UConn uses Swank for purchase of most of our feature film streaming
rights. They are very good to deal with. Streams are pricier than most
documentaries but sometimes you can get a break as a member of a
consortium and/or volume discounts. It is worth looking in to.

Jo Ann

Jo Ann Reynolds
Reserve Services Coordinator
University of Connecticut Libraries
369 Fairfield Road, Unit 2005RR
Storrs, CT  06269-2005
jo_ann.reyno...@uconn.edu
860-486-1406
860-486-5636 (fax)
http://classguides.lib.uconn.edu/mediaresources 




-----Original Message-----
From: videolib-boun...@lists.berkeley.edu
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Kathi Fountain
Sent: Tuesday, September 13, 2011 4:22 PM
To: videolib@lists.berkeley.edu
Subject: [Videolib] Streaming rights

Hi all,

I'm new to this list and new to managing media rights in any way,  
though I'm quickly getting up to speed with copyright restrictions on  
media usage. I thought I'd tap into your collective wisdom for a  
possible solution to perplexing issue.

On my campus, we have a few faculty members who would like to use a  
number of films in their distance education classes. Many of these are  
motion pictures, and in order to transmit these films legally, we  
would need to get streaming rights from the distributors. I've worked  
with PBS and a few other documentary producers on quotes for  
streaming, but how have you handled requests to stream feature films?  
Do you buy rights? From whom? Do you refer faculty to Netflix to see  
if films are available there, and/or encourage students to have  
Netflix accounts as a necessary course component?

Thanks for any advice you have.

Best,

Kathi Carlisle Fountain
Head of Collection Development
Washington State University Vancouver Library
14204 NE Salmon Creek Ave.
Vancouver, WA 98686-9600
Phone: 360-546-9694
Fax: 360-546-9039
kfount...@vancouver.wsu.edu




VIDEOLIB is intended to encourage the broad and lively discussion of
issues relating to the selection, evaluation, acquisition,bibliographic
control, preservation, and use of current and evolving video formats in
libraries and related institutions. It is hoped that the list will serve
as an effective working tool for video librarians, as well as a channel
of communication between libraries,educational institutions, and video
producers and distributors.

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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