I attended a masterclass on architecture photography last month, and
with that in mind, here are my comments on your picture:
Correct the perspective further so that the horizontals are completely
parallel.
Come back later when the sun brings the structure of the walls of the
building to life. The
Hello Boris,
It is simply beautiful. The only thing I see that could be improved
are the palm trees, which are too dark. Maybe you could add a little
more foreground, but I'm not sure about it.
Attila
Monday, April 5, 2004, 9:03:43 PM, you wrote:
BL> Hi!
BL> I know I am posting a little too o
Well, the first impression is the trees in the foreground. I think I
would have tried to use the foreground more in the composition. Find
some lines that point at the building, past the trees. The other
option is to go closer. There are lots of interesting reflections
here, and the outline
Hi Boris ...
I like how you reduced the perspective effect. Clever.
The photo looks flat, lacking in contrast. Perhaps punching it up a bit
would help. However, the odd thing is that I don't see any shadows in the
photo. Is that just my poor eyes and crummy monitor, or are there really
no
I was going to comment immediately but I think I'll have to meditate for
a while.
Boris Liberman wrote:
Hi!
I know I am posting a little too often. But then I haven't been
posting PAWs for quite some time before that.
Anyway - here's Mark Cassino's K 24/2.8 on Leon Altov's ME Super with
some Ko
Hi!
I know I am posting a little too often. But then I haven't been
posting PAWs for quite some time before that.
Anyway - here's Mark Cassino's K 24/2.8 on Leon Altov's ME Super with
some Kodak TMAX 400 loaded in it .
I have some particular question to the wizards of Land of Pentax:
You see, I
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