Not pretty. It looks cheap and toyish.
It also makes it look non-professional, which I believe, is the whole idea.
Some people hate the idea of being confused with a pro.
I once waated to buy a Metz hammer head flash for work - like the ones I
often use myself.
My boss said no - go with a traditio
This is to let everyone know that on March 5th we will be gathering in
San Jose. Anyone is welcome to come - it looks like right now the
count is between six and eight of us. I am coming from the Sacramento
area, so if anyone is in that area, you are welcome also.
If you would like to join us, p
I see.
My refcoverter has the internal screw threads in the converter, not the
flange.
So, I must only bore new holes in the flange, then screw on the new flange.
I may be wrong, though. We'll see.
http://www.flickr.com/photos/bladt/4773833/
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.
Not show tunes, but Gilbert and Sullivan. (Which may be even worse).
[EMAIL PROTECTED] wrote:
Quoting frank theriault <[EMAIL PROTECTED]>:
Poor Will!
He's going to think he's stumbled into a nut-house (OTOH, maybe he has!
).
You realize that WAS the idea? Let him have a very clear view
Well I had a very unproductive day. I usually shoot a bunch of useless
photos, if I have nothing better to do. All I saw that caught my eye
was this.
Taken with the 28-200mm FA which on a film body is just so-so but really
finds it's mark on the *ist D. I bet it would be great on a DS as well
Now it really does compete with the Rebel D, (they're both silver)...
William Robb wrote:
- Original Message - From: "Peter J. Alling"
Subject: New From Pentax...
I make no comment...
http://www.pma-show.com/pentax/003_istDS.html
That should attract the consumers who want an amateur camer
Ann, it's a nicely executed photo, in spite of the fact that I generally
see Christo's work to be more than a bit silly.
Ann Sanfedele wrote:
http://www.photo.net/photodb/photo?photo_id=3117510
Comments, as much about the subject as my photo,
welcome :)
Pentax K-X - tri-x - grabbed it.
annsan
Pity the streetlamp partially obscures the building sign. I might also
prefer it slightly wider to get more of the sidewalk. Purely subjective
though.
Cheers,
Ryan
- Original Message -
From: "Peter J. Alling" <[EMAIL PROTECTED]>
To:
Sent: Monday, February 14, 2005 4:32 PM
Subject: PESO
Ah yes, artist of the moment with the orange gate things.
I like the shot, but I'm not sure if I'd prefer a coloured version, given
how his work is often emphasised by the use of colour (e.g. the island and
the headland etc.). Alternatively, Christo and Jeanne-Claude have said, for
example, that t
On Feb 14, 2005, at 12:05 PM, David Nelson wrote:
Well that got your attention didn't it?
It's the *ist DS Silver, identical functionally to the normal black
*ist DS. HAR!
-kay. Put a little bit of silver paint on the top and call it a
silver coloured camera.
It still looks more black than
Testing - none of my posts seem to be coming through.
I agree with Paul.
To me compostition is about how to take the eyes of the spectatores for a I
ride around/into the picture.
So, often, it's about lines.
It's also about light. The bright parts seem to catch the eyes first.
Bright parts of a photograph need to be important(essential - or at least t
Nice job getting the ISO 3200 noise out. (You don't want to know what
my e-mail client's spell checker suggests for Dimmit).
Will Dimmit wrote:
Hi. I'm new to the list (48hrs our so now). Just thought I'd
introduce myself and share a music (rock rather than jazz) photo.
This was taken w
http://www.photo.net/photodb/photo?photo_id=3117510
Comments, as much about the subject as my photo,
welcome :)
Pentax K-X - tri-x - grabbed it.
annsan
Quoting frank theriault <[EMAIL PROTECTED]>:
> Poor Will!
>
> He's going to think he's stumbled into a nut-house (OTOH, maybe he has!
> ).
>
You realize that WAS the idea? Let him have a very clear view of where he is.
> New guy posts to say hello, here's a pic I recently took, and his
> t
At 01:05 AM 13/02/2005, you wrote:
http://www.flickr.com/photos/fwwidall/4696406/
Here's my second attempt at photographing snowflakes.
