The track that did if for me more than any other Inner City tracks of that time was Secrets of the Mind. The perfect combination of 'pop' sensibiliies and electronic art and lets face the Big Fun album was a techno pop album...So did Kevin produce it deliberatly in order to expsose techno to the wider community or did it just happen that way... ??
btw did anyone pick up the version with the free remix album with it...album....think it must of been the first time i heard magic juan on the mix.. techno.. nice.. rav > -----Original Message----- > From: Sakari Karipuro [SMTP:[EMAIL PROTECTED] > Sent: Thursday, August 22, 2002 12:19 PM > To: 313@hyperreal.org > Subject: Re: [313] Kevin Saunderson > > Tom Robbins/Magic Feet wrote on Thu, 22 Aug 2002 about following: > > > I'm writing a feature about him soon, so I thought I'd pick the lists's > > collective brains. Anyone want to venture some thoughts on what his most > > important contributions to music have been? > > many of those inner city records have been quite essential imho, > especially the older ones (personal faves - good life, pennies from > heaven, hallelujah... :), also, 'groove that won't stop'. > > and he did produce (also remixed) a lot back in the late 80's to early > nineties - even though not so big tracks as big fun or good life, they > must have had some effect on the dance music world (reese bass anyone, > remember THAT thread, huh? :) > > > sakke > -- > random rants and links at: > http://www.arabuusimiehet.com/sakke/ > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
