gt;arthurjn...@cs.dartmouth.edu>Subject:
[LUTE] More Melchior Newsidler
(was Re: de Rippe portrait // Lutist portraits)Date: November
9, 2019 at 6:26:03 PM ESTTo: mailto:da...@vanedwards.co.uk";
class="">da...@vanedwards.co.uk, mailto:tristanvonneum...@gmx.de";
class=&quo
--=_Part_1857672_968383007.1573341963355
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Here is a portrait thought to represent Melchior Newsidler. The Fuggers were
MN patrons and are said to have commissioned his portrait from a visiting
Italian pai
Antonio Rota in his first book has a Saltarelo and Piva in the Dm
Antico dance cycle that includes the passage (more or less similar in
each)
I2 0.2.3.5.7.I
I3 2.3.5.7.8.I etc.
It may not be clear above but it's a run of thirds where each cipher
has a dot following. The passa
Early Music Online can also be accessed via the Royal Holloway's
digital repository
Early Music Online
[1]https://www.royalholloway.ac.uk/music/research/earlymusiconline/home
.aspx
"Early Music Online has digitised over 320 volumes of 16th-century
anthologies of printed music,
As I already said, sometimes Vallet uses hold lines on empty strings.
Here is an example: In "La Courante Sarabande" (CNRS No. 74, page 177 or
original source page 83) in bar 21 (first bar in 3rd stave in the original) there is a
hold line starting on the open 6th course.
I think it should sta
Dear lutenists:
Here you have the last four instruments on sale on our website:
* Vihuela
* [1]http://cuerdaspulsadas.es/blog/vihuela-en-sol-construida-por-ces
ar-arias-en-el-ano-2012/
Baroque Guitar
* [2]http://cuerdaspulsadas.es/blog/guitarra-de-cinco-ordenes-mo
Dear fellow-travelers--
Another installment of my glacially-paced Dufault recording project:
[1]https://youtu.be/7nJJDl-WNVQ
The first of the group is here: [2]https://youtu.be/SVzgYxzihkM
Apologies to those who have already gotten their dose of this recording
via social media, b
Hi All,
You can now see and hear more detail on this project, including some of
the considerations which went into it, at:
http://www.luteshop.co.uk/Liuto_Attiorbato.html
Martin
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On Dec 15, 2013, at 1:01 PM, Chris Barker wrote:
> Tarrega taught Pujol to play with nailess right hand
> fingertips, and Pujol passed that technique on to others. I presume that
> Segovia's use of nails, and increased volume of his instrument because of
> that, might have gotten him bigger aud
Recently I have started looking into Scandinavian amateur collections
and according to Ruden (1977), there should be two versions of the
"More Palatino" song in the Per Brahe Lute Book (No. 37, fol.35v-36r,
and No. 39, fol.37r).
source: [1]http://www.musikforskning.se/stm/STM1977/STM
I cleaned up the papers collecting on my music stand and have added some
more music to my web site
www.GroundsandDivisions.info
The new pieces includes a couple more Courantes from Cz-Pnm G.IV.18
(Rettenwert Lute Book) and a new Spanish Pavan (Elizabethan Tunes).
Enjoy.
Nancy
--
Nancy Carlin
I have finally gotten some more pieces from Cz-Pnm G.IV.18 up on my web
site. This is mostly French music for 9 and 10 course lutes, although
some of it can be played with the bass notes moved up an octave. It's at
www.GroundsandDivisions.info
Click on Johannes Aegidius von Rettenwert Lute B
Hi,
I have uploaded 5 Intavolations for 3 equal lutes (Single line-easy)
--- Titelouze - Magnificat Quinti Toni - Suscepit israel ---
--- Willaert - Ricercar 9
--- Willaert - Ricercar 1 ---
--- Gastoldi, Giovanni Giacomo - Il ballerino ---
--- Schultz, Johannes (1582-165
OK. Google before you post.
The album title was "Dance Music of the Renaissance".
It was reissued on CD as "Tanzmusik Der Renaissance" with the band listed as
Collegium Aureum and a decidedly non-pink cover. (I verified that it is indeed
the same recording by listening to a couple of the tracks
hi,
because there are a lot of request for these, -technical simple trios, I have
uploaded some more fine "Single-line" Trios for 3 equal lutes.
1.)
---Bevin, Elway - Browning - (not easy! A bit rhythmical tricky)
a long variation of the old famous theme.
2,3,4.)
-- Orlando di Lasso - Fantasi
Dear Bill,
The following comes from one of the websites related to these
instruments. I have not checked the sources myself. Notice that by
drawing the lute stop (ie a row of jacks closer to the bridge) the
writer says the instruments sounds more lute like - perhaps even more
ev
To All:
We have a new blog post, Gesture in performance.
