I agree with you, Monica. Again it's a case of retroprojection: we have this
sense for comparing everything with everything because we have a sense for
history, something they did not have: history as we know it was invented in the
19th century.
We can arrive to some conclusions about all this i
.S. (British colonies then) persecuted and
> murdered scores of non-Puritans.
>
> Chris
>
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
> Of Edward Chrysogonus Yong
> Sent: Tuesday, May 05, 2015 4:55 AM
>
Spain was not an exception regarding free vs. conservative thinking. I mean,
Spain was not more conservative than England or France, in regard to what is
right or wrong in religion, morality (for instance sexuality
) and so on. Fear
was (and is) the explication of nearly everything.
Perhaps Jea
Something to keep in mind, in regard to the need of mending the instrument
Leonard is referring to, is how far (or near) is the luthier who build it...
Even if it doesn't break, wood "lives", and therefore a lute must be
periodically adjusted.
Cheers,
Manolo
El 08/04/2012, a las 15:46, Leona
The problem with that word's pronounciation is not at the beginning, where it
is pronounced like the past tense of "ser" (to be)= "fue", but at the beginning
of the second part, the double l in "-llana".
Depending on the region we pronounce it here in Spain like in "jump", or more
like /ʎ/ (this
El 26/03/2012, a las 15:18, Mathias Rösel escribió:
>> this is to inform about a new VIMEO video.
>>
>> In it Monica Pustilnik plays Corrente VI from Piccinini´s 1639 book.
>>
>> The archlute was made by Francisco Hervás (Granada).
>
> Thanks for sharing, Manolo! This is another example, thoug
May I correct: she was born in 1948, so she was 63, not 69
Yes, sad news...
Saludos from Barcelona
Manolo
El 23/11/2011, a las 20:44, Edward Mast escribió:
> Sad indeed - an exciting performer.
> On Nov 23, 2011, at 1:48 PM, Bruno Fournier wrote:
>
>> Atlthough off topic, sad day for early musi
This book is nice, but you will need information about the history of history
to fully understand it:
Peter Burke. The Italian Renaissance. Culture and Society in Italy. 1999
The idea of a "Renaissance" (rebirth) was "invented" in the 19th century,
exactly the epoch were history, as we now unde
try it this way:
oh heilige, unbefleckte, zart jungfraugeschaffte Marie
heilige = saint
unbefleckte = no stained
zart = tender
jungfrau = virgin
geschaffte = conceived
Regards,
Manolo
El 22/08/2011, a las 04:21, Herbert Ward escribió:
> Here is a title in old German of a lute duet (Sebastian Vi
thank you very very much, Chris and Ed, for your kindest answer!
Cheers,
Manolo
El 28/03/2010, a las 20:35,
escribió:
Manolo,
It's in the Augsburg ms.
Chris
--- On Sun, 3/28/10, man...@manololaguillo.com > wrote:
From: man...@manololaguillo.com
Subject: [LUTE] Falckenhagen D
thanks, Edward, for your fast answer.
I look forward to the results of your research!
Manolo
El 28/03/2010, a las 15:52, Edward Martin escribió:
Actually, I do not know the source! When I recorded this peice with
Paul Berget, we used an edition that was arranged by Doug Towne.
I'll ask Doug.
hed a lesser-known example from Johann
Christian Beyer's "Oden, Lieder und Fabeln" of 1760. This ornament
table is nearly identical to the manuscript copy but is much easier
to read.
Chris
--- On Sun, 3/7/10, ml wrote:
From: ml
Subject: [LUTE] Falckenhagen ornaments
To: &
Hi,
where can I find a list with the ornaments ('Manieren') Falckenhagen
employed? I mean, the ornaments plus a description of how to play
them. Are they somewhere?
Thank you very much!
Cheers,
Manolo Laguillo
To get on or off this list see list information at
http://www.cs.dartmouth.e
s,
Manolo
El 11/02/2010, a las 11:27, Andrew White escribió:
Manolo,
Its in Vol. 36 1996
Cheers,
Andrew
On 11/02/2010, at 9:18 PM, ml wrote:
Hi,
in the Lute News, or somewhere else (cant't remember where...)
there is an article by Roger Harmon on one of F. da Milano's
fant
Hi,
in the Lute News, or somewhere else (cant't remember where...) there
is an article by Roger Harmon on one of F. da Milano's fantasy. Its an
analysis.
I moved recently, and my library is still a mess, so I don't find that
text.
I need it quite urgently, for teaching purposes.
Perhap
how beautiful, this music! thank you!
Manolo
From: Richard Yates
To: lute@cs.dartmouth.edu
Sent: Mon, November 16, 2009 3:13:49 PM
Subject: [LUTE] Manchester Gamba Book
I have been burrowing through the Manchester Gamba Book for a
while and
arranged 25 of the pieces for Renais
://luthlibrairie.free.fr/?Baroque:Fran%26ccedil%3Baise
Click and download and you'll have obtained the music with sonnets
included.
It's a free download but on the welcome-page you are invited to make
a donation for the work involved.
