The guys you need to talk to are Dave Worrall and Kimmo Vennonen who have one a lot of things in Geodesic domes down in Oz. Dave, at least, was a member of this group- he as a website at http://www.avatar.com.au/worrall/
Dave On 18 February 2013 17:35, Augustine Leudar <augustineleu...@gmail.com> wrote: > Hi there - > I did several large (about 4 acres) walk through sound installations in > the dome shaped tropical biome at the Eden project in Cornwall . I guess my > application would be very different from yours. I designed the sound > installation in an adjacent dome first - there were the weirdest > reflections ever - for example at certain frequencies the sound pooled and > was louder in one tiny patch on the other side of the building than 3 m > away from the speaker etc etc. When I got it in the main biome it sounded > completely different of course. > The only thing I can advise you is not to go in with a set idea of how your > going to do it but to try different configurations and see what sounds best > once your in there - I know its a pain in the neck but these things usually > need to be tuned to acoustic peculiarities that are impossible to predict. > Its why I always like to have at elast three days before an event to do > this. > You can read about some the installations > here<http://web.archive.org/web/20110719132826/http://www.edenproject.com/come-and-visit/whats-on/heart-of-darkness.php> > Hope this helps ! > > > > On 18 February 2013 16:47, Neil Waterman <neil.water...@asti-usa.com> wrote: > >> Greetings, >> >> Does anyone on the list have prior experience installing ambi-based 3D >> sound into 'dome' shaped replay environments? >> >> Any tips, specifically on speaker placement, approaches, etc. >> >> The problems I am facing include a 12 foot 240 degree partial dome made of >> fabric, an 18 foot 240 degree partial dome using fiberglass and a much >> bigger 40 foot 360 degree full dome in fiberglass. >> >> All of the above will actually be 1/2 domes in the sense they are not full >> spheres, but 1/2 a sphere resting on the ground. >> >> My only prior experience was with a full sphere, fibre dome that was a >> nightmare to put sound into… >> >> One option for the 40 foot dome is to use a central cluster of directional >> speakers, hung in a "chandelier" that would use the dome surface as a >> virtual speaker through reflection, but I have never tried this. My concern >> with this is that the listeners (who will be roughly central in all these >> dome areas) will hear both the direct sound and reflected sound and end-up >> with a confused mess. >> >> For all of these domes there will be an 18" skirt area below the dome that >> could be used for loudspeakers around the periphery - is it better to try >> to beam the sound directly at the listeners position, or perhaps use a more >> diffuse speaker, facing up into the dome face? There will be space to get >> at least one speaker overhead for all configurations. >> >> Regards, Neil >> >> _______________________________________________ >> Sursound mailing list >> Sursound@music.vt.edu >> https://mail.music.vt.edu/mailman/listinfo/sursound >> > > > > -- > 07580951119 > > augustine.leudar.com > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <https://mail.music.vt.edu/mailman/private/sursound/attachments/20130218/2c95516e/attachment.html> > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound -- As of 1st October 2012, I have retired from the University, so this disclaimer is redundant.... These are my own views and may or may not be shared by my employer Dave Malham Ex-Music Research Centre Department of Music The University of York Heslington York YO10 5DD UK 'Ambisonics - Component Imaging for Audio' _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound