...@apollinemike.com wrote: I am working on a piece now where I need certain events to transmogrify into other events. Specifically, whole-measure rests need to turn into multi-measure rests, and given th

Re: chord names with lowered bass

Am 26.06.2011 00:29, schrieb David Raleigh Arnold: [...] C / C/E / C / E / Am C / C/e / C / E / Am C/e is clearly better than C/E, and it is becoming more and more popular. Consistent upper case chord names and lower case note names is a good idea. Regards, daveA AFAIK, at least in germany

Re: chord names with lowered bass

Am 26.06.2011 09:52, schrieb David Kastrup: Marc Hohl writes: Not to speak about accordion, where upper case letters denote the bass note and lower case letters the chord. So you'll have (depending on the rhythm) C c c c / _E_ c c c / C c c c / E e e e / A am am am More likely C

Re: Repeats clashing with \bar "||"

Am 26.06.2011 18:35, schrieb Jesse Engle: Hello, I've noticed that when I use \bar "||", any repeat sign that follows it is omitted. I've pasted a snippet demonstrating this issue here: http://www.pastie.org/pastes/2125208/text Is this a bug, or am I doing something wrong?...Jesse No, it's a

Re: Simple guitar tab questions

Am 26.06.2011 17:20, schrieb Stroller: Hi there, I'm new to making music and have no previous education in this matter. I thought to use Lilypond to type up the handwritten tab that my guitar teacher has given me. I have a couple of questions, and I hope you will forgive me if they're stupid

Re: R1\fermata

Am 05.07.2011 12:12, schrieb Mario Moles: Hi lilyponders! This is a bug? In this ly-file lilypond don't print the "fermata": with Rs, I think you'll have to use \fermataMarkup: R1\fermataMarkup HTH, Marc \version "2.15.2" \paper { #(set-paper-size "a3") } global = { \key c \majo

setting the font size for markups independently

Hello list, I have the following definition in my preamble: myStaffSize = #20 \paper { ragged-right = ##f indent = 3\cm print-all-headers = ##t #(define fonts (make-pango-font-tree "Goudy Bookletter 1911" "GoudyBookletter1911Italic"

Re: setting the font size for markups independently

Am 05.07.2011 15:15, schrieb Kieren MacMillan: Hi Marc, but I think there is a more generic solution, but searching the Manual and the archives didn't give any clue. What about \layout { \context { \Score \override TextScript #'abs-fontsize = #14 } } ?? No, that doesn't have

Re: setting the font size for markups independently

Am 05.07.2011 18:17, schrieb -Eluze: [...] i think Kieren's solution works if you override the property of the TextScript in its real context which seems to be the Voice context: \layout { \context { \Voice \override TextScript #'font-size = #-12 } } hth Eluze No, it is still not

Re: setting the font size for markups independently

Am 05.07.2011 21:03, schrieb Neil Puttock: On 5 July 2011 15:45, Marc Hohl wrote: Ideally, there is something I can put in a separate include file which works for *all* markups that follow (which are mixed with scores and bundled in several \bookpart contexts. I don't think this is pos

Re: setting the font size for markups independently

Am 06.07.2011 11:58, schrieb -Eluze: Marc Hohl wrote: Am 05.07.2011 18:17, schrieb -Eluze: [...] i think Kieren's solution works if you override the property of the TextScript in its real context which seems to be the Voice context: \layout { \context { \Voice \ove

Re: Bug or user error?

Am 15.07.2011 11:58, schrieb Frank Wuest: G'day everyone, I've been reading this list for some time, but this is the first time I post something. I'm the bass player with a bigband, and I want to use Lilypond mainly to convert some of the sheet music I'm getting into something more useful. A

Re: Renaissance lute and tab

[sorry; forgot to cc to list] Am 18.07.2011 00:01, schrieb Mario Moles: Hi! I'm sorry! My intelligence is limited! I don't understand whether to do to have fis=0 in the tab with make-pitch for renaissance lute! What about \set TabStaff.stringTunings = #guitar-lute-tuning ? HTH, Marc

Combining lyric variables

Hello list, I use the snippet http://lsr.dsi.unimi.it/LSR/Item?id=744 extensively in my latest project. Due to the structure of the music, I have a lot of small text snippets like textOne = \lyricmode { This is an ex -- am -- ple } textTwo = \lyricmode { and this one, too! } textThree = ... wh

Re: Combining lyric variables

: fulltext = \lyricmode { \textOne \textTwo \textThree } Thank you! I once again overlooked the obvious ... :-/ Regards, Marc Cheers, Jan-Peter On 20.07.2011 11:08, Marc Hohl wrote: Hello list, I use the snippet http://lsr.dsi.unimi.it/LSR/Item?id=744 extensively in my latest project. Due

Re: Lilypond errors in log file

Am 23.07.2011 02:12, schrieb sarah-k: Hi all - I apologize because I'm sure this answer can be found somewhere, but I am VERY new at this, and I don't have lots of time to research this. I've exported a MuseScore file to an ly file, and all appears fine, except that I'm getting the following err

