It was on the Spatial Audio in VR/AR/MR group, saved for posterity! There’s a PDF on the google drive along with files in the original post that describes the method.
We recorded a piece of music, played back over a 32 speaker array, on fifteen different microphones, at the same gain setting, converted to B-Format with the appropriate software and gain matched binaural decodes. That’s it. J Sent from my iPhone > On 2 Nov 2023, at 19:59, eric benjamin <ericmb...@gmail.com> wrote: > > Where did that facebook discussion appear? I'm interested in the mechanism > by which microphone comparisons are made. > >> On Thu, Nov 2, 2023 at 12:24 PM <lenmoskow...@optonline.net> wrote: >> >> We discussed the multiple errors in detail in our Facebook discussion. >> >> That you didn't correct the comparison study, and actually added more >> incorrect information has made it clear >> that further discussion won't improve the outcome. >> >> >> Len Moskowitz (mosko...@core-sound.com) >> Core Sound LLC >> www.core-sound.com >> Home of OctoMic and TetraMic >> >> _______________________________________________ >> Sursound mailing list >> Sursound@music.vt.edu >> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, >> edit account or options, view archives and so on. >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <https://mail.music.vt.edu/mailman/private/sursound/attachments/20231102/47a33cf7/attachment.htm> > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit > account or options, view archives and so on. _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