Brilliant Fred!
Really nice.
Wendy
Wendy Beard,
Ottawa, Canada
http://www.beard-redfern.com
Hi!
Eric, you have very good sense of composition or very good eye or both.
I agree with Paul, the only shot that is weaker is that of a windmill.
This probably due to lots of empty blue spaces, etc... If you think that
you have much to learn it only means that you are creative about your
photo
On Sun, 13 Feb 2005 21:20:23 +, Bob W <[EMAIL PROTECTED]> wrote:
> but when you've finished shooting you have to look at the picture
> dispassionately, and not let the way you felt at the time cloud your
> judgement about its value. Other viewers won't have experienced the
> thing as you did,
On Sun, 13 Feb 2005 23:02:13 +, Bob W <[EMAIL PROTECTED]> wrote:
Good question - I don't know.
Words I never thought I'd here from Bob!
-frank
--
"Sharpness is a bourgeois concept." -Henri Cartier-Bresson
On Sun, 13 Feb 2005 15:36:55 -0500, Mark Roberts <[EMAIL PROTECTED]> wrote:
> Will Dimmit <[EMAIL PROTECTED]> wrote:
>
> >Hi. I'm new to the list (48hrs our so now). Just thought I'd
> >introduce myself and share a music (rock rather than jazz) photo. This
> >was taken with my month old *i
On Sun, 13 Feb 2005 19:19:15 -0600, [EMAIL PROTECTED]
<[EMAIL PROTECTED]> wrote:
> Quoting Cotty <[EMAIL PROTECTED]>:
>
> > On 14/2/05, Ryan Lee, discombobulated, unleashed:
> >
> > >I coulda sworn it was 'Ya!'
> >
> > That's the yuppie version ;-)
>
> "I want to sing an' dance, I want to sin
On Mon, 14 Feb 2005 09:12:02 +1000, Ryan Lee <[EMAIL PROTECTED]> wrote:
> Lol! I knew someone was going to 'correct' me. I thought it'd be one of the
> Americans though!
Now, now...
I didn't "correct" you, I merely pointed out a difference in language
use between us two former colonies, is all.
Oh no ERN, I did mean to witness an earthquake or volcanic eruption first
hand. Like those storm chasers who go round looking for tornados to study
them or document.. I was wondering if he's done the seismic equivalent..
Cheers,
Ryan
PS. Was a pretty interesting documentary wasn't it?
- Orig
- Original Message -
From: "Peter J. Alling"
Subject: New From Pentax...
I make no comment...
http://www.pma-show.com/pentax/003_istDS.html
That should attract the consumers who want an amateur camera.
William Robb
- Original Message -
From: "Andre Langevin"
Subject: Re: ist*D and iPod?
That brings me to a more general question. What are the standard
ways to download a full CF card on location?
I bought a laptop. Way overkill, but it allows me to shoot RAW and
see what I have gotten.
William Ro
I would suggest returning it and getting something else instead.
The Sigma 20mm f/1.8 is fast but its image quality wide open is
quite poor, plus it has a noisy slow focus motor. The Canon
EF20/2.8 is only about $30 more and is much better wide open.
Compared critically, the Canon lens hits its bes
I use the X's-Drive II VP2600 (@ 40 GB). It will transfer most memory cards,
is relatively inexpensive for this type of thing (approx $225 IIRC) &
compact. A drawback is that there is no way to review images (I do a simple
edit in the camera after a days shooting & then download to the X drive).
Wo
On 13 Feb 2005 at 18:02, Will Dimmit wrote:
> Either a laptop or a portable hard drive with a memory card reader like
> this guy:
>
> http://www.newegg.com/app/ViewProductDesc.asp?description=20-163-502&depa=0
Or one of these little guys,
http://www.3hdigital.com/en/product.htm
Amongst other
You have a very good sense of composition and frame. I find almost all
of these quite excellent. The only exception would be the windmill,
which appears somewhat awkward and disjointed to my eye. But the others
are very good. The staircase is a great composition, so too the
graffiti. The froste
Quoting Ryan Lee <[EMAIL PROTECTED]>:
> Hi Ronald,
>
> Thanks for the info! The documentary I saw was on Lituya Bay, I didn't
> remember the name at the time though. Being a seismologist sounds very
> interesting. Apart from those people they interview on tv documentaries, I
> can't say I've ever
Quoting Cotty <[EMAIL PROTECTED]>:
> On 14/2/05, Ryan Lee, discombobulated, unleashed:
>
> >I coulda sworn it was 'Ya!'
