Galliard no 14 in Francisque, which is not in Poulton, is one of
Dowland's more interesting pieces.
I don't believe it has been recorded--perhaps Rob will be the first
and put it on his site :)
Perhaps someone recorded it--I did a search at some point
It is for 7c lute.
dt
To get on or
lute@cs.dartmouth.edu
Sent: Thursday, July 24, 2008 11:32 AM
Subject: [LUTE] Re: Dowland's Lutes--the hidden piece
Galliard no 14 in Francisque, which is not in Poulton, is one of
Dowland's more interesting pieces.
I don't believe it has been recorded--perhaps Rob will be the first
and put
, July 24, 2008 11:32 AM
Subject: [LUTE] Re: Dowland's Lutes--the hidden piece
Galliard no 14 in Francisque, which is not in Poulton, is one of
Dowland's more interesting pieces.
I don't believe it has been recorded--perhaps Rob will be the first
and put it on his site :)
Perhaps someone
-cs.dartmouth.edu lute@cs.dartmouth.edu; David Tayler
[EMAIL PROTECTED]
Sent: Thursday, July 24, 2008 3:45 PM
Subject: [LUTE] Re: Dowland's Lutes--the hidden piece
Hello David,
Do you have more precise reference of the galliard you're talking about
(14 in Francisque) ? I see only 3 or 4 galliard in my copy
I'm interested in Mr. Tayler's reasoning. It certainly is a very beautiful
setting.
Robert Margo
On Thu, Jul 24, 2008 at 10:33 AM, David Rastall [EMAIL PROTECTED] wrote:
On Jul 24, 2008, at 9:53 AM, Robert Margo wrote:
I think Mr. Tayler is referring to the 14th piece in Francisque
Just catching up with this topic. A 'new' piece by Dowland is clearly of
great interest. Can you be more specific, David? I looked at the 14th piece
(thanks for the link to the online facsimile, Valery!) - it seems to be for
8c. On my 69cms lute, the stretches are at times too much, even with
my
On Jul 24, 2008, at 9:53 AM, Robert Margo wrote:
I think Mr. Tayler is referring to the 14th piece in Francisque
(counting
from the beginning of the book). I played it this morning. It is
definitely a Dowland theme.
That's what I was thinking. It's a Dowland theme, which Francisque
Rob is correct--there is a very interesting use of the 7th course to
provide an alternate fingering for the low B Flat for voice leading
reasons in the third strain.
Quintessential Dowland.
So ideally it could be played on an eight course or a nine course.
Very intriguing; hat tip to Rob, well
David Rastall wrote:
On Jul 24, 2008, at 9:53 AM, Robert Margo wrote:
I think Mr. Tayler is referring to the 14th piece in Francisque
(counting
from the beginning of the book). I played it this morning. It is
definitely a Dowland theme.
That's what I was thinking. It's a Dowland theme,
Are you saying that there are no pieces in CLM that do not have attributions?
Also, I must disagree with your characterization of my position
concerning Holmes, that's simply not the case, each piece is taken on
a case by case basis, such as Farewell Fancy.
dt
At 11:55 AM 7/24/2008, you wrote:
Rainer has raised the point as to why one would include a piece in
the Dowland Canon without attribution.
It is a good question. let's take a quick look.
It turns out many works by Dowland have no attribution. And this is
true for many composers.
In The Poulton/Lam edition (CLM) No. 60 is a
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