On 22/12/2010 22:59, newme...@aol.com wrote:
..
Maybe< we> just declare a standard?
Fast track:
- Ambisonics up to 3rd order, including mixed order systems
- Channel order, coefficients: Furse-Malham system
- B format is included (soundfield recordings)
- "standard" configuration (within
ferent areas.
I am not sure that we would have to wait to receive some start-up money,
begging for help.
Right?
Discussion obviously desired...
Best,
Stefan
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erent areas.
I am not sure that we would have to wait to receive some start-up money,
begging for help.
Right?
Discussion obviously desired...
Best,
Stefan
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> Date:Wed, 22 Dec 2010 08:47:31 +0100
> From: Uli Loehneysen
> To: Stefan Schreiber
>
>
>
>
> http://www.3daa.org/index.html
>
> Keine Angaben über Mitglieder . . .
> Grüße,
> Uli
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Date:Wed, 22 Dec 2010 08:47:31 +0100
From: Uli Loehneysen
To: Stefan Schreiber
http://www.3daa.org/index.html
Keine Angaben über Mitglieder . . .
Grüße,
Uli
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Stefan Schreiber wrote:
...
> P.S.: And I am pretty sure that our good friends at Dolby are involved
> in this... O:-) :-D
>From the website:
"The 3DAA is committed to the development
of open, royalty-free standards for the
transmission of 3D audio."
As the results will be royalt
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Stefan Schreiber wrote:
However: How many "dry recorded audio tracks" are there? There might
be dozens... Therefore, you can't control things like space or data
rate for streaming.
With "space" I was referring to the memory space needed to store the
audio track data. This memory space w
k room acoustics during synthesis. That is a
really interesting approach.
Regards, H.
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--On 22 December 2010 14:10 + Stefan Schreiber
wrote:
> they do not mention < any > technical details.
>From their FAQ:
> Whether the renderer employs simple pairwise panning or more
> sophisticated spatial imaging technology,
That makes it clear that they are thinking of freely positionab
n über Mitglieder . . .
Grüße,
Uli
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