Re: \glissando and sharp or \finger collision

Am 18.08.2011 12:10, schrieb Mario Moles: Hi lilyponders! In this example the glissando line collide with alteration sharp/flat and \finger (left). What can I do for resolving this problem? This problem is reported since September 20, 2006: http://code.google.com/p/lilypond/issues/detail?id

Re: articulate problem

Am 19.08.2011 19:13, schrieb Patrick Karl: I am having a problem with the \articulate command in LilyPond 2.14.1 on a mac with OSX 10.6.8. For example, with the lilypond input file (I call it "articulate_problem.ly): \version "2.14.1" \include "articulate.ly" music = \relative b' {

Re: articulate problem

Am 19.08.2011 21:36, schrieb Marc Hohl: Am 19.08.2011 19:13, schrieb Patrick Karl: I am having a problem with the \articulate command in LilyPond 2.14.1 on a mac with OSX 10.6.8. For example, with the lilypond input file (I call it "articulate_problem.ly): \version "2.14.1

Re: articulate problem (Marc Hohl)

Am 20.08.2011 23:38, schrieb Patrick Karl: [...] (here, we don't want to get printable scores). HTH, Why don't we want to get printable scores here? \articulate is made for improving lilypond's MIDI output, nothing more, nothing less. In the header of ly/articulate.ly, it says % This script

Re: Chords with smaller note heads

Am 21.08.2011 20:19, schrieb Alberto Simões: Hello Hello Alberto, I use the following definition: opt = #(define-music-function (parser location note) (ly:music?) (set! (ly:music-property note 'tweaks) (acons 'font-size -2 (ly:music-property note 'tweaks))) note)

Re: Difference between bracket-visibility and -stencil

Am 23.08.2011 15:32, schrieb Urs Liska: Hi list, can you tell me the difference between \override TupletBracket #'bracket-visibility = ##f and \override TupletBracket #'stencil = ##f ? AFAIK, the former makes the TupletBrackets invisible, but they are still there and are taken into account by o

How to evaluate 'articulations entries?

Hello list, I think I have asked a similar question long time ago, but I didn't find the answer. Currently, I am working on a little scheme engraver which should read the 'string-number, if given, and should do some calculations, depending on other articulations, like 'HarmonicEvent. This is wh

Re: How to evaluate 'articulations entries?

Am 29.08.2011 18:52, schrieb Reinhold Kainhofer: Am Montag, 29. August 2011, 18:07:17 schrieb Marc Hohl: Hello list, I think I have asked a similar question long time ago, but I didn't find the answer. Currently, I am working on a little scheme engraver which should read the 'str

Re: How to evaluate 'articulations entries?

Am 30.08.2011 08:23, schrieb Marc Hohl: Am 29.08.2011 18:52, schrieb Reinhold Kainhofer: Am Montag, 29. August 2011, 18:07:17 schrieb Marc Hohl: Hello list, I think I have asked a similar question long time ago, but I didn't find the answer. Currently, I am working on a little s

StringNumberEvents [was: Re: How to evaluate 'articulations entries?}

Am 01.09.2011 10:02, schrieb Marc Hohl: [...] I noticed that a) I can detect string numbers within < ... > only, so < c\3 > is recognized, d\4 not, but I need to cover *both* cases. [...] Ok, so \4 isn't an articulation (which is obvious, but I had overlooked it). AFAIK,

Re: swing indicator in score

Am 09.09.2011 08:54, schrieb christian: How can I put a visual swing indicator (2 8th = 4 8 triplet) into my score? Have a look at http://lsr.dsi.unimi.it/LSR/Item?id=204 there are a lot of different options. HTH, Marc ___ lilypond-user mailing li

Re: ghoste notes

Am 09.09.2011 14:19, schrieb valerian.neisse: hi i don't know how i can whrite ghoste notes for other instruments than drums . the double bass for exemple. i saw this exemple in this liste c4 \cr c \cnr d \cr d \cnr | to put ghoste on 2 and 4 ( i m not shure if i remember right) and the guy

Re: ghoste notes

Am 09.09.2011 18:55, schrieb valerian.neisse: i have tryed that and it doesn't works Which version of lilypond do you use? \xNote works with 2.14 and not with 2.12. Marc Le vendredi 09 septembre 2011 à 14:26 +0200, Marc Hohl a écrit : Am 09.09.2011 14:19, schrieb valerian.neisse:

Re: Show Ledger Lines for Hidden Notes

Am 27.09.2011 08:17, schrieb Javier Ruiz-Alma: I wish to show a staff with a few ledger lines above/below an empty staff. I don't want any notes to show. However LilyPond will not generate Ledger lines for invisible notes, so transparency overrides or \hideNotes commands I've tried take out th

font ligature problem

Hello list, how can I switch off the font ligature mechanism for \markups? I have \markup { \wordwrap { ... Aufführung ... } } and lilypond replaces the consecutive f's with a "ff" ligature, which I want to avoid, because ligatures are not used in this case (in German texts, it is). I tried \c

