Hi All,
Wondering if anyone’s got a handle on how to collaborate within Pro Tools? In
terms of VoiceOver and the Avid Cloud. I get the concept. Just not getting the
mechanism on how to invite someone after finding a person and/or how to add
them to your contacts.
Thanks all
HF
--
Y
r ability to solo.
> In addition, all aux tracks should be solo safe. Display only aux tracks and
> systematically make sure they're all solo safe. Beyond that, soloing any
> audio track should work. Let us know how it goes.
>
> Slau
>
> On Sep 9, 2012, at 9:09 PM, Herman Fe
Some of the tracks were on "off solo safe". When I held the command
key and clicked they just became normal solo buttons. Or at least that
is what I understand anyway.
I'm still not able to solo or mute individual tracks.
I looked at the groups in case I could figure out something from
there. I m
Make a selection where you want the volume change to be. Separate and
make into a clip with command+E so you can come back to it in case you
need to. Now to bring down the volume the keyboard shortcut is
control+shift+down arrow. Clip gain is a pretty cool feature.
HF
On 5/2/12, Courtney Curran
2012, at 1:23 PM, Herman Fermin wrote:
>
>> Make sure his airport is turned off. I had this happen and this is
>> what cured it for me.
>>
>> HF
>>
>> On 5/1/12, Kevin Reeves wrote:
>>> Hey Folks. I'm working with Brian Howerton on configuring
Make sure his airport is turned off. I had this happen and this is
what cured it for me.
HF
On 5/1/12, Kevin Reeves wrote:
> Hey Folks. I'm working with Brian Howerton on configuring his setup, and I'm
> having a huge problem. He's got a Sapphire Pro 24, and is using the Midi
> ports with his Mo
Yes and yes. Check this youtube video that explains it all.
http://www.youtube.com/watch?v=-a-BenGz2oo
HF
On 4/25/12, Gordon Kent wrote:
> I have never gotten what the aggrigate interface is about. Is that
> supposed to let you use multiple devices? Does it really work?
> Gord
>
> -Origin
Download the PDF's and go to www.convertfiles.com. Upload the files
and the site will convert the pdf's to .doc files which you will be
able to read.
HF
On 4/18/12, Slau Halatyn wrote:
> Nick,
>
>
> Reading the Reference Guide is a good idea but you'll want to read the Intro
> to Pro Tools first
The digi03 is awesome to work wih plug-ins since everything gets
automatically mapped. You have to first select the channel and make
sure that the cursor is where you think it should be, hit insert on
the digi003, select the corresponding slot a-e and if you hit fader
flip you should see the faders
on the exact steps you took that yielded
> those whack results?
> Give me a call if you want.
>
> YMMV
>
>
> On Sep 5, 2011, at 1:52 PM, Herman Fermin wrote:
>
>> OK, here you go guys. You can't do stereo aux input tracks through the
>> New TRacks" di
dio
track. If it's a stereo one, the stereo busses sent to it that you
create within the "new track" dialog box is still inactive.
HF
On 9/5/11, Herman Fermin wrote:
> I just went to a completely different system and the same results
> there. So either it's a broken feature
k Reichel wrote:
>>>>> Hi Herman,
>>>>> May be you ran out of voices?
>>>>> Before I went to the HD3 system when opening up a larger session I
>>>>> would
>>>>> get that dialogue, There are not enough voices hence some of
A bit confused on this and don't understand why this is happening. I
want to use one stereo aux track with one effect and send tracks to
it. After naming my track I now have an aux after the name I specified
and the internal buss is also named that as well. Except that it's
inactive. I don't unders
There's a button in the fade dialog box that isn't labeled.. Anyone
know what it is? I'm trying to do a fade out on a portion of audio and
when I go into the fade dialog box it lands me in the fade out column.
Also I can't figure out why sometimes the option to create a fade is
grayed out. Do I ha
If you have a control surface, find that parameter and move it by hand.
HF
On 7/8/11, 722 wrote:
> When changing certain parameter values the steps seem to be too fine,
> e.g. you have to press an arrow about ten times for an 0.1 dB
> decreasement. This behaviour can be observed in some Avid plu
That was it. Very strange thing. Now getting out of that menu is odd
because escape doesn't seem to work. I've closed all the windows and
went back to the mix window which seem to do the trick. But there has
to be an easier way. Anyone know?
Slau, I don't think I even checked in the edit window to
I know how to create a click track, but how can I change the
tempo/specify which beat gets the accent etc?
If I go to tempo operations, should the advanced button be checked?
When in the tempo operations window, how exactly do I enter tempo
info? Do I hit spacebar first, do I start typing then hi
> Which track do you hear when you scrub?
