Hi everybody,
Ardently looking for cheap and reliable hosting for video. Dreamhost
feels okay. They offer 1 TB traffic a month. Could anybody tell if
this is a lot, and if you need more then that?
Cheers,
Ruud Elmendorp
http://blogger.xs4all.nl/videorep
Yahoo! Groups Links
<*> To visit y
I personally use between 15-30 GB of bandwidth per month for my main
vlog (mortaine.blogspot.com), posting roughly once a week and having
about 100 subscribers.
1 TB is a good deal, and I've heard many good things about Dreamhost.
--Stephanie
On 3/7/06, relmendorp <[EMAIL PROTECTED]> wrote:
> Hi
Yes I have been using Dreamhost for a long time and really dig them.
In my rerun month last month I ran a video a day for the entire month
and used about 300GB of bandwidth. I served (acording to my server
stats) 52,000 quicktime files and 21,000 unique hosts. My account with
them has 1.8 TB so eve
Frida Kahlo wrote:
> hi guys
>
> I have a technical problem for the mac boys.
> (its ten years since I last played with macs)
>
> In the left corner we have an IBM laptop running windows XP pro. In the right
> corner a brand new powerbook running OS X. In the centre a day old ipod +
> various
an internet friend named julie posted the original uncompressed video from the Xacti HD on her website in her review...the filesize isnt too bad since it is a short clip, see for yourself :
http://www.the-gadgeteer.com/review/sanyo_vpc_hd1_digital_movie_cameraOn 3/7/06, Jay dedman <[EMAIL PROTEC
I vote crossover cable.
Then mount either the PC volume on the mac or vice versa and copy over
the data. If you don't have a crossover cable you can use the ipod to
transfer the stuff. You'll need to decide if it will take longer to
copy the data twice or got and get a crossover cable.
You have t
On 3/3/06, robert a/k/a r <[EMAIL PROTECTED]
> wrote:
http://video.freevideoblog.com/
http://www.pixparty.com/Done.
http://www.yashi.com/Merged with Bolt. Uploading video now (or trying to).
http://www.vidilife.com/Video awaiting approval.
http://www.evideoshare.com/
http://www.clipshack.c
Thanks for that link Josh! I compressed one of the test clips with h.264 and uploaded it here: http://michaelverdi.com/demo/hd1_test.movIt's nice but basically looks and sounds just like my Xacti C5 - just bigger.
I would love to see a test clip of someone talking to the camera both with and wit
Check these options:http://www.apple.com/switch/howto/
SPONSORED LINKS
Individual
Fireant
Use
T.Whid wrote:
> I vote crossover cable.
>
> Then mount either the PC volume on the mac or vice versa and copy over
> the data. If you don't have a crossover cable you can use the ipod to
> transfer the stuff. You'll need to decide if it will take longer to
> copy the data twice or got and get a cr
re: regular ethernet as crossover
I have no idea :-)
On 3/7/06, Pete Prodoehl <[EMAIL PROTECTED]> wrote:
> T.Whid wrote:
> > I vote crossover cable.
> >
> > Then mount either the PC volume on the mac or vice versa and copy over
> > the data. If you don't have a crossover cable you can use the ipo
I think this article may be of interest to many videobloggers:
http://www.sourcelabs.com/blogs/ajb/2006/02/creative_commons_is_broken.html
(here too:
swik.net/User:alex/Alex+Bosworth%27s+Weblog/Creative+Commons+Is+Broken)
There is also a lively discussion about this taking place on the
cc_licen
503, service temporarily unavailable.
Susan
http://vlog.kitykity.com
--- In videoblogging@yahoogroups.com, Steve Garfield <[EMAIL PROTECTED]> wrote:
>
> For those of you who like to know the subject of link prior to
> clicking, the story talks about My Yearbook:
>
> http://www.myyearbook.com/ind
Man, that guy is pernickity...
