Jim, also a good description of a harp stroke. But to another's point as to
the zen of making the sound, the conscious and the unconscious. Years ago I
was a rather competant skier - actually an instructor and a rescue
patrolman. Some years after I quit I went on a day excursion to help a
friend on
I'll try again, as I'm yet trying to string that "charandora". I am looking
for opinions. I repeat, the O.W. (Aquila) string calculator recommends
tensions in Newtons that vary for the same pitch depending on the VL. (This
already takes into effect the guage, as that is the resultant. I've noted
be
Dear everybody,
does somebody here happen to know about _access_ (microfilm, paper
copies, Fronimo files) to the volume of duets by Weiss in Dresden that
was not published in facsimile (GDR-Zentralantiquariat)? A friend of
mine asked me to forward his question. He is planning to play a recital
wit
The Weiss duets are accessible - I would have a copy of the facsimile but also
the great arrangements by Charly Schroeder should be available by asking Bob
Barto.
I've spoken about that topic with him a while ago and I think he will sell
them for a while but he also grummels about uncertain pla
- Original Message -
From: "bill kilpatrick" <[EMAIL PROTECTED]>
To: "Roger E. Blumberg" <[EMAIL PROTECTED]>; "LUTE-LIST"
Sent: Wednesday, December 22, 2004 8:43 PM
Subject: Re: gittern lute sighting c.1375 -- obscure fresco, Italian,
private dealer sale
> interesting (if improbable) pl
Roger E. Blumberg wrote:
> And the more you mention it; even their
> spacing is suspect. i.e. on such a short scale instrument the frets would be
> much closer together that high up. So I don't know what the deal is.
The deal is probably that the artist didn't care about fret spacing and paid
no
Hi all,
This is not exactly what Mathias is after, but I have a copy of a Weiss
duet from the Moscow MS:
See:
MIDI
http://cbsr26.ucr.edu/wlkfiles/Publications/Weiss/Moscow/Weiss_duetto_primo.mid
PDF http://cbsr26.ucr.edu/wlkfiles/Publications/Weiss/Moscow/DuettoPrimo.pdf
Django
http://cbsr26.ucr
Dear Ron,
Many txs for your hilarious recipe. I tried it out with a twist though,
using Vodka instead of whisky, (better for your liver, although still, one
of the most destructive drugs you can use), and chicken instead of turkey.
But something must have gone terribly wrong, 'cause I found myself
- Original Message -
From: "Howard Posner" <[EMAIL PROTECTED]>
To: "Roger E. Blumberg" <[EMAIL PROTECTED]>; "bill kilpatrick"
<[EMAIL PROTECTED]>; "LUTE-LIST"
Sent: Thursday, December 23, 2004 11:01 AM
Subject: Re: gittern lute sighting c.1375 -- obscure fresco, Italian,private
dealer sal
there's an old instrument - bulgarian perhaps - up for
auction on german ebay with an unusual fret
arrangement. anyone have any knowledge of this?
http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&category=7799&item=3771339890&rd=1
just curious - bill
=
"and thus i made...a small vihuela from t
Jon Murphy wrote:
"... I've noted before that my 63.5 lute is happy with about 35 N on the
chanterelle (disregarding the pitch, other factors there) - whereas the 36
instrument I'm working with is recommended to be 27N..."
Hi Jon,
I find that very interesting. I just completed my first stringed
- Original Message -
From: "bill kilpatrick" <[EMAIL PROTECTED]>
To: "lute list"
Sent: Thursday, December 23, 2004 1:11 PM
Subject: odd fret pattern
> there's an old instrument - bulgarian perhaps - up for
> auction on german ebay with an unusual fret
> arrangement. anyone have any kno
- Original Message -
From: "Roger E. Blumberg" <[EMAIL PROTECTED]>
To: "lute list" ; "bill kilpatrick"
<[EMAIL PROTECTED]>
Sent: Thursday, December 23, 2004 2:54 PM
Subject: Re: odd fret pattern
>
> - Original Message -
> From: "bill kilpatrick" <[EMAIL PROTECTED]>
> To: "lute li
I recall that at an LSA Seminar in the 90's there was a session devoted to
reconstructions of a Weiss concerto or two, and someone played a tape of a
concert somewhere. Can someone with a better memory recall who did the
reconstruction (Tim Crawford?) and who played it (Nigel North?)?
Thanks
How
David,
I tried emailing you at [EMAIL PROTECTED], but get a bounce with the
following error
Your message was not delivered to the following recipients:
[EMAIL PROTECTED]: 550 <[EMAIL PROTECTED]>: Recipient address
rejected: User unknown in local recipient table
Danke Schoen!
Most likely that was Richard Stone, who has a whole CD of these on Chandos.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> I recall that at an LSA Seminar in the 90's there was a session devoted to
> reconstructions of a Weiss concerto or two, and someone played a tape of a
> con
Roman Turovsky wrote:
> Most likely that was Richard Stone, who has a whole CD of these on Chandos.
Thanks, but it wasn't. I'm hoping someone who was there will remember.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I was not at the seminar, but Tim Crawford told me about it. Tim did the
reconstructions, and Nigel performed it with Peter Holman in Poland, of all
places. I asked Tim for the scores, but he has not published them & was
(at least at that time) reluctant to share them.
ed
At 05:04 PM 12/23
Just finished the other day this drawing, same
name as the song from Dowland, called 'Time Stands Still':
http://perso.wanadoo.fr/raydimitry/imagini/timestandstill.jpg
Sometime ago i remember writing to some poster here
about how shamans consider mass, momentum, inertia, to
depend on the rate o
i typed on google the place-name (or whatever it is) that they site and it
shows it as Croation. the author name gives no returns.
They seem to have double standards?(the split fretting for the bass)
> - Original Message -
> From: "bill kilpatrick"
> To: "lute list"
> Sent: Thursday
Howard,
post it on the Baroque list. Tim Crawford reads it.
RT
>
> I was not at the seminar, but Tim Crawford told me about it. Tim did the
> reconstructions, and Nigel performed it with Peter Holman in Poland, of all
> places. I asked Tim for the scores, but he has not published them & was
>
27N isn't that too thin? and wouldn't it be a little loose? (unless you
want your 63 cm lute tuned to G..?)
If it were up to me, i'd tune a 63 cm lute to F or lower with nothing
thinner than 0.37 mm for the chaterelle. but, all kinds of tastes...
What if strings were not cilindrical but conical,
Edward Martin wrote:
> I was not at the seminar, but Tim Crawford told me about it. Tim did the
> reconstructions, and Nigel performed it with Peter Holman in Poland, of all
> places. I asked Tim for the scores, but he has not published them & was
> (at least at that time) reluctant to share the
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