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From: Dr. Marion Ceruti [EMAIL PROTECTED]
To: Ed Durbrow [EMAIL PROTECTED]; lute list
lute@cs.dartmouth.edu
Sent: Saturday, April 02, 2005 3:18 AM
Subject: Re: memorization/Re: Gallot speaks...
Dear Ed,
Please see comments below.
Thank you for contributing to this very interesting
thread
-Original Message-
From: Jon Murphy [EMAIL PROTECTED]
Sent: Apr 2, 2005 3:59 AM
To: Dr. Marion Ceruti [EMAIL PROTECTED],
Ed Durbrow [EMAIL PROTECTED],
lute list lute@cs.dartmouth.edu
Subject: Re: memorization/Re: Gallot speaks...
Wow, motion and motor - and time
Marion wrote:
I don't believe it is necessary to have a lot of theoretical knowledge
though. If you can explain it to your self you are analyzing. A teacher
once told me, 'analysis is making the best case for the piece.' It
may be as simple
as describing it in mundane terms: it goes up the
As one who has experienced all sorts of memory over 70 years I'll say that
Ed's analysis is technically correct (although I'd disagree with the muscle
memory being the most dangerous, it has saved my butt a number of times on
the ski slope - but an aerial recovery from an unseen bump isn't the
: memorization/Re: Gallot speaks...
Ed,
Thanks for advice. I think your right about memorizing it and then using
the tab as a reference. Just playing through stuff is fun but you don't
really progress, or perfect anything. Sight reading it seems, can become a
crutch one can never free oneself
-Original Message-
From: Michael Thames [EMAIL PROTECTED]
Sent: Mar 29, 2005 10:19 PM
To: lute list lute@cs.dartmouth.edu, Ed Durbrow [EMAIL PROTECTED]
Subject: Re: memorization/Re: Gallot speaks...
Ed,
Thanks for advice. I think your right about memorizing it and then using
the tab
I would be interested to know if anyone has seen a study
of different methods that musicians use to memorize music.
Such a study would be quite interesting indeed.
I've been threatening to right an article about the subject for the
LSA Quarterly. Actually, I've already written a great deal, but
I wonder if lute concerts will ever be on the level of guitar concerts
where lutenist's have the proper professional stage presence to not be
staring at their music all the time. This might give them more appeal to
the general concert going public, and more acceptance by guitarist's. I
always
Thank you, Ed, for your very interesting and informative message.
Please see my comments below.
Cheers,
Marion
-Original Message-
From: Ed Durbrow [EMAIL PROTECTED]
Sent: Mar 30, 2005 9:04 AM
To: lute list lute@cs.dartmouth.edu
Subject: Re: memorization/Re: Gallot speaks...
I would
[EMAIL PROTECTED]
To: Michael Thames [EMAIL PROTECTED]; lute list
lute@cs.dartmouth.edu; Ed Durbrow [EMAIL PROTECTED]
Sent: Wednesday, March 30, 2005 9:46 AM
Subject: Re: memorization/Re: Gallot speaks...
-Original Message-
From: Michael Thames [EMAIL PROTECTED]
Sent: Mar 29, 2005 10:19 PM
Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Wednesday, March 30, 2005 3:56 AM
Subject: Antwort: Re: memorization/Re: Gallot speaks...
Hi Michael,
most of us luteplayers play several different instruments.
If you
Durbrow [EMAIL PROTECTED]
To: lute list lute@cs.dartmouth.edu
Sent: Monday, March 28, 2005 9:29 PM
Subject: memorization/Re: Gallot speaks...
I've always been curious about the aspect of memorization in lute
music.
In this paragraph Gallot seems to suggest it. Baron advises to memorize
I've always been curious about the aspect of memorization in lute music.
In this paragraph Gallot seems to suggest it. Baron advises to memorize in
the beginning stages of learning, but then goes on to say he's not
recommending it ( don't have the book handy).
Sterling Price, has visited
,
Marion
-Original Message-
From: Ed Durbrow [EMAIL PROTECTED]
Sent: Mar 28, 2005 8:29 PM
To: lute list lute@cs.dartmouth.edu
Subject: memorization/Re: Gallot speaks...
I've always been curious about the aspect of memorization in lute music.
In this paragraph Gallot seems to suggest
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