>
> --FC
>
> On Mar 15, 2011, at 8:12 PM, Herman Fermin wrote:
>
>> This is something that's confusing me right now and hopefully someone
>> will set me straight. Seems pretty straitforward too.
>>
>> I ha
This is something that's confusing me right now and hopefully someone
will set me straight. Seems pretty straitforward too.
I have multiple tracks that I want to put on one tracks and use the
playlist function. We'll use track one as master just so everyone
follows along. I want to take track two
How do others utilize groups as opposed to aux tracks?
HF
Yep, it defaults to infinity which explains why it threw me.
On 3/14/11, Kevin Shaw wrote:
> Hi Herman,
> Slau is correct. There is a volume fader in the Send window. I'm not sure if
> in ProTools 9 it still defaults to neg. infinity, but it is there.
>
> Kevin
great and one of the fairly important things I was
> concerned about regarding the accessibility of busses. Technically, I
> believe one could also name output paths in the same manner. Very cool.
>
> Slau
> On Mar 14, 2011, at 7:11 PM, Herman Fermin wrote:
>
>> It might be helpful to sometimes name busses and I understand that you
>> are suppose to do that in PT 9. How can we do that?
>>
>> HF
>
>
It might be helpful to sometimes name busses and I understand that you
are suppose to do that in PT 9. How can we do that?
HF
Where is the send volume exactly? I'm told it just comes up as a fader/knob.
HF
Edit and Playback Timelines are linked. The only step I seemed to be
missing was hitting the enter key after inputting the numbers. Now it
works like a charm.
Thank you. I knew it was something really simple.
On 2/23/11, Slau Halatyn wrote:
> Hey Herman,
>
> The only thing I can think of is that
Was this taken away in PT 9? I can't seem to get this to work. Slash
key on numpad, enter bar of start, slash again to enter the end bar of
my selection and then return to accept. I made sure that I am hitting
the correct slash if that matters. I'm pretty sure that I'm hitting
the correct return be
I understand what automation is and how it works but I'm just not
getting the hang of it in PT. Any tips or things I should be aware of?
I can't seem to automate any plug-in parameters unless a sighted
person ads the parameter to the list in the automation window in the
plug-in. Everything in there
What exactly does this mean? If I press on the mute button within the
track, it says "on mute button". I'm confused.
HF
It didn't make a diference. I still have four stereo analogs and four Adats
and a SPdif.
Any other ideas.
On Mon, Feb 7, 2011 at 8:38 AM, Slau Halatyn wrote:
> Hey Herman,
>
> Unless you have a Digidesign MIDI I/O, you don't need any drivers for it.
> For that matter, I don't understand why ther
ask you for your ilok username. Once you've
> done that go over to ilok.com and you should see that you have a
> authorization waiting for you. You can then transfer that authorization to
> your ilok and after installing the software you will be up and running.
>
> HTH
> --FC
&
Any tips on authorizing PT9?
I have the ILok that was used for PT8 connected to the Mac. I can't figure
out what I am suppose to click on in order to put in the key that was
written on the DVD cover.
HF
40 ticks or something like that. Sometimes
> switching between modes like this is helpful in determining how much is
> selected in terms of time rather than beats. For example, 2 beats at 120 bpm
> is 1 second whereas those same 2 beats at 60 bpm is 2 seconds.
>
> HTH,
>
> Sla
If I decide to change in the middle of a session from bars and beats to
minutes and sec's, do the selection operations change at all? I can't seem
to get them to work the way they do when in bars and beats. The only thing
that should change should be the values of what's selected. Right?
HF one of
ouldn't even know where to start. It's
> the kind of thing that would require real-time troubleshooting. This weekend
> is really slammed for me but I'll see if I can call.
>
> Slau
>
> On Dec 3, 2010, at 8:06 PM, Herman Fermin wrote:
>
> > Only one group b
wrote:
> Hi Herman,
>
> I've inserted my comments within your message below:
> On Dec 7, 2010, at 8:28 AM, Herman Fermin wrote:
>
> > I know what nudging is or at least I know what it is in Sonar land. I'm
> getting a little confused with the explanations within
I know what nudging is or at least I know what it is in Sonar land. I'm
getting a little confused with the explanations within the reference manual
and the shortcut keys and what they are suppose to do. I just want to move
my punch point. I think it's probably better to move it than to crossfade
ma
the drum track names followed by suffixes like
> .01, .02, etc.?
>
> Slau
>
> On Dec 3, 2010, at 6:14 PM, Herman Fermin wrote:
>
>> I have grouped a bunch of drums into one group. I come back a day later
>> and I can't seem to access the playlist within these
I have grouped a bunch of drums into one group. I come back a day later and
I can't seem to access the playlist within these tracks. Other tracks within
the session seem to be OK. It's set to an edit group if it helps. When
interacting with any of these tracks that are in the group, I just keep
get
How much was the upgrade
On Fri, Dec 3, 2010 at 4:46 PM, Cameron wrote:
> Hi. You'll need to register your interface with avid and have your pt 8
> serial. Once you purchase your pt9 crossgrade, you'll receive a key. Go
> onto the avid site, enter the pt9 key, and the serial of your registere
Hi Ginny
I would never discourage anyone from getting paid for their valuable time.
