When I shop for records, I keep just one thing in mind: does it sound good?

-----Original Message-----
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 2:29 PM
To: 313@hyperreal.org
Subject: Re: (313) Every Dog 4


I disagree with the following views expressed, the more tracks the merrier
especially when your dealing with techno and the DJ tools factor.

When I shop for techno i keep two things in mind when determining if a
record is worthy of purchase:

#1. how it sounds

#2. utilization and incomparability for mixing purposes

That being said I have yet to buy an Every Dog record (not high on my
priority list) even though I been tempted to buy several volumes.

on 5/9/03 9:36 AM, Ryan  Snowden at [EMAIL PROTECTED] wrote:

> Point.  As soon as the release number exceeds that of police academy movies,
> people should boycot the artist :-)
> 
> -----Original Message-----
> From: Matthew MacQueen [mailto:[EMAIL PROTECTED]
> Sent: 09 May 2003 15:34
> To: Fabrizio Nahum; Wibo Lammerts; Odeluga, Ken; [EMAIL PROTECTED];
> 313@hyperreal.org
> Subject: RE: (313) Every Dog 4
> 
> 
>> i feel there are only 2 tracks that really stand out while the others
>> are in the typical millsart everydog/metropolis style. which is still
>> good, but its nothing groundbreaking.
> 
> that's sort of the way I felt about vol. 3 myself.  Don't get me wrong --
> what Mills does in this style is better than a lot of the crap out there
> diluting the market with average techno -- , but I'd rather have fewer
> tracks that are just... well... more memorable or something.  Or when the
> "best of Every Dog vols. 1 thru 6" comes out let me know.  ;)   I feel like
> I keep buying the same tracks.  That said there are some standouts, to be
> sure!
> 
> peace,
> Matt MacQueen

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