>
> That's the yuppie version ;-)
"I want to sing an' dance, I want to sing an' dance, I wanna be a pirate
in 'The Pirates of Penzance' with me silver-buckled slippers .
ROTFLMAO
On Sun, 13 Feb 2005 18:51:11 +, mike wilson <[EMAIL PROTECTED]>
wrote:
Yes, and so nobody will guess its origins they have cleverly renamed it.
They call it the K100.
John
I think Jessops' (UK) own brand camera is the same K1000 clone. Also
all black, so aimed at the pro mark
Damn, I didn't see this before I posted. Nevermind.
David Nelson wrote:
Well that got your attention didn't it?
It's the *ist DS Silver, identical functionally to the normal black
*ist DS. HAR!
http://www.dpreview.com/news/0502/05021306pentax_istdssilver.asp
Will a silver limited lens look good o
I make no comment...
http://www.pma-show.com/pentax/003_istDS.html
--
I can understand why mankind hasn't given up war.
During a war you get to drive tanks through the sides of buildings
and shoot foreigners - two things that are usually frowned on during peacetime.
--P.J. O'Rourke
I see a gaggle forming outside my house already.. Please check the
chalkboard for my self-immolation itinerary. :)
Cheers,
Ryan
- Original Message -
From: "Steve Jolly" <[EMAIL PROTECTED]>
To:
Sent: Monday, February 14, 2005 10:07 AM
Subject: Re: Peso - Afterglow
> Mark Roberts wrote:
[EMAIL PROTECTED] wrote:
>"Emotion recollected in tranquility" from the preface to "Lyrical Ballads" by
>Wordsworth & Coleridge?
Bingo! :)
I have Richard Holms' excellent two-volume Coleridge biography (which I
recommend highly, BTW). Going to have to read that again.
--
Mark Roberts
Photogra
On 14/2/05, Ryan Lee, discombobulated, unleashed:
>I coulda sworn it was 'Ya!'
That's the yuppie version ;-)
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=|http://www.cottysnaps.com
_
Not exactly what I expected, but it's a good newspaper shot.
mike wilson wrote:
Hi,
As we seem to have a small theme going of pictures taken on the road,
here's one I made earlier.
http://www.fotocommunity.com/pc/pc/channel/50/extra/new/display/2593239
mike
--
I can understand why mankind has
On 14/2/05, Steve Jolly, discombobulated, unleashed:
>Check your seafarer's dictionary - I think you'll find it's spelled
>"Arr!"
Yeah but no but yeah butno butyeah but this sea captain right had
a bad case of halitosis right and Sharon sez that it stinks right
especially as Chloe's
Keep in mind that fast lenses can be valuable even if you never shoot
wide open. This is because of the brighter viewfinder you get with fast
lenses. On several occasions when shooting in poor light (before
sunrise) I've switched from my 20/2.8 to the 24/2.0 because I simply
couldn't see how I was
Thats a great shot Frank.
http://www.photo.net/photodb/photo?photo_id=2188556&size=lg
Hi Amita,
I have "tested" the lens several times, with about two or three
samples, both used and new. In short, the lens is very fine from 2.8,
very good from f/4, and very very soft at anything under 2.8. So from
1.8 to 2.8 it acts as a soft focus portait lens (very high levels of
coma, which loo
Nice shot Godfrey. Looks like the sunlight helped out really well. If any
gripe at all, his right hand looks a bit uncomfortable.. I like how he's
leaning on the bike though.
Cheers,
Ryan
- Original Message -
From: "Godfrey DiGiorgi" <[EMAIL PROTECTED]>
To:
Sent: Monday, February 14, 2
At 04:26 am 12/02/2005, frank theriault wrote:
Hi, Eric,
Why do you think you need to learn more about composition? I bet you
know more than you think.
