Every time I sit down to edit I wish I had not shot so much
footage..hehehe. Funny thing is, some of the best videos I've done have
been hurried, dropped onto the time line, music added then rendered
without preview and they turn out little gems. I love it when that
happens.
 
Actually the new Sony Vegas Production Assistance Plug-in is all about
hands-off process automation, perfect for people who create standard
format videos like daily shows or weekly shows or even same day events.
If these templates could be embedded in the Camera you would see much
more footage presented and not left to rot on stored hard drives. 
 
Cheers Rambo 
http://rambos-locker.blogspot.com 
 
-----Original Message-----
From: videoblogging@yahoogroups.com
[mailto:videoblogg...@yahoogroups.com] On Behalf Of Renat Zarbailov
Sent: Wednesday, 20 May 2009 9:05 AM
To: videoblogging@yahoogroups.com
Subject: [videoblogging] Re: Frequency of Distribution
 




I too tend to film more than I can edit with a 60GB HDD camcorder. Since
I only shoot spontaneous situations improv-style interactive comedy
(www.mrthyself.com)I approach filming with a motto, "Shoot first, ask
questions later". Far too many times there were cases when I didn't have
my cam with me but situation was perfect to be captured. The
availability of huge hard drives in consumer cams allow for possibility
to shoot more noise than signal. By signal I mean something interesting
- worthwhile. In my cam I have a way to divide video clips and delete
the unwanted before I even plug the cam to a computer for backup. So on
my commute from Manhattan to Brooklyn I peacefully "edit" out the crap
without wasting time when at the PC. 

I am thinking about going away from the resource-hungry, albeit storage
efficient, AVCHD codec to get the newest marvel from JVC - GY-HM100U.
Though it uses dual SD-card approach, the video is pristine, let alone
the low-light filming and 3CCD's... Making this switch will make me more
efficient about "sensing" where worthwhile action is. 

I dream about a day that internet has enough universal hi-speed
connectivity to allow raw footage stored online in a huge video pool
from around the world. This way people can both contribute as well as
take from this pool of footage where video can be searched by keywords.
Imagine the possibilities? :) There would have to be some in-camcorder
system for tagging videos, GPS (Sony's consumer HDR-XR520V), as well as
scene/face/motion detection. So the cam writes its EXIF (still cameras
use this for exposure etc) info about what it recognized in the video
scene and tags it into the video file.

I am very lazy when it comes to editing, I have a huge load of footage
sitting on multiple hard drives waiting to be edited. I am hoping that
camcorder manufacturers will soon add ability to add premade editable
titles and end credits right in-camcorder. This way the filmmaker simply
houses the footage between the title and the end credits while on the
road, "glues" the resulting video, transfers this video file to a
computer and, viola, it's ready for transcoding and publishing. :) It
would be nice to have transcoding ability in camcorder as well but so
that it's redundant allowing to be able to film while this process is
taking place. Imagine, you activate "Youtube HD H.264" transcode and
within an hour you get the ready-to-upload file?

Your thoughts??

Renat Zarbailov of Innomind.org

--- In videoblogging@ <mailto:videoblogging%40yahoogroups.com>
yahoogroups.com, "Bill Cammack" <billcamm...@...> wrote:
>
> Hey All! :D Hope everyone's well and in good spirits. I haven't been
around the email group, but I've been on the scene this whole time.
Actually, recently, I had the pleasure of running into Jay Dedman
unexpectedly @ Burp Castle haha, Great bonus to my day. :D
> 
> Anyway..
> 
> I recently bought a camera that connects to your computer via USB and
fits in your pocket. I already had an HD camera, but I wanted something
for run-n-gun. My goal was to achieve daily video output via filming at
least 5 upload-worthy segments each week, or at least in one day, so I
could release them during the week.
> 
> What I found was that depending on what your style is, those cameras
can hold a ton of footage. If your style is to run the camera and hope
something happens, you won't get much. If your style is to recognize
potential moments and be prepared, what you end up with is a bunch of
snippets that amount to more footage than you needed for that week.
> 
> Actually, I should back up here. Video is how I express myself. It's
my hobby as well as what I do for money. When I'm not creating video for
a client, I'm creating video for myself.. because this is what I do. If
this were a business application, it wouldn't matter how much I shoot,
because it would all be funneled into the allocated release date and TRT
of the production and anything that's "excess" would be discarded...
Except, I don't shoot video to discard it. I shoot video to express it.
I shoot to share, because I was already there. I know what happened. I
experienced it already. I've been putting video online for the last
three years because I want other people to be able to experience (as
much as they're able to) what I've experienced, vicariously. So my goal
is to release the material that I shoot... not shoot enough for coverage
so that I can make my minimum requirement for my show(s).
> 
> The 'problem' is that my run-n-gun camera has made me "too efficient"
in creating videos that I'd like to release. My goal of having a daily
video output has been far surpassed, and now I'm considering what I want
to do with my "excess" footage.
> 
> The solution I've arrived at with the help of brainstorming with
friends that follow my feed(s) is to dump all my footage to a host (in
my case, blip.tv) and only release special episodes and/or
compilation/explanatory videos to my blog with links to my blip shows
for the people that actually feel interested in watching the "raw
material". The reason I think this is the way to go is that I've become
bogged down in releasing episodes of video that I shot two weeks (14
days) ago.
> 
> The way around this backlog, IMO is to shoot as much video as I want,
dump it to my host, figure out some sort of representative video that I
want to create for my blog's RSS feed, give people an idea of what's
going on over at the host and link them in case they're interested in
checking it out.
> 
> Does this make sense? :) I'm going to read back through the group and
find out if people are even still talking about issues like this. Y'all
might not be, haha In which case, disregard this note. :)
> 
> Technology has improved to the point where we can effortlessly output
as much material as we like or as much as we are able to produce. I
think we're facing a new issue of "How much SHOULD I output?". I've seen
too much footage hit the cutting room floor and eventually the tape
erasure bins from when I used to edit NYC news to throw away footage
that I've shot that might mean something to myself or someone else. At
the same time, I don't want to harp on one topic that I filmed two weeks
ago for an entire month, because I'm trying to output only 1-3 episodes
per day.
> 
> If anybody has any ideas, I'd love to hear them. I'll read back to see
if there are any recent threads I can contribute to.
> 
> Cheers! :D
> ~ Bill Cammack
> http://billcammack. <http://billcammack.com/> com/
>



[Non-text portions of this message have been removed]

Reply via email to