Kitka
--- In videoblogging@yahoogroups.com, Markus Sandy <[EMAIL PROTECTED]> wrote:
>
> I think this article may be of interest to many videobloggers:
>
http://www.sourcelabs.com/blogs/ajb/2006/02/creative_commons_is_broken.html
> (here too:
> swik.net/User:alex/A
The "what is commercial use" notion is pretty interesting. I'm sure
there could be many interpretations.
If you look at some stock photo sites, they allow the photos to be
used in commercial settings, but they do not allow the direct
reselling or redistribution of the images. So, for instance you
This is my comment response to Alex's blog post:
I can see the points you make and they appear salient. However I make
constant use of (cc) licensing in my videoblogs and have found it
useful for both getting material, mainly photos to use as poster
images, and licensing my vlogs. I search for p
I may be splitting hairs here, but the author lists "Public Domain"
as a type of CC license. But I don' think that this is the case. I
thought that Public Domain was a part of standard copyright law. Am
I wrong about this?
But I do see his point on the definitions of commercial. I would
suspe
There is a CC license that marks the work as Public Domain.
But I guess you could do that without CC.
-josh
On 3/7/06, Bill Streeter <[EMAIL PROTECTED]> wrote:
> I may be splitting hairs here, but the author lists "Public Domain"
> as a type of CC license. But I don' think that this is the case.
i thought Public Domain was when something was out of copyright, whereas if you use CC licensing, the object is still protected by copyright laws, but you license others to use it. ?On 7 Mar 2006, at 17:35, Joshua Kinberg wrote: There is a CC license that marks the work as Public Domain. But I g
Bill Streeter wrote:
>I may be splitting hairs here, but the author lists "Public Domain"
>as a type of CC license. But I don' think that this is the case. I
>thought that Public Domain was a part of standard copyright law. Am
>I wrong about this?
>
Bill, you are correct, the same point was b
On Tue, 07 Mar 2006 18:41:18 +0100, Markus Sandy
<[EMAIL PROTECTED]> wrote:
> if you did charge for your work, would you charge "per media type" like
> the BIG guys?
No, and might I add an "are you kidding me". :o)
- Andreas
--
Andreas Haugstrup Pedersen
http://www.solitude.dk/ >
Commentary o
On Tue, 07 Mar 2006 18:43:24 +0100, trine berry <[EMAIL PROTECTED]>
wrote:
> i thought Public Domain was when something was out of copyright,
> whereas if you use CC licensing, the object is still protected by
> copyright laws, but you license others to use it. ?
Yes, but you can also throw awa
Bill Streeter wrote:
> I may be splitting hairs here, but the author lists "Public Domain"
> as a type of CC license. But I don' think that this is the case. I
> thought that Public Domain was a part of standard copyright law. Am
> I wrong about this?
>
> But I do see his point on the definiti
that's very nicely done Pete
do you mind if we "copy" the general language for our own usage?
Pete Prodoehl wrote
>Until then, if you release your work under a CC license, you might as
>well outline what you think it means, as I've attempted to do here:
>
> http://tinkernet.org/usage/
>
>It
On Tue, 07 Mar 2006 18:29:00 +0100, Bill Streeter <[EMAIL PROTECTED]> wrote:
> I may be splitting hairs here, but the author lists "Public Domain"
> as a type of CC license. But I don' think that this is the case. I
> thought that Public Domain was a part of standard copyright law. Am
> I wrong ab
On Tue, 07 Mar 2006 18:49:42 +0100, Pete Prodoehl <[EMAIL PROTECTED]> wrote:
> Until then, if you release your work under a CC license, you might as
> well outline what you think it means, as I've attempted to do here:
>
>http://tinkernet.org/usage/
>
> It's the lightnet thing to do. :)
That
He makes some interesting points, but I don't buy his argument that
"no one can actually make use" of the licenses because there are too
many of them. Countless people use the licenses for adding someone
else's media to their work. I've lost track of the number of times
I've utilized CC music in my
Markus Sandy wrote:
> Pete Prodoehl wrote
>
>> Until then, if you release your work under a CC license, you might as
>> well outline what you think it means, as I've attempted to do here:
>>
>> http://tinkernet.org/usage/
>>
>> It's the lightnet thing to do. :)
> that's very nicely done Pet
Yes I agree with you that it is really up to a court to decide what
commercial is. I understand that personal definitions have no legal
merit. I was just pointing out what I think most people intend when
they use this license.
