Sorry, just to expand on that. I think it's interesting to note that the doppler shift implies there is a listener that is experienced the effect.
In this setup, using DBAP with delays, we're implying that the loudspeaker is acting as a sort of 'listener': i.e, the pitch shift at each speaker would be quite different, some speakers possibly dropping in frequency whilst others rise. I'm not sure exactly how this would affect the perception of the moving sources or if it would confuse listeners in the space. Something to ponder though, and probably requires some rigorous testing. I think it would depend largely on the actual loudspeaker setup. If the resources are available, I'd say a crossfading delay line would be a more consistent method of doing the delay changes with DBAP. -- Sean Devonport -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20190828/103f0527/attachment.html> _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