[1]http://mignarda.wordpress.com/2011/06/01/gesture-in-performance/
Best wishes,
Ron & Donna
--
References
1. http://mignarda.wordpress.com/2011/06/01/gesture-in-performance/
To get on or off this list see list inform
To All:
We have a new post this evening, more about teaching music.
[1]http://mignarda.wordpress.com/
Ron & Donna
--
References
Visible links
1. http://mignarda.wordpress.com/
Hidden links:
2. javascript:;
To get on or off this list see list information at
http://www
To All:
Our last blog post on modern music for the lute created some discussion
and raised some very interesting points. We have a follow-up posting
today with a link to a recording of one of our modern songs, just to be
fair.
[1]http://mignarda.wordpress.com
Best wishes,
R
Just about to play "Like as the Lute" on Sunday - thanks for people's
thoughts and links to that piece. Does anyone know of any online
resources for more of Danyel's music, or have a recommendation of a
good recording? Thanks - Benjamin Stein
To get on or off this list see list informatio
>>
>> Hi,
>>
>> I have uploaded
Johnson, John - Almain
Attaignant - Le cueur est mien
for a C-Instrument and a lute in g.
And I have changed the Coleman layout. The Melody line of the C-Instrument
(Violin Discant Viol, Flute etc..) is now in modern notation! I found this
function in Fron
>
> Hi,
>
> I have uploaded the famous "De La Torre - La Spagna" and another Almain of
> Coleman
>
> Enjoy it.
>
> C-Instrument & G-Lute
> http://www.mediafire.com/?3fri3p1qmfpz2
>
> Coleman, Charles - 03-Almain
> Coleman, Charles - 04-Almain
> De La Torre - La Spagna
>
> If you want, you ca
ewart.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of A. J. Ness
Sent: 13 March 2011 20:03
To: A. J. Ness; Stewart McCoy; Lute Net
Subject: [LUTE] MORE Re: Crotchet rests
I downloaded the ISMLP copy, Stewart. I have trouble sending *.PDF
files,
I downloaded the ISMLP copy, Stewart. I have trouble sending *.PDF files,
so if you can download it yourself, that would be best. If I send it, I'd
have to split it into several files. But will do so if you wish.
- Original Message -
From: "A. J. Ness"
To: "Stewart McCoy" ; "Lute Net
Hi,
I have uploaded 2 new technical studies. Beside the technical effect, -they
sounds fine too.
>From the he very well known Fluytenlusthof
Eyk, Jacob van - Courant, of Harte diefje vaerom zoo stil
and
Eyk, Jacob van - En fin l'Amour
here ist the link
Technical Studies
http://www.
hi,
4 more Puil-Teacher Lute (Unisono) Duets . (Pupil with a singleline-Melody)
Compere - Se mieulx
Frye - Tout a par moy
Godebrye, Jacob - Je suis déshéritée
Obrecht - Tandernaken
Pupil - Teacher
http://www.mediafire.com/?ixnr8g4n3aid5
--
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Still something that I don't get:
why are some public (public) libraries slowly making all their MS
available as a digital download - and I'm thinking about the the
Bayerisch Staatsbibliothek here in Munich, between others -, while
there are other PUBLIC libraries (hello, British Li
I have put a few more pieces up on my web site for you folks to enjoy.
There is a Passymeasures from Marsh that includes some nice pedal point
divisions, and a couple of pieces I arranged for lute and recorder back
in the 1970s. They are based on pieces in the Fitzwilliam Virginal
B
>>> Christopher Stetson 1/9/2010 10:26 AM >>>
Hi, Naomi,
I see. I'm not sure why Munrow lists her as dying in 1586, probably
just a mistake. I also realize that all my theorizing about what the
instrument "means" in the portrait is based on the assumption that it
was her choic
I posted two more piece by De Rippe on YT:
O Passi Sparsi (II): http://www.youtube.com/watch?v=w2dl6X00X1o
Galliarde V: http://www.youtube.com/watch?v=aqvFHNhIW9k
Hope you'll enjoy ;-)
Val
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Last night, after a 3-hour flight and a couple of hours of playing duets with
Travis Carey on his home turf, I set the clock radio to the only classical
music I could find quickly and went to sleep. This morning the first thing
that came out of the radio was a brief passage of violin music in d
I'll be in Drottningholm, Edinburgh and London for concerts this month--
beer drinkers are welcome to swap lute stories and quaff the nut
brown ale if you are in the neighborhood... And Aqvavit, what the hey.
To get on or off this list see list information at
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Once more let me admonish anyone thinking of ordering a lute from
Luciano Faria - I am still waiting for my instruments - A fully-paid
for theorbo and deposits on two other lutes that are all about three
years late!
He doesn't answer emails, phone calls, or (I'm thinking) smoke sign
Hi Guys,
Some more vintage lute recordings for you - as with last time, do check your
local laws before downloading these files, which are out of copyright here
in the UK.
First, something of a premier recording - the first ever recording of
Dowland's Lachrimae from 1957. No lute featured (
By popular demand, here are some more Gerwig recordings, digitized from the
vinyl by Nick Morgan.
