>Sony makes many good things, but not mikes :)
One oft overlooked source of noise is the video camera. If it is a
tape based recorder,
remove the tape and record to a hard drive or to a laptop using the
freeware HDVSPLIT.
Windows moviemaker is easy to use for direct capture as well if you
re n
I have the pdf of the original document and it says nothing about its
source. Thanks.
On 13/02/2008, at 7:59 AM, Gernot Hilger wrote:
Most like from Early Music magazine, which is probably what you
already know. I do not have this 1976 magazine, thus I have no idea
what the original source
Most like from Early Music magazine, which is probably what you
already know. I do not have this 1976 magazine, thus I have no idea
what the original source might have been.
See also:
http://www.unh.edu/music/Icon/iltifs.htm
It might be worthwhile asking DvE.
g
On 12.02.2008, at 23:49, Sha
Does anyone know where this engraving of Hautman is taken from?
http://www.vanedwards.co.uk/spencer/html/Page%20413.html
Thanks.
Shaun
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Yeah, I'm a sucker for drones. Thanks for that, Arto. Very enjoyable.
Rob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Jean-Marie,
That is VERY beautiful. I must get hold of this interesting manuscript. And
your playing is first-class. I loved it!
Rob
On 12/02/2008, Jean-Marie Poirier <[EMAIL PROTECTED]> wrote:
>
> There is a beautiful one too, for Charles de Gallot (1669) in the de
> Gallot guitar manuscript
Rob MacKillop wrote:
'Mesmeric' ...hmm...possibly. I don't know the Campion piece Monica
mentioned, but the de Visee piece is certainly very beautiful. I'm quite
scared of playing it as it is so hard to get right, physically and
otherwise. I'll give it a try, Eugene. Can't promise a 'mesmeric'
pe
There is a beautiful one too, for Charles de Gallot (1669) in the de Gallot
guitar manuscript from the Bodleian Library, Oxford UK. You can hear it played
by Thierry Meunier on the website of our ensemble "Le Trésor d'Orphée" :
http://tresordorphee.free.fr/thm.htm
Best,
Jean-Marie
=== 1
Very enjoyable, Rob.
Do you think (Baroque) guitar tombeaux (if that's the plural) have the
same mesmeric effect as the lute ones?
There is a beautiful one in Campion dedicated to M. de Maltot who apparently
passed on to Campion the "Rule of octaves".
Monica
Stuart
This one is very
At 05:54 AM 2/12/2008, Rob MacKillop wrote:
>I'd like to thank all those people who have written to me over the last
>couple of weeks enquiring about my arm. I'm happy to report that it feels
>100 per cent fine. However, I'm not rushing back into playing for as many
>hours as I can cram into the da
Rob MacKillop wrote:
I'd like to thank all those people who have written to me over the last
couple of weeks enquiring about my arm. I'm happy to report that it feels
100 per cent fine. However, I'm not rushing back into playing for as many
hours as I can cram into the day, and restricting myself
I have extracted the two pages which contain the Theorbo article. The
PDF is 1.4Mb. (This may seem odd because the PDF for the whole book is
only 50Mb and it has over 700 pages, but I lose the economies of scale
by having only the two pages.)
The text is readable and the illustrations are clear. T
Well, Timo, I suspect Finland must be one of Google's pet countries... ;-)
Here, in France, I have the same problem as many others on the list : I get a
map of the world with little red flags and the comment : "Places mentioned in
the text" in French though but, that's all. No theorbo and no Bar
> because then you have the book on your own
> computer. (If you have the space: it's nearly 49megs.)
"The book" is volume V of the 1911 Grove's, which contains T-Z and
the appendix. The entries on Vivaldi and Telemann say much about the
19th century attitude toward the 18th century. Telem
[EMAIL PROTECTED] wrote:
Dear lutenists,
when transforming some old videocam tapes to dvd's, I happened to find
my practising for a recorging project already in 1992. Oh my hair was
dark then... ;-)
Anyhow the pieces are just direct takes... And the lute I play is model
"Andreas Berr, Vienna,
When I click this tinyurl, the page opens. On top of the page there is a box
which have the text: 'theorbo grove 1910', and a click button with text:
'search for works' (in finnish though). After clicking the button I get a list
of entries. After clicking the first box I scroll down the page, an
> Here's the tiny
> http://tinyurl.com/3xcgqz
When I use this url (the same happens with the long version)
I only get a map, showing "Orte in diesem Buch" (locations in this book).
:-))
??
B.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/in
I saw these 2 being interviewed and singing a couple songs on TV and
thought it was great.
