It is a sonata movement by Friedrich himself.
So there would be no tab.
RT
- Original Message -
From: Ron Fletcher [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu Lute@cs.dartmouth.edu
Sent: Sunday, April 01, 2007 4:22 AM
Subject: [LUTE] Re: esne
I seem to have missed the thread on Pesne in
I got to it somehow from the youTube preformance that you posted. Here's a
small version of the picture.
Dale
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Dale Young [EMAIL PROTECTED]; BAROQUE-LUTE
baroque-lute@cs.dartmouth.edu
Sent: Sunday, April 01, 2007 1:23 PM
thank's, Roman, but what shall I do with that URL? It is a generic
domain hosting site. I don't know how to proceed.
Manolo Laguillo
Roman Turovsky wrote:
It is removed. The registered page has moved to
http://musickshandmade.com/
RT
- Original Message -
From: stephen arndt [EMAIL
Dear List,
I think on the painting there is a real lute played by the beautiful lady. I
think the reason for the strange stringing is that the sattle and the
distance between the strings was changed to fit the smaller fingers of a
young lady.
do you think the red color of the bass strings is
On Sunday 01 April 2007 11:38, you wrote:
Dear List,
I think on the painting there is a real lute played by the beautiful lady.
I think the reason for the strange stringing is that the sattle and the
distance between the strings was changed to fit the smaller fingers of a
young lady.
do you
mmh, thank you, Tony... I'm arriving step by step to the goal...
now I only need the credentials (username, password).
sorry for asking so much, but, how can I register myself? Shall I ask
Alan Veylit?
again, thank you very much
Manolo
Tony Chalkley wrote:
Manolo,
you need the rest -
On Saturday, Mar 31, 2007, at 21:43 America/Los_Angeles, David Pircher
wrote:
Hi Nancy,
Thanks for the suggestion. I'll send you my info off list. I'd be
very interested in joining.
David
Hi David,
There might be some guitar builders in the LA area who could do
this, but I don't know
Sorry about the premature send earlier. I just wanted to remark that I
haven't been on the LSA Board of Directors for a while now. As most of
you know, I was hounded off the Board after I made a remark during an
overseas concert that We're ashamed that the president of the LSA is
from Texas.
And how long have you been playing in Duluth now Ed? , frankly I think
the Minnesota ballet should be ashamed of not having heard this music
before Sting released it. Sting may have put Early music on the map
for the general population, but it still makes me sick to my stomach
that we have been
Et tu, Howard? Entirely believable, even given today's date.
RA
__
From: Howard Posner [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Subject: [LUTE] Re: Luthiers in Los Angeles area.
Date:
And how long have you been playing in Duluth now Ed? , frankly I think
the Minnesota ballet should be ashamed of not having heard this music
before Sting released it. Sting may have put Early music on the map
for the general population, but it still makes me sick to my stomach
that we have
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
Date: Sunday, April 1, 2007 10:46 am
Subject: [LUTE] Re: Stung Again
Painful it may be to some. But Sting has real Presence, and we
should be
grateful he used it on Dowland. i.e SOMEONE ELSE'S MATERIAL. The
album is a
Okay,
If you're going to make the reach easier, one would have the string
spacing compressed toward the hand edge of the fingerboard not away from
it. Just me?
Thirteen equally spaced frets on the neck, abnormal, at least for 18th
century west central european terrestrial lute.(don't
There is a 14 fret Schelle in Budapest.
RT
- Original Message -
From: Dale Young [EMAIL PROTECTED]
To: baroque lute list baroque-lute@cs.dartmouth.edu; Ed Durbrow
[EMAIL PROTECTED]; peter rauscher [EMAIL PROTECTED]
Sent: Sunday, March 04, 2007 12:24 PM
Subject: [BAROQUE-LUTE] Re: Pesne
Dear Bruno,
It is good to hear from you. In terms of recognition, the lute world, or
early music on the whole, is a small part of the field of the classical
arts, including drama, dance or the visual arts. In my small town
(population of around 100,000), there are many arts organizations,
Equally spaced ie not graduated in any kind of Pythagorean construct ?