Bill Streeter
LO-FI SAINT LOUIS
www.lofistl.com
--- In videobloggin
Meanwhile, it's ironic that his blog's fine print states " © Copyright
2003-2005 SourceLabs, Inc. All Rights Reserved." Because of this,
technically we can't quote anything on his blog without receiving his
permission first. Of course, that wouldn't be the case if it had been
a CC-licensed blog. :-
Thanks for that! I was all set to sell off my miniDV for an Xacti C6 but now
find myself
hung up on the HD (although more for the zoom than anything else). Also, I'm a
little lazy
and don't want to have to deal with the 5-frame sound issue described by M
Verdi...I
wonder if that problem is re
Andreas Haugstrup wrote:
> On Tue, 07 Mar 2006 18:49:42 +0100, Pete Prodoehl <[EMAIL PROTECTED]> wrote:
>
>> Until then, if you release your work under a CC license, you might as
>> well outline what you think it means, as I've attempted to do here:
>>
>>http://tinkernet.org/usage/
>>
>> It's
Andy Carvin wrote:
> Meanwhile, it's ironic that his blog's fine print states " � Copyright
> 2003-2005 SourceLabs, Inc. All Rights Reserved." Because of this,
> technically we can't quote anything on his blog without receiving his
> permission first. Of course, that wouldn't be the case if it had
> If you look at what is listed for Attribution it says:
>
> You must attribute the work in the manner specified by the author or
> licensor.
For attribution on the web a link back is usually considered appropriate.
In print media, often its a byline of some kind.
-Josh
On 3/7/06, Pete Prodoehl
You would think so, but some media outlets have argued that fair use
doesn't apply when you redistribute the work internationally. So if I
copied parts of his blog and shared it with a closed group (say a
classroom), that'd be fair use. But blogging it, they would argue, is
simple redistributing in
Yes, but you can also throw away all of your copy-rights, but purposefullyplace your work in the public domain ahead of time.
- Andreas
Andreas - in the US, copyright is automatic, even if you don't want it
to be. This was one of the primary motivators of the CC project.
b
---Brett Gayl
this came up recently for me
do i want a text link? how big? where placed?
one question that arises:
would you consider the link to your content as sufficient "attribution"
or is this a separate link to your site?
Joshua Kinberg wrote:
If you look at what is listed for Attributi
On Tue, 07 Mar 2006 19:51:05 +0100, Brett Gaylor <[EMAIL PROTECTED]>
wrote:
>> Yes, but you can also throw away all of your copy-rights, but
>> purposefully
>> place your work in the public domain ahead of time.
>>
>
> Andreas - in the US, copyright is automatic, even if you don't want it to
>
Yes, any creative work is automatically "All Rights Reserved" by
default, unless otherwise stated. And one of those rights is the right
to waive your rights.
-Josh
On 3/7/06, Andreas Haugstrup <[EMAIL PROTECTED]> wrote:
> On Tue, 07 Mar 2006 19:51:05 +0100, Brett Gaylor <[EMAIL PROTECTED]>
> wr
how big of a file size do you tend to get with a 5 min clip,a 10 min cip ive
been making some mp4 that seem kinda big
randy
averrycoollifeblog.blogspot.com
Yahoo! Groups Links
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http://groups.yahoo.com/group/videoblogging/
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Brett Gaylor wrote:
Yes,
but you can also throw away all of your copy-rights, but purposefully
place your work in the public domain ahead of time.
