> On 30 Jun 2016, at 18:00, sursound-requ...@music.vt.edu wrote: > > Message: 1 > Date: Wed, 29 Jun 2016 23:03:43 +0200 > From: Trond Lossius <trond.loss...@bek.no> > To: mailing list sursound <sursound@music.vt.edu> > Subject: Re: [Sursound] Conversion from FOA to TOA ? How to and why or > not? > Message-ID: <f305f76d-9811-481d-b619-d927c5700...@bek.no> > Content-Type: text/plain; charset=us-ascii > > > I use the Blue Ripple Harpex upsampler extensively in my installations, in > fact it was me that asked Richard Furse if he could license the Harpex > library and create this plugin. The benefit is that when I do installations > with 16 or more speakers, distributed as two rings near the floor and high up > at the wall, and use the Rspture 3D Advanced decoder, I tend to get much more > stable sound field reproduction with more precise definition and localisation > of sources within B-format field recordings in the space than a FOA would > give on its own. > > I got to try this briefly at BEAST FEAST in April in the venue used for > presentations with 24 speakers as I demoed the ATK for Reaper plugins. That > was probably the best setup that I have been able to get my hands on to date.
that’s interesting to hear, Trond, I was also wondering about how upsampling would affect the reproduction of field recordings. What microphone are you using for your recordings? best, Justin _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
