On Wed, Mar 3, 2010 at 8:45 PM, Peter Jones pjones...@toucansurf.com wrote:
I thought. So if anyone has prepared any tablature editions of other
sections of the SJP that they would be willing to share, it would save me
Congratulations with your job. This is such great music to play!
Learn to
David is right.
dt
At 02:27 PM 3/3/2010, you wrote:
On Wed, Mar 3, 2010 at 8:45 PM, Peter Jones pjones...@toucansurf.com wrote:
I thought. So if anyone has prepared any tablature editions of other
sections of the SJP that they would be willing to share, it would save me
Congratulations
To: Lutelist
Sent: Wednesday, September 05, 2007 11:38 AM
Subject: [LUTE] Re: St. John Passion
Stewart McCoy schrieb:
One of the arguments in favour
of using the mandora is that they bought a couple for the church at
Leipzig
when Bach was there. There were over 40 tunings for the mandora
Well at least you have TONS of time before easter :)
Good luck and in a perfect world someone will come up to you after the
concert and say...
that Lute was TOO loud.
On 9/4/07, David Tayler [EMAIL PROTECTED] wrote:
The St John Passion part is a very odd duck.
It exists in several sources.
Stewart McCoy [EMAIL PROTECTED] schrieb:
One of the arguments in favour
of using the mandora is that they bought a couple for the church at Leipzig
when Bach was there. There were over 40 tunings for the mandora, and the
number of strings can vary. I think I am right in saying that Lynda
On Sep 5, 2007, at 3:14 AM, Stewart McCoy wrote:
One of the arguments in favour
of using the mandora is that they bought a couple for the church at
Leipzig
when Bach was there.
Is this documented? I'm aware of the letter from Kuhnau, Bach's
predecessor as cantor in Leipzig, writing to
Stewart, et al,
Of course, rather than worrying so much about open
basses, one could just as easily play troublesome
notes up an octave. From looking at the solo
repertoire for baroque lute alone, it seems this was
very standard practice. In these pieces in which the
composer had freedom
,
Stewart.
- Original Message -
From: Mathias Rösel
To: Lutelist
Sent: Wednesday, September 05, 2007 11:38 AM
Subject: [LUTE] Re: St. John Passion
Stewart McCoy schrieb:
One of the arguments in favour
of using the mandora is that they bought a couple for the church at
Leipzig
when
[EMAIL PROTECTED] schrieb:
Of course, rather than worrying so much about open
basses, one could just as easily play troublesome
notes up an octave. From looking at the solo
repertoire for baroque lute alone, it seems this was
very standard practice. In these pieces in which the
--- Mathias Rösel [EMAIL PROTECTED]
wrote:
I was under the impression that
playing the bass line
_down_ an octave, where possible, was standard
practice (cf continuo
realizations in Fundamenta der Lauten Musique), but
not vice versa.
Perhaps, however, the key phrase here is where
-
From: Mathias Rösel
To: Lutelist
Sent: Wednesday, September 05, 2007 11:38 AM
Subject: [LUTE] Re: St. John Passion
Stewart McCoy schrieb:
One of the arguments in favour
of using the mandora is that they bought a couple for the church at
Leipzig
when Bach was there. There were over 40
Dear David
On what type of lute will you play the Betrachte? I have a tab somewhere for
archlute, but with some scordatura in the bass, beware. Better play from the
score, it's easier that way. A bit weird to do this aria without the viola
d'amore, though, they make all the beautiful dissonances.
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