Hi Folks,
I am selling my 10 course lute made in 1976 by Swiss luthier, Sandro
Zanetti.
It comes with a hard shell case. It is very playable with comfortable
action.
Asking $1,850.00
I will not ship it, so local only. Sorry!
The lute is in Brooklyn New York.
If anyone in
Alkan of course... but I heard it was the Talmud that did him in.
Sent from AOL Mobile Mail
Get the new AOL app: [1]mail.mobile.aol.com
On Thursday, August 1, 2019, Alain
Veylit wrote:
Since Howard mentions the Torah and jeopardy, here is our summer
quiz/jeopardy question:
In an Interview, Bream said he was knocked over by a neighbor's dog.
Also, FYI, he has recently suffered a stroke and is in a wheelchair.
Sent from AOL Mobile Mail
Get the new AOL app: [1]mail.mobile.aol.com
On Friday, June 21, 2019, John Mardinly wrote:
Left hand.
A. John
Hi Folks,
I am sure many of you will be interested to hear Hopkinson Smith play
guitar music of Manuel Ponce on the lute.
This music was originally originally written for Segovia.The recording
is on Spotify.
Here is a link to CD baby:
[1]https://store.cdbaby.com/cd/stefanogrond
Hi All,
I have not seen this posted here:
Guitarist, publisher, editor, scholar Matanya Orphee passed away on
November 6th at 6:00 p.m.
Matanya was an extraordinary man: incredibly productive, controversial,
combative and generous.
He made some great contributions to the guit
Hi All,
Any suggestions for a luthier in or around New York City that can set
up my 10 course lute.
The lute is made by Sandro Zanetti. It needs new gut frets. The frets
on it now are nylon. It may need some other minor work, too
Best,
Mark
--
To get on or off this li
Congrats!!!
~Mark
-Original Message-
From: Anthony Hart
To: lute
Sent: Mon, Dec 23, 2013 8:32 am
Subject: [LUTE] Publication of the lute sonatas of Antonino Reggio (1725-c1800)
I am planning on publishing the first volume of the sonatas for lute
and bass early in the new yea
I hired Paul to conduct a masterclass at the Manhattan School of Music. A
student played the "Six Pieces for Lute from the Renaissance" for him.
These pieces were standard works for a time and Segovia often started his
concerts with these pieces. He made them famous because he performed them
I think it was clear that I was referring to the very standard intermediate
level suite for guitar "Six Lute Pieces from the Renaissance" .
All literate guitarists know this work.
-Original Message--From: r.turovsky
To: Mark Delpriora
Cc: lute
Sent: Mon, Dec 16, 2013 7:21 am
In defense of Segovia, I played in Segovia masterclasses in 1982 at the
Metropolitan Museum and in 1987 at the Manhattan School of Music and I found
him to be a very fine coach.
He knew the music I played backward and forward.
Segovia was at his best when you were playing his editions.
How interesting about Tom Poulton.
I look forward to this book even more!
I wonder if Eric Gill was in their circle.
-Original Message-
From: Geoff Gaherty
To: Lute
Sent: Thu, Sep 19, 2013 5:52 pm
Subject: [LUTE] Re: Biography of Diana Poulton
On 19/09/13 5:45 PM, Geoff Gaherty w
Hi All,
The guitarist and rock star, Jan Akkerman, had success performing his lute
during rock concerts for large audiences in the 1970s.
He still performs these days.
Lute:
http://www.youtube.com/watch?v=zZh9YPk3ZNM
Rock band:
http://www.youtube.com/watch?v=RFDW9b_ejfI
jazz
Hi All
Can someone please point me the way to a digital copy of:
"Tenori et contrabbassi intabulati..." Book I e II by Franciscus Bossinensis
(Petrucci 1509 and 1511) .
Best,
Mark Delpriora
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/
At the risk of annoying the resident guitar dislikers on the list, I would like
to inform you of a new publication (or 2).
http://www.editionsorphee.com/solos/Delpri-variazioni.html
and
http://www.editionsorphee.com/solos/Haydn-fugue.html
Thanks!!
Mark
--
To get on or off this
BTW, some of you may be interested in this:
http://www.editionsorphee.com/solos/Haydn-fugue.html
Best,
Mark
-Original Message-
From: terli...@aol.com
To: ma...@rowan.edu; dwinh...@comcast.net; lute@cs.dartmouth.edu
Sent: Sun, Nov 7, 2010 8:04 pm
Subject: [LUTE] Re: OT: Guitar tech
The 1928 manuscript for the 12 Studies is available from the Villa-Lobos
Museum.
The 1928 version is heavily fingered by VL and has many details and some
sections that are missing from the later Eschig version.
( For example Etude 10 has a couple of extra minutes of entirely new music not
Hi All,
one quick note:
If you include the recent developments in guitar construction, for example the
guitars of Smallman and Dammann,
than one must say that, at least, certain modern guitars are indeed louder than
19th century guitars.
best,
mark
-Original Message-
From: Mayes
Yes, all of what you write is well known among educated guitarists.
A couple of points:
1) Llobet did not have Ginastera in mind, but for sure he had Broqua and Villa
Lobos in mind . Development of the -a- finger is very important in modern
literature: witness the pimami arpeggios in Etude 11
The right hand fingerings commonly used by guitarists for the Carcassi studies
are all derived for Llobet's fingering.
Although Llobet wrote a few etudes,he did not write a comprehensive set of
studies.
Instead, he fingered the Carcassi studies from the point of view of Tarrega's
technique
Interesting!
I taught Waltons's 5th Bagatelle yesterday and recommended p-i or p-m for the
repeated notes on the treble strings.
