At 12:05 AM 3/12/2001, Jayson B. wrote:
and that in actually going to a club, fighting your way to the DJ box >and managing to actually decipher the title of a rotating bit of vinyl >you've put in enought work to earn the right to own it.




everyone, everyone, EVERYONE has the right to own that music, regardless of trainspotting.

agreed. the question is, though, do you have the right to trainspot? i'd think that's up to the dj.... i mean, if you want a track badly enough, you can always hum the melody until you get home, then sing it into your mic, and post the url to the .mp3 of your drunken drooling to 313 and bug everyone about the awesome track you heard last night.

I can kind of understand that an insecure dj might want to hide a super-cool track, but that still doesn't stop you from finding out what it is. If the dj's got it, and it's not a dub plate or a hard-to-find-promo, then you can guess that thousands of copies were stamped out, and all you've got to do is find one.



Like someone said earlier, your forgetting that somebody WROTE that track and i'm sure they would want people to hear it and own it.


Agreed, but the dj is doing them a favor by playing it... he's not prohibiting the promotion of the track or anything like that, simply promoting a nameless track, at that point. It's certainly not detrimental to the track itself, when you consider that you'd never have even heard it to want it had the dj not played it for you (assumming it's something you've never heard before).

and maybe its just me, but that artist should have more control over who *deserves* to own than a dj who wants to keep his records special.

Deserves is a funny word.

a dj is incapable of keeping his records special, unless access to them is limited. a dj concealing the names of his records is not himself limiting access to them in any way.

-j

PS:  people who cover up or remove the labels for above reasons are wankers.

PPS: all your labels are belong to us




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