Hi Everyone, Does anyone have any experience recording B-Format with multiple microphones set to specific polar patterns (i.e. if you don’t have access to an ambisonic / tetramic?). Is it possible? If so, what are some of the issues / problems with this approach?
Thanks, Richard > On Feb 28, 2015, at 12:00 PM, sursound-requ...@music.vt.edu wrote: > > Send Sursound mailing list submissions to > sursound@music.vt.edu > > To subscribe or unsubscribe via the World Wide Web, visit > https://mail.music.vt.edu/mailman/listinfo/sursound > or, via email, send a message with subject or body 'help' to > sursound-requ...@music.vt.edu > > You can reach the person managing the list at > sursound-ow...@music.vt.edu > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of Sursound digest..." > > > You are receiving the digest so when replying, please remember to edit your > Subject line to that of the original message you are replying to, so it is > more specific than "Re: Contents of Sirsound-list digest > " the subject should match the post you are replying to. > > Also, please EDIT the quoted post so that it is not the entire digest, but > just the post you are replying to - this will keep the archive useful and not > polluted with extraneous posts. > > Today's Topics: > > 1. AES 57th International Conference's Future Of Audio > Entertainment Technology (Martin Leese) > 2. Sound Thief N (Bradley Saulteaux) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Fri, 27 Feb 2015 12:48:18 -0700 > From: Martin Leese <martin.le...@stanfordalumni.org> > To: sursound@music.vt.edu > Subject: [Sursound] AES 57th International Conference's Future Of > Audio Entertainment Technology > Message-ID: > <caazqgd_17he-7ndgxtxmn7jdoqkdevmqgsmpgb+zfn6ybq3...@mail.gmail.com> > Content-Type: text/plain; charset=UTF-8 > > AES 57th International Conference's Future Of Audio Entertainment Technology > > http://livedesignonline.com/aes-57th-international-conferences-future-audio-entertainment-technology > http://www.aes.org/conferences/57/ > > ? As the AES hosts its 57th International Conference next month on the > ?Future of Audio Entertainment Technology: Cinema, Television, and the > Internet,? a special emphasis will be placed on audio?s next big > horizon: immersive sound formats ? > > The Audio Engineering Society hosts its 57th International Conference, > the ?Future of Audio Entertainment Technology: Cinema, Television, and > the Internet,? on Friday, March 6 through Sunday, March 8, 2015, in > Hollywood, California, at the renowned TCL Chinese 6 Theatres. The > conference will feature the AES?s first-ever Immersive Audio Day > (Sunday, March 8), an entire conference day packed with panels, > papers, workshops and demonstrations focusing on one of the most > active new areas of audio technology: immersive sound. > ... > Object-based audio, which is a key foundational element in immersive > sound, will be addressed by three specialists from the University of > Music and Performing Arts in Graz, Austria, through the presentation > of the paper ?Producing 3D Audio in Ambisonics.? The presentation will > offer an overview of the current state-of-the-art in Ambisonics, > including content production using Ambisonic main microphone arrays, > or panning of virtual sources, spatial effects, and reproduction by > loudspeakers and headphones. > > > ------------------------------ > > Message: 2 > Date: Fri, 27 Feb 2015 14:50:53 -0700 > From: Bradley Saulteaux <brads...@gmail.com> > To: sursound@music.vt.edu > Subject: [Sursound] Sound Thief N > Message-ID: > <cajnatn-margdd6+ztzuig0ybzm8jkr+mls-durzp4qcpfi1...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Hello All, > > I've successfully mated Core Sound's TetraMic with Zoom's H2n. A few > features of the system: > > - XY stereo function still works by using the top two capsules and > end-fire micing. The XY angle is now a dramatic 120 degrees > - 4-channel recording requires de-matrixing and re-ordering, but the > sound is otherwise intact > > A definite area of improvement: > > - The tetramic sends all four audio signals balanced, but the H2n > accepts four unbalanced signals. It's a tiny bit noisy inside the H2n using > balanced signals (when writing the the SD card) > > Other than that the system sounds AMAZING. Send me an email if you have any > questions. > > > Kind Regards, > > Bradley Saulteaux > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <https://mail.music.vt.edu/mailman/private/sursound/attachments/20150227/e354f779/attachment.html> > > ------------------------------ > > Subject: Digest Footer > > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound > > > ------------------------------ > > End of Sursound Digest, Vol 79, Issue 9 > *************************************** _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