Having said that, it would be interesting and very helpful for you to ask
all of your questions on list. Many including myself will benefit from a
question that to you might seem dumb.
I certainly consider myself
There's a document that lists all of the keyboard shortcuts. You can either
download it from the Avid website or just located it under the help menu.
I would use a desktop keyboard just for convenience. PT utilizes the numpad
keys which of course you can get to with a laptop keyboard, it's just ea
Can you save all the pre-sets at once or do you have to go through each one
by one and save one by one?
On Mon, Nov 22, 2010 at 4:17 PM, Chuck Reichel <
soundpicturerecord...@gmail.com> wrote:
> Hi Slau,
> I just took a deeper look at my waves plugs.. Using the control 24 of
> corse..
>
> It seem
final step in your scenario. In the case of the Control|24,
> it's more like:
> 1. Press Insert on desired track
> 2. Press specific insert slot (that is, a, b, c, etc.).
> The encoders now display that insert's parameters.
>
> Slau
>
> On Nov 25, 2010, at 11:30 AM
on will throw the faders into the mode where they
> display the corresponding values.
>
> HTH,
>
> Slau
>
> On Nov 22, 2010, at 8:37 PM, Herman Fermin wrote:
>
>> Along those lines, I have been able to use the Waves GTR successfully
>> by manipulating the parameters v
and then use Control-Option-v.
>>>
>>> I'll look into the feature a bit more when I have a chance. BtW, the
>>> feature
>>> is grayed out for me as well. I thought it might have something to do
>>> with
>>> having a selection first but it
Make sure your edit cursor is on the track in question and the key
command is shift+R. I would interact with that track first to make
sure that your IO settings are correct.
HF
On 11/25/10, Ginny Owens wrote:
> Hi, guys.
>
> I'm finally attempting to take the plunge into PT. I've been working i
ro Tools Menus
> Guide might have some answers.
>
> Cheers,
>
> slau
>
> On Nov 23, 2010, at 11:34 AM, Herman Fermin wrote:
>
>> There's a keyboard shortcut in order to easily comp a track from
>> playlists. Don't recall off the top of my head since I&#
There's a keyboard shortcut in order to easily comp a track from
playlists. Don't recall off the top of my head since I'm not at my
rig. But it's under edit, copy to, and copy to main playlist. The
reference manual says that all you have to do is make a selection and
copy to playlist, except mine i
ed plugs in pt9 for now at least.
>
> Thanks,
>
> Cameron.
>
>
>
>
>
>
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptacc...@googlegroups.com] On Behalf
> Of Herman Fermin
> Sent: Monday, November 22, 2010 8:45 PM
> To: ptaccess@google
All the Waves plugs I've tried are automapped. Some things you can't
get too as of yet because since as what was explained, they are not
automatable. Great example would be some of the stomps in the GTR
plug. Heck even the Waves Vocal plug-in is usable.
HF
On 11/22/10, Cameron wrote:
> Hey Slau.
Along those lines, I have been able to use the Waves GTR successfully
by manipulating the parameters via the control surface which is great.
What I don't understand and I'm hoping that someone else has the
digi003 to see if I'm missing something. In order to get the digi003
to put the parameters on
Somehow my pre rep and post rolls got changed and I need to edit them.
The only place I know to edit them is in the transport view. cluster.
I've only made this appear once and do not know how to make it appear
again. Under view, transport, the expanded transport view is checked.
In the transport c
exit record mode and play a post roll. You can change the
> Pre-Post roll amounts in the Transport window. Route the mouse pointer to
> the field and double-click. Enter the number of bars or whatever and press
> Return.
>
> Hopefully that makes sense.
>
> Cheers,
>
> Slau
11/21/10, Slau Halatyn wrote:
> Hey Herman,
>
> It's not clear to me what your question is, exactly. What's the problem?
>
> Slau
>
> On Nov 21, 2010, at 6:24 PM, Herman Fermin wrote:
>
>> If you are the only one recording and you have only two hands an
If you are the only one recording and you have only two hands and that
is the set up I currently have, I'm getting confused about some of
the shortcuts. Since my punch in begins obviously a little earlier
than I actually play , I need to pull the audio of the last region so
it meets up where I act
ack. Try Command-m and see if it
> unmutes the region. If not, I'd press Command-m one more time just to go
> back to the previous state of the region in question.
>
> The steps I've outlined above seem like a lot of steps but, I assure you, it
> takes only a few seconds to go through the steps to see if there's anything
> in a track. Much of it is common sense once you get used to the process.
>
> HTH,
>
> Slau
>
> On Nov 21, 2010, at 3:20 PM, Herman Fermin wrote:
>
>> Anyway to quickly tell if a track is empty? Would the region list help
>> in this kind of thing?
>>
>> HF
>
>
Anyway to quickly tell if a track is empty? Would the region list help
in this kind of thing?
HF
HF
On 11/19/10, Slau Halatyn wrote:
> Hey Herman,
>
> Normally, those meters are only displayed from the Mix window. I think
> there's an option to display them from the edit window as well but you
> specifically have to set the view to display meters.
>
> Slau
>
Am I suppose to see the meters on the track when interacting from the
edit window? I don't actually see the numbers there but do see them
when interacting from the mix window. Is this normal or am I missing
something?
HF
sure that
> the insertion cursor is within the desired track for export. As an extra
> precaution, if you're having trouble, it's not a bad idea to hide other
> tracks and show only what you wish to export.
>
> Hopefully, that might help. Let me know.
>
> Slau
>
>
&
I am getting really confused here. If I select a track and consolidate
into one region, then export I should get that track right as a wave
file where I specified? That's not what is happening here.
I have two guitar tracks. I put them in a group. Group b, group A are
drums which exported fine.
I
Anyway to edit a memory location after setting one?
HF
it happen for you every single
> time?
>
> On 10/25/10, Herman Fermin wrote:
>> Not sure if anyone's noticed this. This mostly pertains to Audio
>> Sweets because that is where it happens to me every time. When
>> interacting with a parameters you are told the incorr
Not sure if anyone's noticed this. This mostly pertains to Audio
Sweets because that is where it happens to me every time. When
interacting with a parameters you are told the incorrect value as you
are going up or down. When you stop interacting you can then see the
actual correct value. The confus
back so it sort
> of makes sense to get to the group table to confirm if it's an issue at all.
>
> HTH,
>
> Slau
>
> On Oct 21, 2010, at 9:49 PM, Herman Fermin wrote:
>
>> I understand that when making a new group, it is now activated. But
>> how do you de-activate and then later perhaps re-activate that group
>> again?
>>
>> HF
>
>
I understand that when making a new group, it is now activated. But
how do you de-activate and then later perhaps re-activate that group
again?
HF
Can you share pre-sets amongst different systems?
Also, are the faders pre-determined and assigned by Waves? If so,
anywhere to get that info?
HF
On 10/21/10, HF wrote:
> Are the waves plug-ins automatically assigned to the current control
> surface or do you have to do that?
>
> On 10/21/201
them, you still have two regions but, in addition, you now have a third
> region which is a fade region. If you select the fade and delete it, you're
> left with the underlying regions as they were before you created the
> crossfade.
>
> HTH,
>
> Slau
>
> On Sep 26, 2010,
Perhaps I don't understand how to navigate through regions. If I have
one piece of audio and I cut something in the middle, do I now have
two separate regions?
If I crossfade them don't I still have two separate regions?
HF
I'm using the digi003 right now. I know this is logical but I think
I'm missing something. How do you select multiple tracks from the
boared? It only selects one at a time. So if I select 1 through four,
only track 4 shows up as selected in the track table.
HF
Thank you Slau. Awesome.
HF
On 9/21/10, Scott Chesworth wrote:
> Awesome post Slau, thanks for passing on the wisdom!
>
> On 9/21/10, Slau Halatyn wrote:
>> Hi Herman,
>>
>> First, to edit out clicks and pops, make sure you're in Shuffle mode so
>> any
>> audio you delete will cause the subsequ
Anyway of recording the actual scrubbing movements? Like if I just
want to completely mangle a piece of audio with it?
HF
I have link timeline with edit selection checked and I also have "edit
insertion follows scrub/shuttle" also checked. What I don't understand
is why when I select a different track on the c24, apparently it is
scrubbing visually but I cannot hear it. I can only hear when I choose
the first track. I
My school is currently using the C-24 control surface which looks a
whole lot like the digi003 times 3. Apart from reading the manual
which I intend to do, can anyone offer some tips/shortcuts or what has
been extremely useful.
Thanks
I was just curious to hear from others who are using PT if VoiceOver
gets to chatty. Does it distract you or your clients? I was tossing
around the idea of using a BlueTooth headset just so I can hear
VoiceOver when I needed it nad not have my client being bombarded by
speech.
What do you all thin
nection.
>
> HTH
> Scott
>
> On 8/11/10, Herman Fermin wrote:
>> Do I need the original disks in order to install PT 8.4?
>>
>> HF
>>
>
Do I need the original disks in order to install PT 8.4?
HF
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