I think you should post pix to the list immediately, so we can all
ponder your compositional skills (or lack thereof ), and tell you
what you did
I use a laptop computer. It happens to be a Mac I-book. However, any laptop
will do. It's equipped with PSCS and all the Pentax software. I sometimes use
it with Photo Assist to trigger the camera. This give me a much better review
of the image than does the camera's LED screen. More often, I ju
I coulda sworn it was 'Ya!'
Ya!
Ryan
- Original Message -
From: "Steve Jolly" <[EMAIL PROTECTED]>
To:
Sent: Monday, February 14, 2005 10:05 AM
Subject: Re: Welcoming myself
> Cotty wrote:
> > I thought it was also a crusty old sea captain's moment of recognition -
> > as in '
Mark Roberts wrote:
Are you sure this isn't on the "Ryan Lee tries to set himself on fire"
theme?
;-)
We could make that a PUG... :-P
S
Cotty wrote:
I thought it was also a crusty old sea captain's moment of recognition -
as in 'Harr, me hearties'!
Check your seafarer's dictionary - I think you'll find it's spelled
"Arr!"
S
Quoting David Nelson <[EMAIL PROTECTED]>:
> Well that got your attention didn't it?
> It's the *ist DS Silver, identical functionally to the normal black *ist
> DS. HAR!
> http://www.dpreview.com/news/0502/05021306pentax_istdssilver.asp
> Will a silver limited lens look good on it?
>
> Is that a
Hi Jens
Unfortunately IIRC the screws do not line up from one to another, buying a
tap to cut new threads was quite expensive and quite a delicate operation. I
got the mating surfaces so good that when I glued them they stuck
instantly... sh*t ever so slightly out :)
John
-- Orig
Either a laptop or a portable hard drive with a memory card reader like
this guy:
http://www.newegg.com/app/ViewProductDesc.asp?description=20-163-502&depa=0
Peace,
will
Andre Langevin wrote:
That brings me to a more general question. What are the standard ways
to download a full CF card on loc
Quoting Bob W <[EMAIL PROTECTED]>:
> Hi,
>
> >>but when you've finished shooting you have to look at the picture
> >>dispassionately, and not let the way you felt at the time cloud your
> >>judgement about its value. Other viewers won't have experienced the
> >>thing as you did, so they won't be
That brings me to a more general question. What are the standard
ways to download a full CF card on location?
Andre
No, both devices need to be attached to a USB Host controller to
function, so they won't connect directly to each other.
Peace,
will
Bill Owens wrote:
Can an iPod with its USB 2
Thanks, John.
That sounds a little difficult. On my refconverter there's a metal mount,
fitted with small screws. I was imgining I could screw on a wider one - from
an eyepiece - using the original screws. Alternativly I'll just cut of a
little of the flanges (it's a matter on 1-2mm at eachs side,
No, both devices need to be attached to a USB Host controller to
function, so they won't connect directly to each other.
Peace,
will
Bill Owens wrote:
Can an iPod with its USB 2.0 interface be used to download from the
ist*D's USB 1.1 interface?
Bill
On 13/2/05, Amita Guha, discombobulated, unleashed:
>Today is Nate's birthday
BTW, happy birthday Nate ;-)
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=|http://www.cottysnaps.com
_
On 13/2/05, Amita Guha, discombobulated, unleashed:
>Today is Nate's birthday, and I got him the Sigma 20mm f/1.8 because I
>thought he wanted it based on samples he'd seen. Turns out he likes it, but
>he has that range covered by his Canon 17-40mm, so he can't decide if he
>should keep it. The Si
Hi Will, welcome to the list! Nice bunch of shots, keep them coming!
