ich rate the 90 f/2.8 LS as inferior
to or better than the 90 f/2.8.
Bolo -- Josef T. Burger
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her
elements of the image. There is no distortion with the shift lens.
Bolo -- Josef T. Burger
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Mechanically, the
> adapter is fine.
The 6x7 to k-mount adaptor allows for shifting the lens. That allows
you to have PC (perspective correction) when using 67 lenses on a
35mm body. Is the shift adjustment set to zero?
Bolo -- Josef T. Burger
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.
The 55mm f/3.5 _does_not_ have a gel filter clip at the rear of
the lens. It may have *only* the Pentax Bay67 100mm bayonet filter
mount on the lens; it may not be possible to use 100mm screw-mount
filters with this lens.
Bolo -- Josef T. Burger
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Brian Campbell wrote:
> Bolo Wrote:
> > It seems to me that ever since Canon released the S800 (and now the
> > S900 and S9000), that Epson has been needing to be competitive again,
> > instead of standing on their laurels.
>
> Hmm - does that apply to *ALL* Epson pri
with you in case the lighting is flat;
it _could_ make all the difference.
Anyone else have experience along those lines?
Bolo -- Josef T. Burger
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Bill Casselberry wrote:
> Bolo wrote:
>
> > Fast glass is also a problem in 67.
>
> U, begging yer indulgence ...
>
> f4 at 400mm, 600mm & 800mm cannot realisticly be
> considered as "slow glass", large & expensive f
ters and
other components to the 285 than you do the 283.
They seem evenly matched -- the built-in zoom head and power control
on the 285HV give you some flexibility straight out of the box.
The 283 is simpler, hence more robust, and has more after-market
light modifiers.
Bolo -- Josef T. Burger
-
T
Until my mindset switches, I often
"do the wrong thing" -- and discover that "Oh, its _this_ lens, zoom
is backward, but focus is normal". Normal to Pentax, that is!
And, even worse, the directions can _change_ across lenses, instead
of being the same for all -- as Pentax does.
C connector? If so, I think
it must work as William reports.
Thanks again for any info!
Bolo -- Josef T. Burger
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material between
the finder and the body to aid square framing. The only downside
is that you still get 10 shots per roll. :)
Bolo -- Josef T. Burger
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at field lack the skill, talents, and craft to do the job.
Bolo -- Josef T. Burger
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andard" lens is comparable to a 67ii + AE finder + "standard" lens.
The gotcha is that buying your next lens (any lens) is what drives the
cost up into the shock-factor range. Of course, Zeiss or Schneider
glass is nothing to laugh at, but even the "economy line" glass costs.
B
he answer, that would be great. Otherwise, I
suppose one could determine this by triggering the 165 LS manually
and observing if it
1) closes from the open position after shutter time
or 2) closes, then opens and closes again after shutter time?
Thanks for any info.
Bolo -- Josef T. Bur
y.
That's all I know right now -- I hope it helps.
Bolo -- Josef T. BUrger
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.. What did you meter and
what did you try to achieve with the metering?
Off-hand guesses are going for shadow detail in the shore on the
right side of the photo, which comes out quite detailed. Or,
do you look for a middle gray somewhere for overall exposure?
Or ...?
Curious
Bolo -- Josef T
y easy to
> directly see them by just setting the page on a light table, even
> though they are negatives.
You are right about that! It's been a long time since I've seen
fresh MF negs. After 35mm for many years I am amazed by the 6x7
negs, they are a joy to behold in their own rig
> works very well. And since my only real use for high speed synch flash
> is outdoor portraiture, this single focal length is perfectly suited to
> the task.
Indeed, Pentax made a good choice there.
Bolo -- Josef T. Burger
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lack of a better word, better than the frontal
shots did. They made her body more 3 dimensional.
Nice job!
Bolo -- Josef T. Burger
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to your comments and suggestions.
As do I! I'm finding that MF is forcing me to expand my horizons;
that's not a bad thing, sometimes I need a bit of a shove to get going :)
Bolo -- Josef T. Burger
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speed and brighter focus; I often
push the limits of light and every little bit help. It's also part
of my master plan -- I do want a 90, but I'd like to get one of the
90 LS lenses so I can have flash sync at any speed. Now I just have
to locate one of those beasts!
