Mathias,
I thought both Lislevand's and Bonavitas'
performances were nice.
Chris
--- Mathias Rösel [EMAIL PROTECTED]
wrote:
Davide Bioccoli [EMAIL PROTECTED] schrieb:
Hi to all...
Here's a nice (but short) link to Lislevand
playing De Visée:
Dear Collecrive Roman and Wisdom,
I took a look at the descrption of all the angelique
tablatures in Bottticher's RISM Bvii, 7 items total.
The only tuning that he spells out is the one equivalent
to a diatonic scale from C to e'. He gives it (or
indicates it is present) in the titles marked
[EMAIL PROTECTED] schrieb:
I thought both Lislevand's and Bonavitas'
performances were nice.
Notwithstanding everybody's personal preferences, I especially disliked
Lislevand's stopping of basses so as to stress the notes. Anyway, his
playing is at times very guitaristic, in this video
On Apr 21, 2007, at 11:37 AM, Mathias R=F6sel wrote:
...I especially disliked
Lislevand's stopping of basses so as to stress the notes. Anyway, his
playing is at times very guitaristic
The stopping of the basses is something I tend to associate with
pianists when they play Baroque music
Mathias,
Bonavita also stop the basses at the same place Lislevand does. They are
both great...
Notwithstanding everybody's personal preferences, I especially disliked
Lislevand's stopping of basses so as to stress the notes. Anyway, his
playing is at times very guitaristic, in this video
--- Mathias Rösel [EMAIL PROTECTED]
Notwithstanding everybody's personal preferences, I
especially disliked
Lislevand's stopping of basses so as to stress the
notes.
Not my preference, either. Hoppy Smith does this sort
of thing all over his de Visee album and it seems like
lots of folks