- Andreas
Andreas - in the US, copyright is automatic, even if you don't want it
to be. This was one of the primary motivat
yes, josh, i believe your'e right. i know that, in canada, as an artist, my work has automatic copyright protection unless i specify otherwise. i imagine that is why the "public domain" choice is available on CC licensing.
-AnneOn 3/7/06, Joshua Kinberg <[EMAIL PROTECTED]> wrote:
Yes, any creati
--- In videoblogging@yahoogroups.com, Markus Sandy <[EMAIL PROTECTED]> wrote:
>
> so, with the exception of most work created by the feds, it seems that
> there is no longer a way to place something in the public domain other
> than to publicly declare it to be so (i.e., put an icon on it?).
>
On Tue, 07 Mar 2006 19:49:13 +0100, Andy Carvin <[EMAIL PROTECTED]> wrote:
> You would think so, but some media outlets have argued that fair use
> doesn't apply when you redistribute the work internationally. So if I
> copied parts of his blog and shared it with a closed group (say a
> classroom)
I've looked at this after downloading it and it is very disappointing
looking to my eye. I'm playing on 1920x1200 full screen
interpolation. Looks Very Good. But not as excellent as I was hoping
for. Perhaps the subject matter could be better done with a human
being talking head 3 feet away
On Tue, 07 Mar 2006 20:18:23 +0100, Ms. Kitka <[EMAIL PROTECTED]> wrote:
> --- In videoblogging@yahoogroups.com, Markus Sandy <[EMAIL PROTECTED]> wrote:
>>
>> so, with the exception of most work created by the feds, it seems that
>> there is no longer a way to place something in the public domain
Actually, I don't think it's accurate that personal use has no legal
merit. I recently went to a presentation on fair use usage by
independent filmmakers. There was a lawyer from EFF there, Fred von
Lohmann, including Patricia Aufdeheide who worked to formulate a Best
Practices paper for fair use
--- In videoblogging@yahoogroups.com, "Andreas Haugstrup"
<[EMAIL PROTECTED]> wrote:
>
> On Tue, 07 Mar 2006 19:49:13 +0100, Andy Carvin <[EMAIL PROTECTED]> wrote:
>
>
>
> [1] Funny story: The USA didn't want to play along with the
international
> community at first (big surprise there) and on
Open Source is wy more confusing than CC.
To be certified Open Source you must use an Open Source license, and
there are way more options than the 18 CC licenses.
Here's a taste of them:
< http://opensource.org/licenses/ >
Open Source is actually pretty tricky and I think a lot of people
thro
On Tue, 07 Mar 2006 20:37:20 +0100, Enric <[EMAIL PROTECTED]> wrote:
> At the presentation at Mashup Camp, Lawrence Lessig said that it makes
> more sense as the law worked before, that you had to initiate a
> copyright otherwise it was public domain. I agree with that, intent
> is actively chose
Joshua Kinberg wrote:
> Open Source is wy more confusing than CC.
> To be certified Open Source you must use an Open Source license, and
> there are way more options than the 18 CC licenses.
>
> Here's a taste of them:
> < http://opensource.org/licenses/ >
>
> Open Source is actually pretty t
--- In videoblogging@yahoogroups.com, "Andreas Haugstrup"
<[EMAIL PROTECTED]> wrote:
>
> On Tue, 07 Mar 2006 20:37:20 +0100, Enric <[EMAIL PROTECTED]> wrote:
>
> > At the presentation at Mashup Camp, Lawrence Lessig said that it makes
> > more sense as the law worked before, that you had to initia
On Tue, 07 Mar 2006 21:09:06 +0100, Enric <[EMAIL PROTECTED]> wrote:
> Automatic
> copyright appears to extreme in the other direction, what happens when
> someone dies, doesn't the copyright revert to another entity then
> automatically and continue to have the work unavailable?
That is an argum
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