Nancy Carlin
At 09:16 PM 2/11/2008, David Rastall wrote:
>Okay so we occasionally get off topic, here in luteland.
>
>Well, this is so far off-topic as to be practically off-shore, and I
>hope you'll bear
I coul read the articles, and I'm in Finland.
Timo
Lähettäjä: Peter Martin [mailto:[EMAIL PROTECTED]
Lähetetty: ti 12.2.2008 18:16
Vastaanottaja: Lute list
Aihe: [LUTE] Re: Signor Tiorba
Still no luck. I think the problem is that I'm not in the US, like the
ot
Dear lutenists,
when transforming some old videocam tapes to dvd's, I happened to find
my practising for a recorging project already in 1992. Oh my hair was
dark then... ;-)
Anyhow the pieces are just direct takes... And the lute I play is model
"Andreas Berr, Vienna, 1699", made by Stephen Bar
Still no luck. I think the problem is that I'm not in the US, like the
others who've reported they can't see the book. Google operates a
'conservative' copyright policy for us.
http://books.google.com/support/bin/answer.py?answer=44666&ctx=sibling
Rats.
P
On 12/02/2008, Ray Brohinsky <[
You've passed all the tests, Stewart! Well done ;-)
Rob
On 12/02/2008, Stewart McCoy <[EMAIL PROTECTED]> wrote:
>
> Test 1 Baroque Lute List
> --
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
--
No. The Edirol is a self-standing recording device. I record upstairs, and
my computer is downstairs.
P.S. I've been meaning to comment on your lovely piece "La belle cecille"
but just haven't gotten around to it yet. I shall soon. I hope you got lots
of positive feedback on it.
- Origin
Noisy computer fan perhaps?
RT
- Original Message -
From: "Stephen Arndt" <[EMAIL PROTECTED]>
To: "Jaroslaw Lipski" <[EMAIL PROTECTED]>; "Rob MacKillop"
<[EMAIL PROTECTED]>
Cc: "baroque lute mailing list" <[EMAIL PROTECTED]>
Sent: Tuesday, February 12, 2008 11:52 AM
Subject: [LUTE] Re:
Rob,
Lutenists the world over breathed a sigh of relief upon learning that you
have recovered from your injury and are making music again.
You latest recording is breathtakingly beautiful.
After reading on your website what recorder and microphone you use, I got
the same, but with the Sony m
I have no problem with it either, on mozilla.
It is not uncommon to have plugins that block content, like no-script.
If so, you need to allow Google.com to see the content, and may have
to allow Google-analytics.com as well.
If you have java and javascript blocked, this may also have an effect
of
Thanks for this, Rob - I'm glad to see you're back to playing, and
playing so well.
I didn't know this piece, so it's a real treat to hear it like this.
The lute sounds as though it has developed, even in a couple of months.
Best wishes,
Martin
Rob MacKillop wrote:
I'd like to thank all
Very beautiful piece and excellent interpretation too ! This instrument and you
sound great.
Thanks for this fine mp3, Rob, and very best wishes for a total and fast
recovery.
Jean-Marie
=== 12-02-2008 11:54:02 ===
>This one is very moving, and I hope
>you enjoy listening to it. I cons
Hi Mark,
I prefer the sound of gut strings, but I am very dissatisfied with the
current state of bass fundamentals and their tuning with their octave
neighbours. In short, I got really fed up with playing out of tune.
Experimenting with bass courses is an expensive pastime. Mimmo's new bass
course
Dear Rob,
Thanks fort the Mp3, enjoyed listening to that.
I see that you have changed your stringing, would be interesting to know the
background to that.
All the best
Mark
-Ursprüngliche Nachricht-
Von: Rob MacKillop [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 12. Februar 2008 11:5
I'd like to thank all those people who have written to me over the last
couple of weeks enquiring about my arm. I'm happy to report that it feels
100 per cent fine. However, I'm not rushing back into playing for as many
hours as I can cram into the day, and restricting myself to half an hour in
the
Having done some repair work, I have seen many strange types of abuse to lutes.
The biggest group of abusers are transitioning guitarists. Furthermore, they
have never been the first owner of the instrument or in contact with the
luthier who made it. From what I have seen, repairs are seldom t
ok, it's from Bavaria, but still... ;-)
14.2.2008
19:05 - 20:00
Bayern 4
"Aufs Lautenwerk"
Andreas Martin, Theorbe
Johann Jakob Froberger: Suite a-moll,
Johann Sebastian Bach: Suite g-moll,
BWV 995; Präludium, Fuge und Allegro Es-dur,
BWV 998; Suite c-moll, BWV 997
Aufnahme vom 19. Dezember 2007
33 matches
Mail list logo
