Thanks for this Howard,
Yes, but I'm not saying he never uses the first course but generally steers
clear of it: all those frets f, h etc on the second course and whole pieces
with nothing or just the odd note on the first course eg bar 3 of the same
piece - this is typical small theorbo (ie
I'm sending this again since the 'etc...' buggered up the tab
spacing
MH
Martyn Hodgson [EMAIL PROTECTED] wrote:
Date: Tue, 16 Aug 2005 09:20:40 +0100 (BST)
From: Martyn Hodgson [EMAIL PROTECTED]
Subject: Re: [LUTE] Re: John Wilson Preludes
To: Howard Posner [EMAIL PROTECTED],
Oh Dear - still not right - try this...
MH
Martyn Hodgson [EMAIL PROTECTED] wrote:
Date: Tue, 16 Aug 2005 09:20:40 +0100 (BST)
To: Howard Posner [EMAIL PROTECTED], Lute Net lute@cs.dartmouth.edu
From: Martyn Hodgson [EMAIL PROTECTED]
Subject: [LUTE] Re: John Wilson Preludes
Thanks
Could someone kindly tell me, in simple computerise, why the tablature I
painstackingly typed in gets re-arranged? What's the secret to getting it
right?
MH
Martyn Hodgson [EMAIL PROTECTED] wrote:
Date: Tue, 16 Aug 2005 09:52:45 +0100 (BST)
To: Lute Net lute@cs.dartmouth.edu
From: Martyn
Dear Alain
That is a good question. I can only tell you why in my case I have
failed to produce the edition I wanted to produce perhaps above all
else: the Cherbury lute book. I contacted the Fitzwilliam museum over
[...]
this will not happen, in great part because of all the negativity that
Dear Eric
I am glad to hear you can read the facsimile tablature in the Matthew
Spring edition, your eyesight must be better than mine!
Small print , indeed. But many years of reading whatever they put on my
music stand in whatever light is provided in the concert venues does help.
;-) But I
I thought Arthur Ness was trolling for you when he brought up the Grand
Staff and Piano notation thread...
Further confirmed by Leonhard Shulz...
Confirmed by Madame Robert Sidney Pratten.
Cant we let sleeping dogs lie?
Anyone want to discuss my old musicology professor's transcription of
Fossum, Arthur wrote:
Tue, 16 Aug 2005 05:26:35 -0700
I thought Arthur Ness was trolling for you when he brought up the Grand
Staff and Piano notation thread...
Of course he was. Must have pissed him off that the very paper I read
at the Colloque de Luth en Occident in 1998, one event he
Martyn Hodgson wrote:
Could someone kindly tell me, in simple computerise, why the tablature
I painstackingly typed in gets re-arranged?
It needs to be in a monospaced font at both ends. It's not coming
through that way. If you typed it in a monospaced font, your first try
(before you
Hello lute people -
There is currently a situation where someone wants to delete
something he said on the lute list a while ago. This is proving
difficult, because copies of each message sent to the lute
list are sent on to several independent archiving web sites.
I do not have any say in what
There is currently a situation where someone wants to delete
something he said on the lute list a while ago. This is proving
difficult, because copies of each message sent to the lute
list are sent on to several independent archiving web sites.
I do not have any say in what happens on these
As Russians say Words written with a pen cannot be deleted
by an axe
RT
As the Romans (not many RTs... the inhabitants of ancient Rome 8^))) said
even before:
Verba volant, scripta manent.
Francesco
To get on or off this list see list information at
Arne Keller
Tue, 16 Aug 2005 10:53:58 -0700
MO wrote:
So let me make an offer you cannot refuse: stop your anti-guitar and
anti-MO campaign in this forum, and you will never hear from me
again. Not you and not your cyber body-guard Turovsky. Do I make myself
clear?
You do, very clear
On Tuesday, Aug 16, 2005, at 12:38 America/Los_Angeles, Roman Turovsky
wrote:
As Russians say Words written with a pen cannot be deleted by an
axe
I think Wayne's caution was directed more to words written with an axe.
H
To get on or off this list see list information at
You might all also be interested to note that an entry on the lute net can
at once be found by google. My simple request to trace a lute builder a
while back showed up immediately. No cyber axes exist that I know.
Sandy
- Original Message -
From: Wayne Cripps [EMAIL PROTECTED]
To:
About those Wilson pieces. The LSA has just gotten a review copy of the new
Paul O'Dette Ellen Hargis CD The Power of Love - see the ad for this in
the last LSA Quarterly. This CD is a combination of songs and
instrumentals, some by WIlson and other by his contemporaries. It contains
Wilson
16 matches
Mail list logo
