> On Dec 12, 2015, at 3:48 PM, Chris Barker wrote:
>
> Oh, good grief, Lyndon LaRouche! He was as crazy as a peach orchard squirrel!
My Los Angeles neighborhood is notably lacking in peach orchards, so I can’t
comment on the mental fitness of squirrels in them, but it’s premature to be
referr
Oh, good grief, Lyndon LaRouche! He was as crazy as a peach orchard squirrel!
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
howard posner
Sent: Saturday, December 12, 2015 5:18 PM
To: Lute List
Subject: [LUTE] Re: Saturday morning quo
Yes, the pro's have connections
--
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> On Dec 12, 2015, at 12:51 PM, Ron Andrico wrote:
>
> Nevertheless, most lutenists play solo,
Most amateur lutenists.
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> On Dec 12, 2015, at 9:21 AM, Edward Martin wrote:
>
> I am wondering, has anybody on the list read some of the arguments
> about changing the modern pitch standard as a + 432?
A major push for 432 came from none other than convicted mail fraud conspirator
and 8-time fringe presidential ca
I've been spending a lot of my time lately playing tenor sackbut in Ren loud
bands and pitch in that world has a lot of variety. A-440 is the most
common, followed by A-415, but a number of the players I know (cornetto, in
particular) also have "high pitch" instruments at A-465. I know some early
t
Tuning the recorder to a'=442 is perhaps a cunning way of getting around the
problem that you can pull a recorder out but you can't blow it up, so to
speak. In the current climate where keyboards are mostly tuned to a'=440,
it might help a few insufficiently warmed-up recorders to be in tune -
>>
they told me that 442 is becoming the standard concert pitch in
Europe.
<<
Ever rising. One of the modern orchestras I play with is at 446 for
quite awhile already. But in the early music orchestras I meet anything
from 392 (Gilles' Requiem last month) to 466 for Monteverdi
For what it's worth, some recorder makers are no longer making recorders
pitched at 440. They have bumped the pitch up to 442. At the Von Huene
Workshop, they told me that 442 is becoming the standard concert pitch in
Europe.
-Original Message-
From: Edward Martin
Sent: Saturday, Dec
After wrestling with this vexed question of pitch since at least 1976 on
lutes, vihuelas, guitars, violas da gamba- with singers, other
instrumentalists, and- worst of all, alone by myself- attempting to
force gut strings to go to distant extremes both high & low; to remote
places where no gut
Nice article, Ron.
I agree, in that there is no definitive pitch. We seem to have
settled on 440 vs. 415 as standards of modern vs baroque, but what
about 460, or 392? With the lute, a few sources state to tune the
treble to just before it breaks, and that is where one starts.
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