Beautiful. I'm fascinated by that lute. Edin may be on to something.
Gary
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: Lutelist lute@cs.dartmouth.edu
Sent: Tuesday, November 30, 2010 3:51 PM
Subject: [LUTE] Karamazov
I have seen quite a few here in France, and owners do not seem to
complain.
However, many more do have Kinghams.
There are also those made by Victor Vorko, here in Paris, but I don't
know how good they are, possibly similar to Kinghams. They are made out
of flight ply-wood and
On 4 December 2010 11:14, Anthony Hind agno3ph...@yahoo.com wrote:
My advice for a Kingham, is to buy a grey one. They look far better (rather
I have my own Kingham line: grey on the outside, dark blue inside.
Three cases so far. ;-)
Kingham comes with carbon reinforces lid on request. A bit
He has probably 8 of them, all strung differently.
RT
- Original Message -
From: Gary Digman magg...@sonic.net
To: lute@cs.dartmouth.edu
Sent: Saturday, December 04, 2010 4:21 AM
Subject: [LUTE] Re: Karamazov
Beautiful. I'm fascinated by that lute. Edin may be on to something.
Gary
Interesting, Anthony. I can understand that the grey color could be
more reflective in the sun, but my experience with them (in terms of
cases I have seen) is that they seem to show every little scuff,
where the darker colors do not.
I have one in navy blue, and it is very nice. But, with my
For my Baroque lute I had Kingham making a beautiful bright yellow case.
I have to clean it from time to time, bnut everybody asks me about that unusual
case!
Luca
--Messaggio originale--
Da: Edward Martin
Mittente:lute-...@cs.dartmouth.edu
A:Anthony Hind
A:freeman.gra...@gmail.com
Well, ed, if I attend the coming lute seminar as I hope to do, there may be at
least one more green case. That is, if I bring my Larson 7 course. (My Larson
8 course is older, and has a black case)
Ned.
On Dec 4, 2010, at 10:05 AM, Edward Martin wrote:
Interesting, Anthony. I can
- Original Message -
From: dem...@suffolk.lib.ny.us
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Wednesday, December 01, 2010 8:09 PM
Subject: [LUTE] Re: Francesco da Milano - Ness 33
BIG SNIP
imitation will often change the intervals as the harmony demands that,
yes,
On Thu, 02 Dec 2010 11:23:56 -0500, Roman Turovsky
r.turov...@verizon.net wrote:
http://www.youtube.com/watch?v=nmLoX2TTAig
His strong movements, his gestures while playing, are quite disturbing to
me. Just my problem, I guess and also admit. It would be easier to me to
listen to his very
Snip
David Tayler is mistaken when he claims that I evened up uneven passages
in Francesco's music. No serious editor of early music would ever do
something like that.
Snip
Actually, I never said anything of the sort, nor would I. All of the
material in your edition is in the critical
Here's a stab at the third movement:
http://www.youtube.com/watch?v=vZhWh0oQymo
Stuart
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I agree, Arto. I find all the exaggerated motion he makes a barrier
to the music.
At 04:16 PM 12/4/2010, wikla wrote:
On Thu, 02 Dec 2010 11:23:56 -0500, Roman Turovsky
r.turov...@verizon.net wrote:
http://www.youtube.com/watch?v=nmLoX2TTAig
His strong movements, his gestures while
Just my problem. . .. No, a problem for at least me too. The question of
how much musical performance is theatre, is always to be considered. I prefer
less theatre.
Ned
On Dec 4, 2010, at 5:16 PM, wikla wrote:
On Thu, 02 Dec 2010 11:23:56 -0500, Roman Turovsky
r.turov...@verizon.net wrote:
Thanks again - keep posting your stabs!
Ned
On Dec 4, 2010, at 6:43 PM, Stuart Walsh wrote:
Here's a stab at the third movement:
http://www.youtube.com/watch?v=vZhWh0oQymo
Stuart
To get on or off this list see list information at
Yes, I agree ... although I've seen worse (not just on lute).
I always have to question,
How much of this is calculated and staged,
how much is genuine?
Still, an amazing, creative artist.
Tom
Just my problem. . .. No, a problem for at least me too. The
question of how much musical
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