Re: font ligature problem

Am 01.11.2011 22:38, schrieb David Kastrup: Marc Hohl writes: [...] U+200c zero width non-joiner. Cut and paste the following "f‌f": it is two f characters with a ZWNJ between them. Hey, perfect! Thank you! Marc ___ lilypond-user ma

Conditionally including lyrics

Hello list, I have a lot of small music pieces with several stanzas which I store like this textA = \lyricmode { \set stanza = "1. " this is the first stan -- za. } textB = \lyricmode { \set stanza = "2. " and this one is the se -- cond. } textC = ... together with the melody in files

Re: Conditionally including lyrics

Am 02.12.2011 12:02, schrieb David Kastrup: Marc Hohl writes: Hello list, I have a lot of small music pieces with several stanzas which I store like this textA = \lyricmode { \set stanza = "1. " this is the first stan -- za. } textB = \lyricmode { \set stanza = "2

Re: Conditionally including lyrics

Am 02.12.2011 12:36, schrieb Johan Vromans: Marc Hohl writes: Has someone an idea how to create a loop which scans for textA, textB, textC etc. and puts a command that acts like \addlyrics for each hit? This is exactly what I do in my LP templates :) I just define highMusic leadMusic

Re: Conditionally including lyrics

Am 02.12.2011 12:33, schrieb Jan-Peter Voigt: Hello Marc, for me this problem leads to the question how to name variables and how store music. I am using my own functions to store music and typeset it into a template. IIRC, you posted these functions some days ago – this looks very interestin

Re: Conditionally including lyrics

Am 02.12.2011 17:44, schrieb David Kastrup: Marc Hohl writes: Am 02.12.2011 12:02, schrieb David Kastrup: Marc Hohl writes: Hello list, I have a lot of small music pieces with several stanzas which I store like this textA = \lyricmode { \set stanza = "1. " this is

Re: Conditionally including lyrics

Am 03.12.2011 20:25, schrieb Jay Anderson: On Fri, Dec 2, 2011 at 3:26 AM, Marc Hohl wrote: Now the data files contain different numbers of stanzas, and ideally, the generator file should be intelligent enough to include all stanzas which are present. Has someone an idea how to create a loop

Re: Would you donate for structured Lilypond variables?

Am 06.12.2011 12:33, schrieb David Kastrup: Marc Hohl writes: Am 02.12.2011 17:44, schrieb David Kastrup: Marc Hohl writes: Am 02.12.2011 12:02, schrieb David Kastrup: Marc Hohlwrites: Hello list, I have a lot of small music pieces with several stanzas which I store like this

Re: bar lines at the beginning of staves

Am 18.12.2011 15:01, schrieb luis jure: on 2011-12-18 at 14:38 Thomas Morley wrote: try: \version "2.14.2" << \new Staff { c'1 d' } \new Staff { c'1 d' } \new Staff { c'1 d' } \new Staff { c'1 d' } % or \new StaffGroup \with { \override SystemStartBracket #'transparent = ##t } << \new Staff

problems with user-defined command line options

Hello list, I have some files with songs where I want to switch the slurs on and off. After searching the docs, I came up with this: optional-slurs.ly == \version "2.15.23" #(ly:add-option 'no-slurs #f "Whether to print a slur or not.") slurSwitch = #(define-music-funct

Re: problems with user-defined command line options

> cc'ing to -devel, perhaps it is a bug? Am 24.12.2011 00:41, schrieb -Eluze: hi Marc Hohl wrote: Hello list, I have some files with songs where I want to switch the slurs on and off. After searching the docs, I came up with this: optional-

Re: problems with user-defined command line options

Hello Nicolas, Am 24.12.2011 11:13, schrieb Nicolas Sceaux: Le 23 déc. 2011 à 09:39, Marc Hohl a écrit : #(ly:add-option 'no-slurs #f "Whether to print a slur or not.") The "no-" prefix is dealt with specially for options. For instance, considering an option na

Re: problems with user-defined command line options

Nicolas, Eluze, thanks for your answers and clarifications! I can ignore the warning, and lilypond does now what I want ;-) Best wishes Marc Am 25.12.2011 16:41, schrieb -Eluze: Nicolas Sceaux wrote: $ lilypond -dwithout-slur toto.ly GNU LilyPond 2.15.20 Avertissement : option interne inco

transposing music via command line argument

Hello list, in another thread, my problems with command line arguments were solved (or workarounds provided), but now I am stuck with another but similar problem: I want to transpose some music and tell lilypond the 'to' pitch in the command line: lilypond -dpitch="e'" myfile.ly where myfile.l

Re: How to change the name of the MIDI file ?

Am 27.12.2011 20:10, schrieb Louis Bettens: Hello everybody, Tiny example : try.ly : \version "2.12.3" \book { \score { %first arpeggio \relative c' { c e g c } \midi { } } \score { %second arpeggio \relative c' { d fis a d } \midi { } } } The midi outp

Re: transposing music via command line argument

Am 27.12.2011 14:45, schrieb Marc Hohl: Hello list, in another thread, my problems with command line arguments were solved (or workarounds provided), but now I am stuck with another but similar problem: I want to transpose some music and tell lilypond the 'to' pitch in the co

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