Cheers,
Ryan
- Original Message -
From: "Will Dimmit" <[EMAIL PROTECTED]>
To:
Sent: Monday, February 14, 2005 6:00 AM
Subject: Welcoming myself
> Hi. I'm new to the list (48hrs our so now). Just thought I'd
>
Hi Ronald,
Thanks for the info! The documentary I saw was on Lituya Bay, I didn't
remember the name at the time though. Being a seismologist sounds very
interesting. Apart from those people they interview on tv documentaries, I
can't say I've ever met one. Have you ever gone out of your way to wit
Today is Nate's birthday, and I got him the Sigma 20mm f/1.8 because I
thought he wanted it based on samples he'd seen. Turns out he likes it, but
he has that range covered by his Canon 17-40mm, so he can't decide if he
should keep it. The Sigma is faster than the Canon, but that's the only
advanta
Lol! I knew someone was going to 'correct' me. I thought it'd be one of the
Americans though!
Thanks I like it too. Apart from the poi, it gives me another image to try
to perfect. Guess my photography calendar's full for the year :)
Cheers,
Ryan
- Original Message -
From: "frank theri
Thanks Marnie. According to homeofpoi.com, "'Poi' are a traditional Maori
dance prop and has given rise to a contemporary style of spinning popular
all over the world." Basically weighted cords which are twirled- could be
tennis balls on string, which I made to practise with, or kevlar wicks on
cha
Well that got your attention didn't it?
It's the *ist DS Silver, identical functionally to the normal black *ist
DS. HAR!
http://www.dpreview.com/news/0502/05021306pentax_istdssilver.asp
Will a silver limited lens look good on it?
Is that all we're going to get this PMA?
Cheers,
David
Can an iPod with its USB 2.0 interface be used to download from the ist*D's
USB 1.1 interface?
Bill
Hi,
>>but when you've finished shooting you have to look at the picture
>>dispassionately, and not let the way you felt at the time cloud your
>>judgement about its value. Other viewers won't have experienced the
>>thing as you did, so they won't be bringing that to their reading of
>>the photogra
I'm on a people/portrait jag this year with my PAW 2005 gallery.
I'm expecting that the majority will be made with the *istDS,
but occasionally an A2 shot might sneak in.
This week's is #07:
http://homepage.mac.com/ramarren/photo/PAW5/07.htm
Comments and critique always appreciated.
enjoy!
G
Cotty <[EMAIL PROTECTED]> wrote:
>On 13/2/05, Mark Roberts, discombobulated, unleashed:
>
>>HAR! (derisive laughter, but usually facetiously so)
>
>I thought it was also a crusty old sea captain's moment of recognition -
>as in 'Harr, me hearties'!
Yeah, that too...
--
Mark Roberts
Photogr
"Mark Cassino" <[EMAIL PROTECTED]> wrote:
>Looks like I missed a good one - the presentation of that show (with the
>transparencies and light boxes) sounds really unique.
Oh yes, indeed! I bought the book from the year I saw the show, but the
images on the printed page (though it is outstandingl
Bob W <[EMAIL PROTECTED]> wrote:
>but when you've finished shooting you have to look at the picture
>dispassionately, and not let the way you felt at the time cloud your
>judgement about its value. Other viewers won't have experienced the
>thing as you did, so they won't be bringing that to their
Nice shot, Boris. I like the framing and composition. And the esposure appears
to be right on. Good detail throughout the range. Good work.
Paul
> In a message dated 2/11/2005 10:03:51 AM Pacific Standard Time,
> [EMAIL PROTECTED] writes:
> Hi!
>
> Since I got my *istD, I did not try my M 35/2
William Robb wrote:
- Original Message - From: "mike wilson"
Subject: Peso - Afterglow
Hi,
As we seem to have a small theme going of pictures taken on the road,
here's one I made earlier.
http://www.fotocommunity.com/pc/pc/channel/50/extra/new/display/2593239
Prince Lucas strikes again.
Emotional involvement has always been a plus for me. This is particularly true
in regard to portraits and figure studies. If I have a personal attachment, I
work harder to make my subject look good. And I think the emotional energy
pushes me to be more creative. This generally happens in the pla
Peter J. Alling wrote:
Yet you use the metric system, how strange...
mike wilson wrote:
Peter J. Alling wrote:
My God, they're all driving on the wrong side of the road!