Cheers,
Lex van Sante
Op 3 nov 2009, om 23:19 heeft ml he
Hi,
does anybody of you have Denis Gaultier' sonets, those published in
'La Rhetorique des Dieux'?
Thank you in advance for any help!
Saludos,
Manolo Laguillo
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hi,
does somebody have a beautiful Sarabande by Mesangeau, I think it is
in C Major?
It is the one played with amazing speed by A. Bailes, as recorded in
the 70's in an EMI Reflexes vinyl (track 5).
Thank you in advance!
Saludos from Barcelona,
Manolo Laguillo
To get on or off this l
my humble opinion: your vihuela, Oskar, was designed and build by
Batov with a tension with which it sounds at its best. I would ask
Batov about everything related with stringing, fretting, etc.
Each instrument is a world in itself, and also sounds different when
played by different musicians
I would say you are speaking about two different books...
Manolo
El 14/04/2009, a las 6:43, Edward Martin escribió:
No, it is _not_ a normal price. Amazon, in the USA sells it for
$46.71
http://www.amazon.com/Performance-Lute-Guitar-Vihuela-Interpretation/dp/0521019435/ref=sr_1_12?ie=UTF
Hi,
does anyone know of sicilian lutenists, and compositions for the lute
done in / related with Sicily, in the 16th. 17th. and 18th. Centuries?
Thank you very much!
Manolo
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
thank you, Rainer!
Manolo
El 07/04/2009, a las 21:23, adS escribió:
wolfgang wiehe wrote:
Hi,
John H Robinson posted his list from 1997 "Lute intabulations of
music
by Josquin in prints and manuscripts" to the lute list some years
ago.
I have a paper copy.
Wolfgang w.
Here we go
Rain
very much,
Manolo
El 04/04/2009, a las 9:54, Arthur Ness escribió:
- Original Message -
From: "ml"
To: "Lute Net"
Sent: Friday, April 03, 2009 9:00 PM
Subject: [LUTE] melchior neusidler's pieces
| Hi,
|
| could somebody tell me where I can find the intab
Hi,
could somebody tell me where I can find the intabulation of these 2
pieces by Melchior Neusidler:
"Herr Gott nun sey gepreyset"
"Joseph lieber Joseph mein" ?
POD plays them (tracks 20 & 21) in his recent CD devoted to M.
Neusidler.
I searched the index of the modern facsimilia, to be
..funny, I was reading about Rameau's H&A only a couple of weeks ago...
BTW, I found and bought (not cheap, but worth the money) a wonderful
DICTIONNAIRE DE LA MUSIQUE EN FRANCE AUX XVIIe ET XVIIIe SIÈCLES, Ed.
M. Benoit (Fayard, 1992).
800+ pages full of information.
Manolo
El 31/03/20
not at all... photos came out blue...
El 21/03/2009, a las 22:17, Roman Turovsky escribió:
Did you have an amber filter with you?
RT
- Original Message - From: "ml"
To: "List LUTELIST"
Sent: Saturday, March 21, 2009 5:11 PM
Subject: [LUTE] Re: frequent re-fre
's lute. In a tiny college practice room. With a smoke
detector. Using someone's borrowed matches. I was sure I was
going to set the fire alarm and sprinklers off and ruin everybody's
$400,000 violins and cellos.
Chris
--- On Sat, 3/21/09, ml wrote:
From: ml
Subje
I would avoid using nylon for fretting.
A 6 c. lute I used to have had them, the builder himself did it. When
I changed to gut the sound changed for good. Let's say that it sounded
less bad with gut then with nylon, all other things being the same.
OK, nylon frets last forever, but this is a m
Hi,
a friend of mine without internet access sells his 13 c. Joel van
Lennep baroque lute (bass rider, string length 67.5 cm).
For details please contact me via email off list.
Saludos,
Manolo Laguillo
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lu
Hi,
a friend of mine without internet access sells his 13 c. Joel van
Lennep baroque lute (bass rider, string length 67.5 cm).
For details please contact me via email off list.
Saludos,
Manolo Laguillo
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lu
why don't you ask the builder, Anthony? He must know better, IMHO...
BTW, what string length does your beautiful intsrument have?
saludos,
Manolo Laguillo
El 15/03/2009, a las 11:54, Anthony Hind escribió:
Dear Lutenists
While carrying out my latest octave tweak, replacing the
octav
rody of a french chanson.
All best,
Joachim
"ml" schrieb:
hi, lutelisters,
where can I find Hans Neusidler's "Beschaffens Glück ist
unversammpt" ?
It's not in "Das Erste Buch".
BTW, how would that phrase be in modern german ? What does
"unversamm
hi, lutelisters,
where can I find Hans Neusidler's "Beschaffens Glück ist unversammpt" ?
It's not in "Das Erste Buch".
BTW, how would that phrase be in modern german ? What does
"unversammpt" mean ?
Thank you in advance!
