here here

--- Nick Walsh <[EMAIL PROTECTED]> wrote:
> For f**ks sake!!!! Why do we have to go over the
> same
> sh*t again and again week after f**king week???? I
> thought we had come to some sort of conclusion but I
> realise that non of these "discussions" ever reach a
> conclusion and ppl continue dissing and flamming
> about
> the same old b*ll*cks...
> 
> Who gives a f**k about the colour of the music? I
> don't... I don't exclusively listen to detroit
> techno
> either because I'm not biased and neither are most
> ordinary people. You like what you like regardless
> of
> it's origins unless you're a nazi.... or a
> hypocrite... 
> 
> Hypocrites seem to make up the bulk of the
> subscribers
> to this list... No wonder so many heads have
> unsubbed... No one wants to find an answer, they
> just
> wanna moan about the same old sh*t...
> 
> I'm gonna give it 2 months and we'll be back on this
> subject again...
> 
> out,
> Nick (Dj Pacific:)
> 
> --- christos <[EMAIL PROTECTED]> wrote: > 
> > > I agree. Our music isn't "black" enough. It's
> too
> > fast, there's no
> > > rappin, mackin and pimpin in it, it's not
> "urban"
> > enough. House is too
> > > "gay". I have stopped worrying about it. If I
> was
> > waiting to get paid
> > > from negroes, I'd be living under the overpass
> on
> > I-75 and Mack. Or
> > > living in a refrigerator box like my man
> > Jean-Michel Basquiat. 
> > 
> > This is something that really bothers me. 
> Although
> > I am white (or
> > caucasian, or whatever) , I think that cultural
> > diversity and a strong
> > black influence are what make Detroits music
> excell.
> >  Think about this-
> > how many cheesy trance djs or happy hardcore djs
> are
> > black?  Without the
> > black influence, or any cultural influence on
> dance
> > music, the music
> > becomes bland, boring, and lame.  
> > 
> > One reason behind this, is that 90% of Americans
> > think that "techno" or
> > electronic music in general is a European thing. 
> > The mainstream music
> > industry adapts to such a belief and markets thier
> > product of dance music
> > to a white audience.  Its amazing how well this
> > works, for even when you
> > have an alleged "underground rave scene" which has
> > grown nationwide, yet 
> > still attracts a largely white suburban audience-
> > despite the fact that
> > the music originated in Black communities, and
> > despite the fact that
> > "ravers" cling to that stupid, hypocritical slogan
> > "PLUR."  Market
> > segmentation, audience building, and stereotyping
> > are very sucessful tools
> > used by the media coroporations.  
> > 
> > To be able to go agianst the current black
> musician
> > stereotype is VERY
> > difficult.  The media has burned in the minds of
> > America's youth that
> > black culture is all about "chillin in the
> ghetto,"
> > and sex.  A lot of
> > these racist stereotypes have been around for
> > hundreds of years.  The
> > current "pimp" stereotype of a black man is very
> > insulting and dangerous
> > as it is reminicent of the old stereotype of black
> > men as sexual
> > preditors.  It was this stereotype that slowed the
> > growth of early rock
> > and roll, as parents were scared that thier young,
> > teenage daughters were 
> > idolizing Black men.  I recall Mos Def once saying
> > that in the media,
> > whenever you see a white "pimp" they are always
> > running legal businesses,
> > and they are always referred to as "businessmen"
> > with a very professional
> > appeareance. Black "pimps" however are always
> > fitting the same stereotype,
> > and are often linked with sexual violence.  
> > 
> > Sorry about this rant, I can go on about this
> > forever.  It just scares me
> > that dance music MIGHT fall down the same path as
> > rock, r'n'b, etc.  It is
> > already heading that way with trance.  
> > 
> >     -christos
> > 
> > 
> >
>
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> 
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