Jim
Miguel replies that there are a lot of small but important
corrections !
Also, the quality of the printing is incomparablyt better !
Anthony
Le 24 août 08 à 03:25, Jim Abraham a écrit :
I was lucky enough to have ordered the first edition from the
French
Lute Society
Are the 'basses' of this instrument set at the upper or lower octave?
Martyn
--- On Sun, 24/8/08, Rob MacKillop [EMAIL PROTECTED] wrote:
From: Rob MacKillop [EMAIL PROTECTED]
Subject: [VIHUELA] Re: Chitarrone Francese
To: Monica Hall [EMAIL PROTECTED]
Cc: Vihuelalist [EMAIL PROTECTED]
Some news...
V.
Subject: NEW / NOUVEAU : CD BOOK / CD LIVRE
NEW !
1 - Barricades Mystérieuses - The first solo recording of Miguel Serdoura
will be available in November 2008 on the Deutch Label Brilliant Classics
(www.brilliantclassics.com). The repertoire of this recording will be
Dear Lutists
Miguel Serdoura gives news of his forthcoming CD of Baroque lute
music, as well as his forthcoming Baroque lute method, here
http://www.miguelserdoura.com/
This information can also be found on the Baroque lute files at
http://tinyurl.com/3tktgd
Anthony
--
To get on or off
Here is one solution http://www.lucianofaria.com/
Go to the guitar page and scroll down a little. This may be somewhat late for
earlier continuo, plus it's single strung and has six strings on fingerboard.
Has anybody seen the original or picture of it?
Timo
Tobias Hume has both Life and Death in tablature for lyra viol, but can
be played effectively on the lute.
Gary
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Saturday, August 23, 2008 5:59 AM
Subject: [LUTE] life or death
Any lute pieces
LGS-Europe wrote:
Any lute pieces with either word in the title? Preferably English around
1600.
David
David van Ooijen
[EMAIL PROTECTED]
www.davidvanooijen.nl
To get on or off this list see list information at
Holborne's Last Will and Testament is a good one! As is the Countess of
Pembroke's Funerals.
David
David van Ooijen
[EMAIL PROTECTED]
www.davidvanooijen.nl
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To:
Hi all,
So I finally got to the point of tying frets on a lute that once had a fixed
metal frets and -- what I could have foreseen -- the body extends into where
the last one would go. Any solutions for this short of gluing one on? I am
thinking about cutting a notch near the end of the teardrop,
Around 2 years ago I got an archlute.
A friend of mine finally got his theorbo after some time. It had both
of us worried.
Luciano lost both his mother and his father in the last year so slack
was cut.
I used to talk to him on Skype.
On Aug 24, 2008, at 9:38 PM, Michael Ely wrote:
Dear
Dear David:
'O dear life' from Musical Banquet appears in an intabulation near the
end of the Marsh ms. It needs a minor bit of editing but certainly
works as a lute solo. I intabulated the lute song with the cantus
added as a comparison and it works as well.
Best wishes,
Good tip!
David
- Original Message -
From: Ron Andrico [EMAIL PROTECTED]
To: LGS-Europe [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Sunday, August 24, 2008 7:13 PM
Subject: RE: [LUTE] Re: life or death
Dear David:
'O dear life' from Musical Banquet appears in an intabulation
Would this then be a Chitarra Francese?
http://www.renard-music.com/selectficheinstrument.php3?1000171
https://okm.kuvalehdet.fi/exchweb/bin/redir.asp?URL=http://www.renard-music.com/selectficheinstrument.php3?1000171
Timo
To get on or
Serveral of my instruments have a VERY tiny notch at the bowl-neck
join to enable one more gut fret. I would definitely not advise
notching the bowl, just use a gluon or a quark.
One of my favorit
dte memories from 1972 was taking a sandcat belt sander to my
Papazian lute and removing the
A gluon goes on so easily that one shouldn't even consider a quark,
which must be glued on and leaves a mark.
One lute I had was fitted with small strap peg just into the bowl
neckblock near the joint, I used that to anchor the last fret.
David, you are a macho man indeed; I would have needed
I think it took at least three hours. Fortunately, mine did not have
the fingerboard raised onto the soundboard.
I also sanded the bridge down to remover the saddle, but I can't
remember how. After the fingerboard was gone, the saddle seemed unnecessary.
It was a great lute for its time.
dt
At
You lucked out- (or he improved by the time you got yours?) I left
his shop- somewhere mid-town I think- and proceeded on downtown to
No. 2 Bond street off Broadway where David Rubio fixed me up with
nice, metal fret, bone saddle, but NINE course thing that delighted
me for years. Sic Transit
Dan, thanks for that. Also thanks to LGS-Europe David, who fells that the
notch is not a big deal, that it's what people do.
As long as I am getting such good free and alas contradictory (but that is OK
-- don't take that the wrong way!) advice, here is something else for which I
need input: I
On Fri, 22 Aug 2008, David Tayler wrote:
... I'm getting 20 milliseconds till the peak
amplitude, ...
Thanks for the independent measurements which confirm the
delayed peak but measure a different delay time.
Here is a waveform that I recorded
https://ttt.ph.utexas.edu/raw_waveform.jpg
The
If the crack is in the soundboard, and it is hairline, you can work
glue into it by gently pushing up and down on one side of the
crack--donn't make it biiger. If it is bigger, you need to fill it,
or brace it from underneath.
If it is Buzzing, most likely you have a loose brace. The system I
I'm wondering if what we as musicians refer to as response is the
delay to peak, or something quantifiable in the wave. Intriguing.
dt
At 08:56 PM 8/24/2008, you wrote:
On Fri, 22 Aug 2008, David Tayler wrote:
... I'm getting 20 milliseconds till the peak
amplitude, ...
Thanks for the
21 matches
Mail list logo
