This is a message I received today from the yahoo recorder group.
Be patient, and read it 'till the end...
Saludos from Barcelona,
Manolo Laguillo
You know, it's next to impossible to find a decent CD here in
Anchorage with period music on period instruments. I end up ordering
Hi David,
for the Marantz it seems to be important to use condenser mics with a high
output level to compensate a slightly noisy preamp:
http://transom.org/tools/recording_interviewing/200503.pmd660.html
I was also recently looking for microphones for a digital recorder
(microtrack 24/96). I
Hello again. If a piece of lute tab ends with two vertical spaced lines
with each horizontal line having a dot either side of it, does that mean
a repeat as in standard notation?
Thanks...
To get on or off this list see list information at
Me again again. Does the Greensleeves version from Diano Poulton's lute
tutor come from a particular source or is it an amalgam of different
sources? And does the rhythm in the first bars of the 3rd and 4th lines
really go like that in historical sources? One is rather used to
hearing the
My very old copy of the Diana Poulton tutor gives it as the version
from the William Ballet Lute MS and I assume it to be a faithful
transcription.
Eric Crouch
On 4 Jun 2007, at 11:34, Stephen Kenyon wrote:
Me again again. Does the Greensleeves version from Diano Poulton's
lute
tutor
I do not have access to the Ballet lute book here in the office.
However, I do remember that the version of Greensleeves in Ballet is
VERY poor.
Especially the rhythm is a total mess
Best wishes,
Rainer aus dem Spring
IS department, development
Tel.: +49 211-5296-355
Fax.: +49
Dear Stephen,
The lute tutor you refer to is Diana Poulton, _An Introduction to Lute
Playing_ (London: Schott Co. Ltd., 1961). (There is a more recent lute
tutor by her, but I don't have a copy to see if the piece is there too.)
Greensleeves appears as no. 5 on pp. 8-9 of the music
At 02:40 PM 6/3/2007, [EMAIL PROTECTED] wrote:
It is nice for both customer and for builder when an instrument in stock
will suit the customer, avoiding the delay of a custom build. However,
the need to warehouse stock is an issue, both space and insurance. There
is also the hassle of customers
On Jun 4, 2007, at 6:28 AM, Stephen Kenyon wrote:
Hello again. If a piece of lute tab ends with two vertical spaced
lines
with each horizontal line having a dot either side of it, does that
mean
a repeat as in standard notation?
Not necessarily. The two vertical lines denote the end
I sent this out yesterday, but am not sure it got to the list. My apologies if
it appears twice in your mailbox.
The final strain of Phillips Pavan is one of the more famous bits of English
Renaissance music and served as a model for a number of other composers. I'd
recommend taking a good
Eric
If you have access to the lute society music editions, you will
find that in the publication 58 Easy Pieces for Renaissance Lute, on
page 26 of this, there is an edited (corrected) version of Green
sleeves, from the Ballard book. There are two slight alterations.
This might be a
Dear Stephen,
Not necessarily. What you describe might just be a decorative way to finish
the piece. To decide whether to repeat or not, you need to use some common
sense: if the piece is a fantasy, the chances are you shouldn't repeat; if
it is a dance section, a repeat is almost certainly
Dear Stephen,
Not necessarily. What you describe might just be a decorative way to finish
the piece. To decide whether to repeat or not, you need to use some common
sense: if the piece is a fantasy, the chances are you shouldn't repeat; if
it is a dance section, a repeat is almost certainly
Further to my previous message on this thread ...
Greensleeves can be heard performed by Valery Sauvage on
http://www.youtube.com/watch?v=y2XP_noEXXc
He chooses to re-iterate the B flat chord. At the very beginning of the clip,
you can see a facsimile of the Ballet copy, where the single B
David
John Buckman of Magnatunes, kindly replied, and told me, I like the
Studio Projects omni mics, they cost me $300 a pair and I did an
album of Jacob Heringman with them.
I hope that may be helpful, perhaps to others also.
Best regards
Anthony
Le 3 juin 07 à 16:38, LGS-Europe a
I hope I'm helping here. This is the Fronimo file from the William
Ballet Lute Book
Neil
-Original Message-
From: Stewart McCoy [mailto:[EMAIL PROTECTED]
Sent: 04 June 2007 16:18
To: Lute Net
Subject: [LUTE] Greensleeves - Poulton 2
Further to my previous message on this thread ...
Do any of you have personal experience with either of these books?
Lute Making - Joan E. Bachorik, 1974
Lutes, Viols and Temperaments - Mark Lindley, 1984
They have been difficult to find, and once found they are rather steeply
priced (the Bachorik book works out to about $5US/page, the
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