I believe the standard work to be:
http://openlibrary.org/works/OL7827880W/German_galant_lute_music_in_the_18th_century
haven't read it myself unfortunately...
G.
- Original Message -
From: theoj89...@aol.com
To: baroque-lute@cs.dartmouth.edu
Sent: Friday, October 22, 2010 3:23 PM
I have a feeling that there may be a general lack of knowledge about his
oeuvre.
Perhaps if you could strum a few bars for us, it may spark a recognition.
Otherwise, It may be up to you to unearth these treasures.
Bergen, (Pergen) Ferdinand Graf von,
Three lute suites in French tablature are
If you install Django demo, you can get and listen to them from here:
http://jdf.luth.pagesperso-orange.fr/Musiques/Les_compositeurs/Autres_compositeurs/Comte_Bergen.htm
G.
- Original Message -
From: Dale Young dyoung5...@wowway.com
To: baroque Lutelist baroque-lute@cs.dartmouth.edu;
I know that the question is about recordings, but as far as tablature is
concerned
Bergen, (Pergen) Ferdinand Graf von,
Three lute suites in French tablature are
preserved in the Vienna National Library, Ms. Suppl. Mus. 1078, ca 1740.
you'll find that one here
Pls. correct me if I'm wrong, but doesn't Gallant also imply mood related
to keys, i.e. direct influence on the listeners mood with the music, like f.
ex. indian music claims to do? (The correct term eludes me, I really should
read Farstads book! :)
G.
- Original Message -
From:
Thanks for reply and many informations.
So we don't have yet audio recordings with music by Bergen (Pergen).
Did someone see Austrian lute manuscripts? Are there autograps of Bergen
in Vienna, Ebenthal and Goettweig manuscripts or copies?
G.
Dnia 22-10-2010 o godz. 16:04 Bernd Haegemann
Here, Let me try.
Galant is the term people who lived in the period from roughly 1720
on to 1790 ( Telemann through Mozart) used to describe certain traits,
attitudes, and manners, associated with the cultured nobility, according to
Robert O. Gjerdingen in his book, Music in the Galant
Hi b-gang,
Losy was an intelligent composer - less is more seems to have been his
case? A very simple Menuet in ms. Wittgenstein f.11r is - at least to me -
a clear proof of his wits. 50 years later some wannabe-Beethoven could have
made his 20-30 minutes symphony out of Losy's less than 2
Arto!
In support of your sublime offering of a Menuet by Losy, I offer one by Adam
Falckenhagen to emphasise that less can be more. When I play this well, not
quite this time, it is just the most sentimental, button-pushing piece of
music, brings a tear to the eye.
Are you speaking of Affekt? Mattheson goes into great detail about the moods
associated with each key, but I don't believe that this is really more a part
of the baroque aesthetic and not typical of the gallant style.
There is the famous story about how Baron was made to look foolish for
Dear Grzegorz,
Thank you so much for that hint! Apart from Chopin, I am little aware
of Polish music, and so are probably other people. On the website link
you provided, also Maria Szymanowska is mentioned who must have been
not only a touching and brilliant piano player but also a
For the record, the money is that ASCAP and the other agencies
collects is also for airplay on the radio, and they both have
different ways of the checking what is being played.
The money is then distributed to the composers of the music, minus
operating fees of course. If you are a composer
Hi,
I also noticed this:
Il ballarino di M. Fabritio Caroso da Sermoneta, diuiso in due trattati
m
__
From: G. Crona kalei...@gmail.com
To: Lutelist lute@cs.dartmouth.edu
Sent: Fri, October 22, 2010
Yes, but that book is also available on sites elsewhere, f. ex.
http://www.pbm.com/~lindahl/caroso/facsimile/ and the copy here is 30 Mb.
862 (!) pages, many of them blank.
G.
- Original Message -
From: mc41mc mc4...@yahoo.com
To: G. Crona kalei...@gmail.com
Cc:
Could anyone help me understand the definition of 'Galant' music?
Does it refer only to lute music, or to the period/style.
What are its characteristics - if they can be summed up?
Which composers would be considered most typical of Galant style?
Thanks for helping a enthusiastic beginner
Just a bit of serendipity. I came across a website with a little folk
song setting by Josef Koffler (1920s), who, it seems, went on to become
a modernist composer. I suppose the melody is a real folk song,
Is it perhaps Czerwone jabluszko without the refrain?
best regards
Bernd
To
Farstad's book is the best source for this music in reference to the lute. It
includes exhaustive lists of composers, pieces and sources. More generally,
there is Gjerdingen's book:
http://www.amazon.com/Music-Galant-Style-Robert-Gjerdingen/dp/0195313712 I've
read this book, but it is not
For the record, the money is that ASCAP and the other agencies
collects is also for airplay on the radio, and they both have
different ways of the checking what is being played.
The money is then distributed to the composers of the music, minus
operating fees of course. If you are a
Thanks for this lead!
I've just downloaded Laute und Lautenmusik.
[1]http://ia311326.us.archive.org/2/items/lauteundlautenmu00krrich/laut
eundlautenmu00krrich.pdf
Quite a historic volume in its own right (1901). And looks like a good
read, though it's going to take me a LONG
On Fri, 22 Oct 2010 15:30:18 +0100, Peter Martin wrote
Thanks for this lead!
I've just downloaded Laute und Lautenmusik.
on page 17, taking an example from Neusidler, he suggests that an
quarter note C followed by eighth notes C and D should be interpreted
as a dotted quarter
On 22/10/2010 14:59, Bernd Haegemann wrote:
Just a bit of serendipity. I came across a website with a little folk
song setting by Josef Koffler (1920s), who, it seems, went on to
become a modernist composer. I suppose the melody is a real folk song,
Is it perhaps Czerwone jabluszko
De minimis non curat lex .. surely the case here.
P
On 21 October 2010 12:30, Guitar Lute
[1]guitarandl...@earthlink.net wrote:
Hi Tom,
Just to help you out here since apparantly you have your idea of
what
copyright law is, here is a link and a quote from the
Page 16 of the Caroso is a riot.
Best wishes,
Stewart McCoy.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of G. Crona
Sent: 22 October 2010 14:17
To: Lutelist
Subject: [LUTE] Re: Resources
Yes, but that book is also available on sites
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