Ryan Lee wrote:
http://www.photo.net/photodb/photo?photo_id=3107166&size=lg
We didn't get beaten by Napoleon. 8-)
We got beate
In a message dated 2/11/2005 10:03:51 AM Pacific Standard Time,
[EMAIL PROTECTED] writes:
Hi!
Since I got my *istD, I did not try my M 35/2.8. I admit it was indeed a
mistake.
http://www.photoforum.ru/rate/photo.php?photo_id=169559
What do you say?
Boris
=
Really lovely, Boris. A tota
On 13/2/05, Mark Roberts, discombobulated, unleashed:
>HAR! (derisive laughter, but usually facetiously so)
I thought it was also a crusty old sea captain's moment of recognition -
as in 'Harr, me hearties'!
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=|
>>>One of the problems we photographers have is that of separating ourselves -
>>>our emotional attachment and involvement with a scene - from what makes a
>>>good photograph. We must train ourselves to see with unemotional eyes,
>>>thinking of composition and lighting, not so much about how we
- Original Message -
From: "mike wilson"
Subject: Peso - Afterglow
Hi,
As we seem to have a small theme going of pictures taken on the
road, here's one I made earlier.
http://www.fotocommunity.com/pc/pc/channel/50/extra/new/display/2593239
Prince Lucas strikes again..
William Robb
In a message dated 2/13/2005 11:43:12 AM Pacific Standard Time,
[EMAIL PROTECTED] writes:
On 13/2/05, Shel Belinkoff, discombobulated, unleashed:
>One of the problems we photographers have is that of separating ourselves -
>our emotional attachment and involvement with a scene - from what makes a
Yes, sorry you couldn't make it Mark. We're hoping to get together again in the
spring for the bird migration at Point Pele. That should be an even better day.
Paul
> Looks like I missed a good one - the presentation of that show (with the
> transparencies and light boxes) sounds really unique.
In a message dated 2/12/2005 6:47:06 AM Pacific Standard Time,
[EMAIL PROTECTED] writes:
On Thu, 10 Feb 2005 00:34:17 +1000, Ryan Lee <[EMAIL PROTECTED]> wrote:
> Just got my first pair of fire poi! Not a fantastic pic (technically
> atrocious), but if I put more thought into it, I'm sure I'll com
Looks like I missed a good one - the presentation of that show (with the
transparencies and light boxes) sounds really unique.
- MCC
- - - - - - - - - - - - - - - - - - - -
Mark Cassino Photography
Kalamazoo, MI
www.markcassino.com
- - - - - - - - - - - - - - - - - - - -
- Original Message --
I had what sounds to be the same problem with my LX a few years ago. Put the
flash on the hotshoe, in either TTL or manual mode, and the camera (in auto
mode) would light up the red LED by 1/75 indicating that a dedicated flash
was present. But then - it would not trip the flash and it would not
On Sun, 13 Feb 2005, Jens Bladt wrote:
> The Tokina lens is fitted with a filter; Skylight/KR 1.5. I
Thanks for doing this and mailing round, Jens. I think you need to
remove all possible external influences in order to arrive at safer
conclusions.
Kostas
Before I found the refconverter A at a reasonble price I superglued the
fitting from the eyecup M to the refconverter II (K). The biggest problem was
removing the ring from the eyecup and getting it perfectly level to mate with
the converter, took a little of my workshop skills and a fine file.
On Sun, 13 Feb 2005 16:09:53 -0500, Butch Black
<[EMAIL PROTECTED]> wrote:
> Actually, you could have used a little smoke to set the ambiance a bit. It
> has a look of a student ensemble as opposed to a professional band playing
> out. I would have liked to see a bit more of the guitar, one or two
Hi,
>>One of the problems we photographers have is that of separating ourselves -
>>our emotional attachment and involvement with a scene - from what makes a
>>good photograph. We must train ourselves to see with unemotional eyes,
>>thinking of composition and lighting, not so much about how we l
Actually, you could have used a little smoke to set the ambiance a bit. It
has a look of a student ensemble as opposed to a professional band playing
out. I would have liked to see a bit more of the guitar, one or two steps
back would have done it. On the plus side, it looks like you're getting
Great shot. It's a Hallmark moment. Seriously, that might sell rather well on
stock. Get those model reseases signed! . (But it really does look like a
big seller.)