Bolo -- Josef T.
peed was! Later, while he and my brother
and I were working at candids, he'd often take advantage of thing's
we worked at ... and with that kind of attitude, the reverse soon
happened as well. Oh... and the best thing about this guy -- he was
shooting Pentax -- a 645N with 2 or 3 primes!
> Bolo wrote:
>
> > [my opinion]
> > 2a) It seems a ball-head does better than a 3d (xyz) head since it has
> > a larger lever-arm (ball radius or diameter) to resist the camera forces
> > than the small diameter XYZ spindle locks on a 3d head.
Paal wrote:
>
:) Gotta go play with new(ish) ATL3 - 140lbs
> to carry to darkroom (groan!)
Looking forward to anything more you have to say.
An ATL3? At first I thought that was a Jobo processor, but checking
their WWW pages, there isn't such a thing. Is it an older processor,
or something else?
Thank
e film loading particularily onerous, or is it comparable to
6x6 TLR bodies?
9) Any other good questions to ask which I haven't? :)
Thanks for any info!
Bolo -- Josef T. Burger
ps: Just wait till I ask for info about 6x7 capable enlargers!
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-- I can just compare the technology.
Bolo -- Josef T. Burger
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with your bounce.
If any of this is particularly stupid, please say so; as I said, I
only dabble in portraiture.
Bolo -- Josef T. Burger
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ax kills yet another product that I would buy
from them. Oh well, story of my history with Pentax.
Time to keep an eye out for the 100/2.8 or the 200/4.0. Those are
the lenses I would prefer to have anyway.
Thanks for the info.
Bolo
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ro lenses. So, ...
Since the AF lenses goto 1:1 without a extension tube, is there
something which you lose with a 1:1 AF macro lens compared to a
traditional MF Macro lens? Besides requring a lot of extension
tubes to get to 1:1 with the longer MF macro lenses?
Thanks for any illumination.
Bo
des a couple of
instant corrections -- one is to correct the lighting tone to daylight.
The other is to provide enough light that I can try to use a higher
shutter speed to dark down distracting backgrounds.
> Hope you find a solution that works for you.
Thanks for the info, and Thanks!
Bo
inglight is the right solution;
it is easily portable, it will push all the shadows to locations that
can't be seen by the lens. If I use it in combination with a second,
easily portable, strobe to provide some contrast and shadow so that things
look 3d .. but without huge black strobe shad
photography tradeoffs are between
the two.
Thanks for any info.
Bolo -- Josef T. Burger
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e A at the same time it looks like the Battery Cord sticks
out perpendicular to the bottom of the body, and therefore sorta
eliminates use of the Motor Drive.
Bolo -- Josef T. Burger
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;s newer offering is a step down
from the top of the line PZ-1p body. At the same time it carries
high price comparable to the features of this body. Here is
what can be done for this kind of cost. Too bad pentax can't do
something better".
Bolo -- Josef T. Burger
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und and make higher end equipment again.
Something like an LX. Something that is a step beyond the PZ-1p.
Instead they go the other way.
That's why I think it is innovative; it has good features at a good
price. A real bummer about the cost of the lenses though.
Bolo -- Josef T. Burger
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y and innovation that I would
hope to see in a body from Pentax. I hope Pentax does something
soon. The MZ-S seems to be way behind the power curve.
Bolo -- Josef T. Burger
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e and get rid of the "drab surface"
that the candles might otherwise sit on.
Bolo -- Josef T. Burger
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t effect. Putting something
decorative under the candles (which will also be lit by the candles
and their fill) can be pretty nice and get rid of the "drab surface"
that the candles might otherwise sit on.
Bolo -- Josef T. Burger
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hat the digital flashes won't do TTL on the non-digital
bodies, they are not wired the same as the older flashes.
As the AF140C is a "T" series flash, you could use it with
an AF280T or AF220T or AF200T "T" series flash. And you'll
get TTL control of the light on t
o
suggest that the exposure errors only only occur in multi-segment
exposure mode. That is a far different result from the meter being
randomly off in all modes!
Thanks again!
Bolo -- Josef T. Burger
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