improvised,
> >memorized or read from score
>
> Who cares! everyone does this, the topic incidentally was live
> performance.
> Michael Thames
> www.ThamesClassicalGuitars.com
> - Original Message -----
> From: "Stuart LeBlanc" <[EMAIL PROTECT
Yeah well I'm talking about live performance soundclips, audience noise
included.
-Original Message-
From: Michael Thames [mailto:[EMAIL PROTECTED]
Sent: Monday, April 11, 2005 10:10 PM
To: lute@cs.dartmouth.edu; Stuart LeBlanc
Subject: Re: Antwort: Re: Blind players and memory
ance.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: "Stuart LeBlanc" <[EMAIL PROTECTED]>
To:
Sent: Monday, April 11, 2005 8:12 PM
Subject: RE: Antwort: Re: Blind players and memory
>
> Twenty years ago when I was in school, improvising double
ntify which are improvised,
memorized or read from score.
-Original Message-
From: Michael Thames [mailto:[EMAIL PROTECTED]
Sent: Monday, April 11, 2005 9:00 AM
To: lute@cs.dartmouth.edu; [EMAIL PROTECTED]
Subject: Re: Antwort: Re: Blind players and memory
Thomas,
A jazz friend recently
-
From: <[EMAIL PROTECTED]>
To:
Sent: Monday, April 11, 2005 1:21 AM
Subject: Antwort: Re: Blind players and memory
>
>
>
>
>
> The funny thing about one of their meetings (Bach and Weiss along with
> Kropffgans) was the BWV 1025 which is a lute sonata by Weiss to which
I was told it would originate in the persian region. Don't know of the
evidence for that but my statement it would come from either the arabic
countries or china was corrected by an expert a while ago telling me it
would be from the region of persia.
Thomas
"Steve Amazeen" <[EMAIL PROTECT
The funny thing about one of their meetings (Bach and Weiss along with
Kropffgans) was the BWV 1025 which is a lute sonata by Weiss to which Bach
obviously improvised (and later worked out) a violin part.
Improvising fugues and passacalias was common at their time (organists now
start to reviv