The Neusidler and da Parma recording (Archiv AP 13031):
http://www.mediafire.com/?mejmjmimwu1
Bach's Suite in g minor BWV 995, Archiv AP 13022 (ten-inch),
recorded 22 November 1949, in the Studio
David Hill has now completed the second and third song books by
Dowland, and has revised his praphrases to the first book. These are
very useful resources, and I would like to publicly give a big pat on
the back to David for all his hard work. I'm sure many of us will get a
lot of mi
Dear All,
More vids up on Gordon's YouTube page (soon to be on his website) ...
this time a piece by Morlaye and a couple by Adrien Le Roy recorded on
his Renaissance guitar.
Well worth using the 'high quality' option on YouTube!
Elly
www.youtube.com/bananamunga
www.gordonferries.com
-
Dear David,
Dowland's "I saw my lady weep", and similar songs are more in the
consort song tradition, i.e. solo voice accompanied by four viols, like
those by Byrd. The mood is set by the instrumental introduction, but the
singer's melody is not pre-empted.
In this context I would mention Bossine
Hi everybody,
Recently, working with a new singer on my English Lute songs program, I
started to wonder why these songs do not have an introduction or an
instrumental part in the middle or at the end. Were lutenists expected to
improvise or to compose extra bits of music for performance? In case t
Six short videos of pieces from Wemyss, Straloch and Panmure manuscripts:
http://www.vimeo.com/robmackillop/videos
Cheers,
Rob
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During our lute weekend with Richard Stone, we had a discussion of
the harmonies that Weiss used and dissected some movements from a
continuo perspective. This made me reconsider the Weiss d minor
prelude that ends with the "asterisk". It has additional material at
the bottom of the MSS tha
More thoughts on this peg business, involving the nature of wood and
how we use, abuse, and finesse it. Wood, as an organic living
substance is not completely uniform in all dimensions- it has grain,
cell structure, and (in temperate & northern climates) growth rings.
A peg that was round at th
Well, it's a spring blizzard in Cleveland, so I filmed a few lute
videos:
http://www.youtube.com/watch?v=7W4Iiov1A_4 (Weiss Menuet)
http://www.youtube.com/watch?v=7cGKAR4JvGQ (Weiss Sarabande)
http://www.youtube.com/watch?v=cdozZSFqLUc (Weiss Gigue)
http://www.youtube.com/watch?v=1vnMo7dd
Last night on PBS TV, there was a 1 hour show on Sting & Dowland, etc. I
am fairly neutral on the topic of Sting (no flames, please), but the show
was very well done. There was considerable discussion with Sting, Edin,
and Anthonny Rooley. There was a 4th person in the discussion, with a very
Dear lutenistis,
I wanted to try, how Lully would suit to 4 course renaissance guitar.
You can find pdf's and also midi's of "Marche pour la Ceremonie des
Turcs" and "Canarie" in my page
http://www.cs.helsinki.fi/u/wikla/mus/Lully/Marche/
My explanation reads:
"These arrangements for chita
d loose d.
m. 148 first chord loose d.
m. 152 first chord loose d.
m. 156 first chord loose d.
----- Original Message -
From: "Andreas Schlegel" <[EMAIL PROTECTED]>
To: "lute list"
Sent: Wednesday, October 18, 2006 8:33 PM
Subject: [LUTE] more than 6 courses
>I a
I asked for prints because it's more significant for a wider use of a
new type of instrument. We always have more or less single proofs for
outstanding solutions in the lute world (f.ex. the 14-c. Baroque lute
with swan neck of J.Chr.Hoffmann in Leipzig - and the Bach g-minor-
suite... perha
Hello all
Has somebody the knowledge, when the first printed books with
tablature for a 7-course, 8-course, 9-course and 10-course lute
appeared? Please give not only the book, but also the exact page on
which the lowest couse is used. I have to verfy my own list.
I thought:
7-course one to
I noticed another tablature formerly in Robert Spencer's
library is from that 1956 sale (auction?) of a portion
of the Harrach library. It is the Lauffensteiner
Paertiein B flat. There is a facsimile, ed.Spencer and
Peter Lay, publ. Lutse Society (1987).
To get on or off this list see li
Arthur Ness
Tue, 23 Aug 2005 15:34:27 -0700
>That information is also given in the notes
>to Paul's CD.
Glad to know that you obtain your musicological information from CD
liner notes. I suspected as much, but now you confirmed it. Thank you.
>We know the Codice Lauten-Buch is not lost or dest
The "Paul's CD" I mentioned
in response to Ed's message on the tasteggiata and
spezzata is Paul O'Dette's CD of the original
versions of the Respighi suites (Hyperion CDA66228). Of
course a few pieces (8 in fact) are from Chilesotti's
Codice Lauten-Buch (NB old fashioned spelling).
This reminds me
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