You are right, A guitarist would probably not go from
string 1 with p to the 6th string with i.
Would a lutenist? ...why not throw the m in just before the string cr
That's not true ,modern guitarists use their thumb on the treble strings.
It is a necessary skill for music by Rodrigo to Britten... not to mention
transcription (God forbid!)
Best,
Mark Delpriora
-Original Message-
From: Paul Kieffer
To: lute@cs.dartmouth.edu
Sent: Thu, Mar 18, 201
Hi,
I have no trouble playing baroque guitar coming from single string guitar. For
Baroque guitar I play with a relaxed tip joint and a get a broad enough contact
point to play the courses just fine.
BTW, Nigel Norths hand position here:
http://www.youtube.com/watch?v=bXb3zih2umw
Look
-Original Message-
From: vance wood
To: Lute List >
Sent: Thu, Mar 18, 2010 8:49 am
Subject: [LUTE] Re: should i learn thumb-under technique?
Just my opinion and not based on anything other than experience; those who made
the switch in the Sixteenth-Century and beyond were alread
I would imagine that if the thumb is playing repeated notes on lower courses
(with thumb out technique) while a note is required on the chanterelle, that
some contact with the second course could occur.
Not a deep rest stroke like some flamenco guitarists do, but light contact
resulting fo
Do any early sources describe something that could be interpreted as a "rest
stroke" being used on the chanterelle?
-Original Message-
From: David R
To: nedma...@aol.com
Cc: lute@cs.dartmouth.edu
Sent: Mon, Jan 18, 2010 6:26 pm
Subject: [LUTE] Re: Thumb rest stroke
I think it came
Well, let me just say that I really appreciate the videos you and others put up.
I come across some interesting lute repertoire that I may or may not transcribe
for guitar ...
and some of this music puts me one more step towards ordering a Liuto Forte.
Thanks!
Best,
Mark
-Original M
and written with the cattiness of a student...a freshman maybe?
Except the students you heard play for Hoppy were young (one was 19) and you
are ?
Mark
-Original Message-
From: Roman Turovsky
To: terli...@aol.com; chriswi...@yahoo.com; lute@cs.dartmouth.edu
Sent: Wed, Dec 23, 2009
Self-abuse and this person must go to confession.
-Original Message-
From: howard posner
To: Lutelist list
Sent: Wed, Dec 23, 2009 10:55 am
Subject: [LUTE] Re: Liuto forte
On Dec 23, 2009, at 7:51 AM, terli...@aol.com wrote:
> I am sure a singer of Josquin des Prez
>
> felt the sam
Hey Roman,
And I got to meet your smiling face, too.
Hoppy taught the students very well and they learned alot from him.
As Hoppy said, a big part of the lute repertoire. is made up of transcriptions
and, in those idealized days of yore, I am sure a singer of Josquin des Prez
felt the sa
I think it sounds somewhere between the alt-guitar that Goran Sollscher plays
and a lute. It has less sustain in the upper register than a guitar.
I want one!
Best,
Mark Delpriora
-Original Message-
From: luther maynard
To: mathias.roe...@t-online.de; l...@pantagruel.de
Cc: sa
I would like to second that!
The Campion recording is superb!
Mark
-Original Message-
From: Eugene C. Braig IV
To: lute@cs.dartmouth.edu
Sent: Mon, Dec 21, 2009 10:46 am
Subject: [LUTE] Re: Liuto forte
An intriguing point regarding angelique tuning. However, arguing there must
be six
O.K so you have BWV 995, 996, 997,998, and 1006a. That's 5. (with the prelude
Fugue and Allegro being considered a Suite).
What is the 6th?
In my guitar literature classes at the Manhattan School of Music, I love to
play harpsichord recordings for the students of 996,997 and 998.
I also
-Original Message-
From: terli...@aol.com
To: chriswi...@yahoo.com
Sent: Sun, Dec 20, 2009 9:22 am
Subject: Re: [LUTE] Re: Liuto forte
I write at the risk of being gummed to death by a horde of irate lutenists:
I don't know what kind of guitars and guitar playing lutenists here h
My guess is that the producers of the event prefer the shape of the lute to the
shape of a guitar.
Mark Delpriora
-Original Message-
From: Sauvage Valéry
To: lute@cs.dartmouth.edu
Sent: Sat, Dec 19, 2009 2:40 pm
Subject: [LUTE] Re: Liuto forte
I went this year to a concert with Ense
OR suitable for a guitarist who is NOT sick of the guitar repertoire! ... and
is happy with finger nails.
Roman, Did you go to the the demonstration of the liuto forte hat occurred at
the Met Museum a year or 3 ago?
I missed it.
Mark Delpriora
-Original Message-
From: Roman Turov
Hi All,
Hopkinson Smith will give a masterclass at the Manhattan School of Music on
Saturday, Nov. 21st at 6 pm in the school's new Miller Theater.
The class is free and open to the public.
Best,
Mark Delpriora
--
To get on or off this list see list information at
http://www.cs.dartmout
Hi All,
I am enjoying this thread... I am awaiting a baroque guitar being made for
me by Michael Schreiner. The instrument should be ready by the summer. I got
tired of playing a converted modern guitar and visited Paul Shipper, who was
very helpful and kind, with the purpose of checking out h
In a message dated 04/05/05 7:04:13 AM, [EMAIL PROTECTED] writes:
>I used "blues" figuratively.
Actually, Williams does have a recording of "3 blues" by Charlie Byrd on a
disc called "Spirit of the Guitar"
You gotta hear it!
Mark Delpriora
Co-chair, guitar department,
Manhattan School of Music
38 matches
Mail list logo