In a message dated 10/27/2006 6:03:11 P.M. Eastern Standard Time, anthony.hi
[EMAIL PROTECTED] writes:
Jacob Heringman who plays with gut on recordings told me that he
prefered 64 or 67 or 71 lengths for better range of tone. He said that,
On the Pickeringe, some of the pieces are on a
Jacob also has long fingers.
Nancy
In a message dated 10/27/2006 6:03:11 P.M. Eastern Standard Time, anthony.hi
[EMAIL PROTECTED] writes:
Jacob Heringman who plays with gut on recordings told me that he
prefered 64 or 67 or 71 lengths for better range of tone. He said that,
On the
- Original Message -
From: Rob Dorsey [EMAIL PROTECTED]
To: 'LGS-Europe' [EMAIL PROTECTED]
Sent: Saturday, October 28, 2006 3:51 PM
Subject: RE: [LUTE] Re: Frei body renaissance lute
Sir,
I take the greatest exception to your comments. Poor customer indeed? In
the configuration
Rob
Yes, I reckoned you would post it to the list. By doing so you confirm my
impression.
A jerk with a lute is still a jerk.
Lighten up! No need to get rude. I have no problem with you. I wrote about
the undesirability of a 65cm g' lute in 440 and the relationship between
lute maker and
I think a new scaled-down body would be the only solution.
RT
- Original Message -
From: Rob Dorsey [EMAIL PROTECTED]
To: Baroque Lute List baroque-lute@cs.dartmouth.edu
Sent: Friday, October 27, 2006 10:44 AM
Subject: [BAROQUE-LUTE] Frei body renaissance lute
Hi All,
I don't know
On Oct 27, 2006, at 11:44 PM, Rob Dorsey wrote:
I am currently building an 8 course lute for a customer on a Frei
body. I do
not build many renaissance lutes and specialize in baroque
instruments but
took this commission anyway.
He specified the Frei body but also specified a 62cm
Ed wrote:
On Oct 27, 2006, at 11:44 PM, Rob Dorsey wrote:
I am currently building an 8 course lute for a customer on a Frei
body. I do
not build many renaissance lutes and specialize in baroque
instruments but
took this commission anyway.
He specified the Frei body but also specified
Many thanks to all who responded and there were some good ideas.
Unfortunately the consensus was that the Warwick Frei body was too long for
a renaissance lute in g. The almost universal suggestion was to build it on
a smaller Frei body. I'm basically a baroque lute maker and I have to have
my arm
- Original Message -
From: Ed Durbrowmailto:[EMAIL PROTECTED]
To: Rob Dorseymailto:[EMAIL PROTECTED] ; LuteNet
listmailto:lute@cs.dartmouth.edu
Sent: Friday, October 27, 2006 9:48 AM
Subject: [LUTE] Re: Frei body renaissance lute
On Oct 27, 2006, at 11:44 PM, Rob Dorsey wrote:
I
Dorsey ; LuteNet list
Sent: Friday, October 27, 2006 9:48 AM
Subject: [LUTE] Re: Frei body renaissance lute
On Oct 27, 2006, at 11:44 PM, Rob Dorsey wrote:
I am currently building an 8 course lute for a customer on a Frei
body. I do
not build many renaissance lutes and specialize in baroque
Many thanks to all who responded and there were some good ideas. I am
curious however how this thread found its way onto the Lute list. I posted
it on the Lute Builders and Baroque Lute lists but it seems to have migrated
here. My comments were really intended for other builders but it either
Martin Shepherd [EMAIL PROTECTED] wrote:Dear All,
As Jacob's recordings using his Frei instrument demonstrate, there is no
reason why one should not play almost any Renaissance lute music on a
long lute - it's just a question of technique. As a maker, I am
constantly beseiged by people
: Frei body renaissance lute
On Oct 27, 2006, at 11:44 PM, Rob Dorsey wrote:
I am currently building an 8 course lute for a customer on a Frei
body. I do
not build many renaissance lutes and specialize in baroque
instruments but
took this commission anyway.
He specified the Frei body
of
practicality, nothing historical about that.
David
- Original Message -
From: Martin Shepherd [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Friday, October 27, 2006 10:28 PM
Subject: [LUTE] Re: Frei body renaissance lute
Dear All,
As Jacob's recordings using his Frei instrument
Dear all
The question of string length has a problem: It's not the thickness
of the string. Theoretically the strings of all diameters break at
the same pitch - the thinner with a lower tension and the thicker
ones with a higher tension. The question is more: When breaks the
bridge or the
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