Interesting work you are doing. Any thoughts on the Nagra vs the Sound
devices recorders ? also do you have any stereo or mono mic recommendations
for natural field recordings ?
On 26 June 2017 at 16:25, John Leonard wrote:
> Well, of course, the ULN-8 isn’t just a pre-amp:
Sampo Syreeni wrote:
On 2017-06-26, David Pickett wrote:
This whole business of low noise microphones and preamps is in my
experience a non-issue in the vast majority of cases. Very few
environments are quiet enough to be softer than the noise level of
most microphones.
Agreed, and thanks
On 2017-06-26, David Pickett wrote:
This whole business of low noise microphones and preamps is in my
experience a non-issue in the vast majority of cases.
That said, I was upset to discover that MOTU publish no details on their
website of the 4Pre that can be construed as truly technical.
On 2017-06-26, David Pickett wrote:
This whole business of low noise microphones and preamps is in my
experience a non-issue in the vast majority of cases. Very few
environments are quiet enough to be softer than the noise level of
most microphones.
Agreed, and thanks for pointing that
At 21:57 26/06/2017, David Pickett wrote:
This whole business of low noise microphones and preamps is in my
experience a non-issue in the vast majority of cases.
That said, I was upset to discover that MOTU publish no details on
their website of the 4Pre that can be construed as truly
http://www.johnleonard.co.uk
I look forward to seeing you enter into the market.
Regards,
John
Please note new email address & direct line phone number
email: j...@johnleonard.uk
phone +44 (0)20 3286 5942
> On 26 Jun 2017, at 20:09, Sampo Syreeni wrote:
>
> Granted, that.
This whole business of low noise microphones and preamps is in my
experience a non-issue in the vast majority of cases. Very few
environments are quiet enough to be softer than the noise level of
most microphones. This is true in most cases of recording nature
sounds and very few recording
On 2017-06-26, John Leonard wrote:
Well, of course, the ULN-8 isn’t just a pre-amp: it happens to have
eight very nice low-noise high-gain mic pre-amps as part of the
package, that’s all.
Nowadays even the highest of the highest spheres in operational
amplifier technology costs something
Well, of course, the ULN-8 isn’t just a pre-amp: it happens to have eight very
nice low-noise high-gain mic pre-amps as part of the package, that’s all.
Also, rather obviously, I didn’t buy the Tetramic and then the ULN-8. The ULN-8
has been at the centre of my studio set-up for many years and
I use Zoom H2 and H2N and Motu interfaces (ultralite and 24 ao with
ada8200) the pres are fine - the line/mic in on a zoom h2n ,a little
minijack input, are quite noisy however - so I usually prefer to use the
onboard mics than an external with this device.
On 26 June 2017 at 15:10, David
At 14:44 26/06/2017, Steven Boardman wrote:
>I use the Motu 4pre (with a tablet for on the fly decodes), with a
>Zoom F8 in the field. I also have a RME Fireface in the studio.
>None have problems with the noise floor being louder than that of the mic.
>The noise of the Tetramic is only a
> On 26 Jun 2017, at 12:26, David Pickett wrote:
>
> There is something not quite right here. It seems quite crazy to have to
> spend over USD 3000 for a preamp/AD convertor to use with a microphone
> (Tetramic) which is designed to sell for USD 1300 (i.e. much cheaper than
On 2017-06-26, David Pickett wrote:
I am not a MOTU user, but at USD 449, the MOTU 4Pre presumably has a
quite adequate noise specification, or the highly competent Tetramic
engineers would not have mentioned it in the same sentence as the more
expensive options.
Furthermore, on the digital
At 10:48 26/06/2017, Enda Bates wrote:
>In our test, the mic preamps were quite modest (the MOTU 8m) although
>still fairly representative of the types of mic pres often used with
>these types of mics, hence the issue. So, as John also mentioned, when
>using the TetraMic with modest mic pres
Hi Sampo,
well the objective directional analysis we're discussing here was not of
course, but yeah all of the listening tests on audio quality were naturally
double blind.
In terms of the TetraMic, our experience was that in general the output from
this mic was a much lower level signal,
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