Manolo Laguillo
To get on or off this list see list information at
Hi,
in the near future I will travel to Vienna (Austria). Besides the many
places that interesting city has (in art, music, literature,
architecture, psychoanalysis...) I would like to ask this list about
any suggestions related with the lute that I can't miss.
Thank you very much in adva
another possibility of scanning microfilm: making a photography of it
with a digital camera.
I imagine that it would not be that difficult to arrange a
"reprography stage" using:
1. a negative holder recycled from an old analog photographic enlarger
for holding the microfilm flat, and at the
Hi, lutelisters,
is there a modern edition of the "William Ballet Lute Book"? I'm after
"A Galliard after Laveche" (Anon.), among other pieces.
As always, thank you very much in advance for your help.
Saludos from Barcelona,
Manolo
To get on or off this list see list information at
http:
hola, Jean-Marie,
Yes, Barcelona is a nice city: good weather, at the sea, etc...
Thank you very much, again!
Manolo
El 24/11/2008, a las 7:53, Jean-Marie Poirier escribió:
Hola Manolo,
Here : http://www.cs.dartmouth.edu/~wbc/julia/ap1/TCD4081.htm you
will find the complete list of all the
thank you very much, Jean-Marie, you are very kind, as always. I have
only a (small) question: What is the reference of that "Ballet Lute
Book"?
Thank you, again,
Manolo
El 23/11/2008, a las 21:22, Jean-Marie Poirier escribió:
From Julia Craig McFeely's thesis ( http://www.cs.dartmouth.
Hi, dear lutelisters,
I would like to know the sources of these pieces for two equal lutes:
A Galliard after Laveche
Queen's Goodnight.
Both are anon
Thank you very much in advance for your help!
Saludos from Barcelona,
Manolo Laguillo
To get on or off this list see list information a
Hi,
I don't think it was as you say: in the 16th C. Spain was already a
nation state, ruled by a king. They had a very clear idea what
bounderies meant, and therefore distinguished well between the
different nationalities. "Extranjera" was understood as: outside the
iberian territories.
I forgot to explain that 'figa' is also a contemporary catalan word,
meaning the same as in spanish, italian, lunfardo, etc.
That 'fig' has many meanings has a visual base, of course.
And when we play the lute using 'figueta', our right hand approaches
the 'figa' gesture.
Manolo
El 04/11/2
ha, ha, ha...!
nice story!
so you did need a reminder, did you?
El 02/11/2008, a las 19:36, howard posner escribió:
On Nov 2, 2008, at 9:06 AM, ml wrote:
hi, Howard,
what do you mean with "passage glued to my lute case"?
I mean I photocopied the pages from Mace, cut out the p
hi, Howard,
what do you mean with "passage glued to my lute case"?
Manolo
El 02/11/2008, a las 15:36, howard posner escribió:
Mace actually warns of the dangers of plopping down carelessly on a
bed with a lute in it, remarking that he has seen several lutes
"spoil'd with such a trick" or
Hi, Anthony,
how interesting is what you explain!
Thank you, 1st for sharing Benjamin's recipe (I have a new viola da
mano since last august that is evolving nicely since only a couple of
weeks, and I will make use of that advice),
and 2nd, because it gives me material for thinking about othe
now, non posso essere satisfatto, prego...
Manolo
El 26/10/2008, a las 15:59, [EMAIL PROTECTED] escribió:
Hi lutenists,
I played the famous (ba?)rock song Dipingi nera quella porta by even
more famous Pietre Rotolanti. My version is partly improvised.
In YouTube: http://www.youtube.com/wa
/
If you are not sure of the address, you can find in the Google by
typing/searching Daniel Forget + lute. It indicates as the first
option the address above.
Rregards! Saludos!
Marcelo Alonso
--- Em qui, 23/10/08, ml <[EMAIL PROTECTED]> escreveu:
De: ml <[EMAIL
French
tablature, spiral bound. You can order it from:
http://www.cs.dartmouth.edu/~wbc/lyre/lyre.html
Dick's foreword mentions that numbers 59, 50, 49, 24 and 43 are in
Respighi's first suite.
On Sep 16, 2008, at 5:23 PM, ml wrote:
I was listening to the 1st Suite by Respighi (Antiche A
Dear lutelisters,
I was listening to the 1st Suite by Respighi (Antiche Arie e Danze),
and became curious: the first and second pieces are by Molinaro and V.
Galilei, and the 3rd and 4th are Anon.
Which pieces exactly are the originals used by Respighi? Where are
they available (I mean th
ed
> Status: 4.0.0
> Diagnostic-Code: X-Postfix; connect to
> relay.verizon.net[206.46.232.11]: server
>refused to talk to me: 571 Email from 82.223.190.29 is currently
> blocked by
>Verizon Online's anti-spam system. The email sender or Email
> Service
>
Dear lutelisters,
some weeks ago I asked this list about the authorship of the
intabulation from the chanson "Et don bon soir". Mathias Rösel,
Charles Browne and Arthur Ness kindly answered that it belongs to G da
Crema.
Now I have another requests about "Et don bon soir": is this chanson
51 matches
Mail list logo