Give a cute little girl who is having to rearrange the string spacing to
accomodate her little hand an instrument with an abnormally long fingerboard
with ungraduated fret spacing... it's a prop. I rest my case ladies and
And a 13 or 14 fret neck on a coversion by Widhalm of a lute by Cocho
now in Germanisches Nationalmuseum, Nuernberg, MI 55.
David
At 11:30 -0400 1/4/07, Roman Turovsky wrote:
There is a 14 fret Schelle in Budapest.
RT
- Original Message -
From: Dale Young [EMAIL PROTECTED]
To: baroque
I think Dale's right, it IS a prop, but still interesting as an
instrument, that is it probably is not a fake in the Franciolini
sense. Though I do now agree that, given the fret spacings, we
probably can't be certain the the bridge spacings show a double top
course and 12 courses rather than
I am not 100% convinced. Mme Keyserlinck was not a run-of-the-mill cutie,
but a noted virtuosa.
RT
- Original Message -
From: David Van Edwards [EMAIL PROTECTED]
To: Dale Young [EMAIL PROTECTED]
Cc: baroque lute list baroque-lute@cs.dartmouth.edu; Ed Durbrow
[EMAIL PROTECTED]; peter
Hi Manolo, and lutenists,
I am in the process of rebuilding all my WEB pages. The registered pages
have been available again for a few days, but I still have to rebuild
the public pages, including the Dowland Folger project and the lutenists
database. It is a lot of work and completing the
Maybe the painter was messing with us Or he originally did two identical
paintings only one of them had some errors we were supposed to spot. And the
correct painting is hidden in an attic in Dusseldorf...Yeah that's it!
Anyhow, Roman, You have a really cool picture on your video site of a
If you meant http://masaccio.livejournal.com
then go to http://en.wikipedia.org/wiki/Image:1711kupetzky.jpg
RT
- Original Message -
From: Dale Young [EMAIL PROTECTED]
To: BAROQUE-LUTE baroque-lute@cs.dartmouth.edu; Roman Turovsky
[EMAIL PROTECTED]
Sent: Sunday, March 04, 2007 3:17 PM
It will be a modern dance, with music of Dowland.
To what degree are the historical dances preserved?
For example, if the ballet company wanted to stage an authentic
reproduction, what resources would be available?
To get on or off this list see list information at
Start hunting:-
http://www.pbm.com/~lindahl/del/
http://memory.loc.gov/ammem/dihtml/divideos.html#vc029
http://www.renaissance-amboise.com/dossier_renaissance/ses_arts/musique_renaissance/les_danses_de_la_renaissance.php
- Original Message -
From: Herbert Ward [EMAIL PROTECTED]
To:
I think that the dances will not preserve aspects of the authentic dance.
ed
At 01:39 PM 4/1/2007 -0500, Herbert Ward wrote:
It will be a modern dance, with music of Dowland.
To what degree are the historical dances preserved?
For example, if the ballet company wanted to stage an authentic
Before I get any more remonstrating or commiserating messages from
listers who have apparently not heard of the Dixie Chicks or George W.
Bush, let me emphasize that the message below was what's known in
internet lingo as a joke. It contains only two facts: 1) I left the
LSA Board last year,
Around Dowland's time there were at least three major treatises on
dance: Coroso, Negri, Arbeau, the first two written in lute tab with
mensural notation for melodies and often bass lines. They explain how
to do the steps and lay out whole dances set to specific music. The
dances and steps
All three )Arbeau, Caroso and Negri) are available
on-line from the Library of
Congress:
http://memory.loc.gov/ammem/dihtml/diessay2.html
And for Caroso there is Julia Sutton's translation and
edition, _Courtly Dance of the Renassnce_ (Dover, 1995),
with labanotation
for the dance steps..
Some
28 matches
Mail list logo