Paul
> In a message dated 2/12/2005 6:26:04 PM Pacific Standard Time,
> [EMAIL PROTECTED] writes:
> http://www.flickr.com/photos/
Will Dimmit <[EMAIL PROTECTED]> wrote:
>Hi. I'm new to the list (48hrs our so now). Just thought I'd
>introduce myself and share a music (rock rather than jazz) photo. This
>was taken with my month old *ist DS mated to an SMC-A 70-210 f/4, hand
>held at ISO 3200. Took a good bit of wor
On 13/2/05, Will Dimmit, discombobulated, unleashed:
>Hi. I'm new to the list (48hrs our so now). Just thought I'd
>introduce myself and share a music (rock rather than jazz) photo. This
>was taken with my month old *ist DS mated to an SMC-A 70-210 f/4, hand
>held at ISO 3200. Took a g
I have an old one - for M or K kameras (fits my K1000).
I believe I can make it fit both A and D bodies if I kill a couple of
eye-cups to make exchangeable eyepiece-flanges/-mounts.
I just haven't done this yet. Has anybody tried this?
All the best
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.g
On Sun, 13 Feb 2005 18:51:11 +, mike wilson <[EMAIL PROTECTED]>
wrote:
Yes, and so nobody will guess its origins they have cleverly renamed it.
They call it the K100.
John
I think Jessops' (UK) own brand camera is the same K1000 clone. Also
all black, so aimed at the pro market 8-)
m
Jack, I agree.
I did nothing in Photoshop, except adjusting RGB levels. The Tokina lens is
fitted with a filter; Skylight/KR 1.5.
I believe this causes the slightly darker colouring.
The Pentax lens also has a slightly better "out of focus
rendering/sharpness" (the roof tiles in the background).
J
frank theriault <[EMAIL PROTECTED]> wrote:
>If you like it, don't applaud, just snap your fingers:
>
>http://www.photo.net/photodb/photo?photo_id=3115576&size=lg
>
>Seriously, comments are always encouraged, yay, nay or otherwise,
>Daddy-o...
Needs work. No, not the photo. Not the photographer
Yeah, I thought you know your LX but after the drop you might not remember
it - but you did. So there must be something wrong with it.
BTW I dropped my LX once and got away with only scratches.
All the best!
Raimo K
Personal photography homepage at:
http://www.uusikaupunki.fi/~raikorho
- Orig
Hi. I'm new to the list (48hrs our so now). Just thought I'd
introduce myself and share a music (rock rather than jazz) photo. This
was taken with my month old *ist DS mated to an SMC-A 70-210 f/4, hand
held at ISO 3200. Took a good bit of work to calm down the noise, but I
think the re
Yep - and from the Leica list I remember this good hint: always shoot from
the shadow side - advice by the respected Canadian photographer Ted Grant.
All the best!
Raimo K
Personal photography homepage at:
http://www.uusikaupunki.fi/~raikorho
- Original Message -
From: "Shel Belinkoff" <
Mark Roberts wrote:
mike wilson <[EMAIL PROTECTED]> wrote:
As we seem to have a small theme going of pictures taken on the road,
here's one I made earlier.
http://www.fotocommunity.com/pc/pc/channel/50/extra/new/display/2593239
Are you sure this isn't on the "Ryan Lee tries to set himself on fi
In a message dated 2/13/2005 6:35:13 AM Pacific Standard Time,
[EMAIL PROTECTED] writes:
http://www.robertstech.com/temp/bank.jpg
Taken yesterday while I was out strolling around on my lunch break.
ist-D, FA*80-200/2.8
Converted to black & white with BWorks.
Kewl. Simple but effective.
M
Cotty wrote:
On 13/2/05, mike wilson, discombobulated, unleashed:
As we seem to have a small theme going of pictures taken on the road,
here's one I made earlier.
http://www.fotocommunity.com/pc/pc/channel/50/extra/new/display/2593239
AAARGH!!!
I mourn.
Must be one of those
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