That's very helpful and interesting what you say about the technique
being standard for blues and jazz. There's obviously a long tradition
there.
Monica
----- Original Message -----
From: [1]Rob MacKillop
To: [2]Monica Hall
Cc: [3]Vihuelalist
Sent: Sunday, October 11, 2009 1:42 PM
Subject: Re: [VIHUELA] Chord I
I use the 2nd finger on the 2nd course, and the first finger on the
other two courses. I have no problem with the open first string
sounding. I show beginner-ish students this technique and invariable
they can't bend their first finger inwards at the first joint, but some
who have played blues and or jazz guitar before have no problem - it is
fairly standard technique for those styles.
Rob
2009/10/11 Monica Hall <[4]mjlh...@tiscali.co.uk>
This is a rather abstruse query.
In most Italian guitar tables of alfabeto chords which include the
left
hand fingering the indication is that Chord I is to be played
using a
half (or hinge) barre to stop the 4th and 3rd courses and the 2nd
finger to stop the 2nd course at the 2nd fret.
0
2 1
2 1
2 2
0
This doesn't seem to me the most convenient way of doing it
especially
when combined with other chords and I always use 1st, 2nd and 3rd
fingers.
Ruiz de Ribayaz does give my preferred fingering as an
alternative to
the Italian one.
Both Sanz and Murcia seem to think that the 4th course should be
stopped with the 1st finger and a 2nd finger half barre used to
stop
the 2nd and 3rd which seems a bit odd to me!
I wonder if Sanz is a misprint which Murcia has copied.
In the illustrations of the fingers stopping the chords on the
fingerboard in Sanz the standard Italian fingering is shown.
I just wonder how everyone else on this list usually fingers chord
I
and what the advantages are of the different possibilities.
Monica
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