In a message dated 2/18/2005 2:03:17 PM Eastern Standard Time,
[EMAIL PROTECTED] writes:
Just to set the record straight, my tab format was designed to
be e-mailable. This was in the days when there was no internet
(just a limited arpanet) and mail was sent from computer to
computer via
Yes, I agree that Wayne's format is very easy to use and perfect for tabbing
lute music. Also very portable -- I haven't thought of using a PDA! Tab in
general doesn't show when certain voices should start/stop and for that you
need to have an understanding of historical counterpoint and the
Hi Stephan,
actually I think the positions are not that far away from each other. My
A-Lute was built by David van Edwards. A big thank you to him for making
this marvelous instrument!
It is a great experience to have a smaller lute and many pieces which seemed
impossible to play because of
[EMAIL PROTECTED] [EMAIL PROTECTED] said:
Probably Russian Gypsies have very long fingers
very long, very dextrous, sticky ones? :-)
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hi all,
Thomas Schall wrote:
It is a great experience to have a smaller lute and many pieces which seemed
impossible to play because of large stretches are now well within reach. I
have choosen a 7-course variant to avoid the retuning for certain pieces in
the repertoire which ask for a
Once one knows what 'rifs' and harmonic progressions typify a particular
composers
work, sure, it not hard to set up programs to throw the dice (ala mozarts
game).
Some composers did in have identifyable rythms and/or rifs; others are more
subtle
in their style.
The machines can never
Dear All:
These composing machines and programs seem able to copy lots of things
about a composer's work, except those things that make the work worthwhile
-- inspiration, individuality, diversity, unexpected charms, grace,
elegance, spirit, etc.
Cheers,
Jim
Dear all,
James A Stimson wrote:
These composing machines and programs seem able to copy lots of things
about a composer's work, except those things that make the work worthwhile
-- inspiration, individuality, diversity, unexpected charms, grace,
elegance, spirit, etc.
Are you really
Arto,
Da Vinci argued that painting was superior to sculpture on the grounds
that sculpture was messy and dirty and involved generally more muscle
effort than painting.
I have always had a problem with the holy sanctity of human imagination
and the composer's all-important intention - these are
