Hmm,

Despite what George Says

http://artists.mp3s.com/artists/27/christian_bloch.html

Christian seems to be doing just fine :)

Cheers
todd
----- Original Message -----
From: <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, August 15, 2001 11:09 AM
Subject: Re: [313] ANyone know about Finalscratch (maybe OT)


> In theory - you're right. In practice - totally off. MP3.com promised to
> offer something similar to what you speak of ("...think of what it will do
> to artist exposure as well as profit margins..." with "...the
> potential to sell hundreds of thousands or copies of a given track
> worldwide
> in digital format..." ) . Some have made a nice amount of change on
MP3.com
> and even got signed to record companies, etc. However, the remainder of
> artists end up buried under the thousands of others. Cost to get started
> with MP3.com is $0, cost to maintain your site and administer on MP3.com
is
> $0, and your chances of making a dime on MP3.com is about 0 as well.
>
>
>
>
>
>
> jonathan morse <[EMAIL PROTECTED]> on 08/15/2001 10:40:55 AM
>
> To:   <[EMAIL PROTECTED]>, Kevin Conrad <[EMAIL PROTECTED]>,
>       <313@hyperreal.org>
> cc:
> Subject:  Re: QRe: [313] ANyone know about Finalscratch (maybe OT)
>
>
> indeed...imagine when you can downlaod a track for say $.50 or $1.00
> directly from a labels web site rather than pay $6 - $10 or more for the
> 12"
> which both the distributor and the shop have added their cost to. granted
> it
> puts the middlemen out of business but thats the breaks i guess.
>
> just think of what it will do to artist exposure as well as profit
margins.
> the up front cost of maintaining an FTP server is nothing compared to
those
> of pressing and distributing vinyl let alone the fact that there's the
> potential to sell hundreds of thousands or copies of a given track
> worldwide
> in digital format rather than tens of thousands on vinyl.
>
>
>
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