Everyone's different about shooting ratios and frequency and what works for them, but I've found quite an opposite situation: when I place an arbitrary limit on my shooting - e.g., ok, you can only shoot ten minutes during the next two days, or for this particular journey into the world, or you have one tape for the month etc. - I get much more interesting material. Something about intensity of focus, about being aware of the change that's occurring when I press the button. I'm more in the moment, and do more with the moment.
It doesn't jibe well with the fast pace and high output culture of the webular world though. Brook _______________________________________________________ Brook Hinton film/video/audio art www.brookhinton.com studio vlog/blog: www.brookhinton.com/temporalab
