the inaudible chorus
insects, frogs, from midrange to ultrasonics
processed in audition to emphasize the latter
the range most likely goes to 30 khz
recorded in one six minute interval with h4n
the original sound, i.e. at 1:1, not here,
the original image, not here
think of this as a sonic
Wonderful! And elephants have been taught to paint, btw. This extends in
all sorts of directions; our friend Rachel Rosenkrantz has bees
contributing to the design of an acoustic guitar -
Best, Alan
On Thu, Jun 6, 2019 at 10:51 AM Edward Picot via NetBehaviour <
Michael,
I agree with what others have said, these are extremely
thought-provoking, and almost any one of the questions would be material
for a couple of hours of discussion. Great material for a book too!
My favourite one is 'If I collaborate with an elephant to make an
artwork is that
Hi Patrickmy original intention was that it was a somewhat sideways approach
to questions in aesthetics that have interested me for a very long time, both
theoretically and as things which arise intermittently but consistently in
one's practice as an artist.So that's how it ended up in an
Hi Marcyour mail makes me very happy -exactly the sort of response I would
hope to elicit including the ambiguity about what the text actually *is* :)It
seems to me one of the things it is, is several lifetimes' research programmes
in aesthetics also think ( tentatively) that the questions (
Sorry to be offline for so long. The constellation of causes and effects behind
this are complex, partially because I had split my email addresses across five
different ones in an attempt to simplify, and exactly the opposite happened. I
want to try to get this straightened out and be a regular
Hi Michael,
Thanks for posting this - I read it as a list first,
and then began choosing which questions I know that I could answer (or imagined
I could),
and then slowed down for the other questions which involved either me altering
the question or going numb or feeling blank - which i
