I disagree with the following views expressed, the more tracks the merrier especially when your dealing with techno and the DJ tools factor.
When I shop for techno i keep two things in mind when determining if a record is worthy of purchase: #1. how it sounds #2. utilization and incomparability for mixing purposes That being said I have yet to buy an Every Dog record (not high on my priority list) even though I been tempted to buy several volumes. on 5/9/03 9:36 AM, Ryan Snowden at [EMAIL PROTECTED] wrote: > Point. As soon as the release number exceeds that of police academy movies, > people should boycot the artist :-) > > -----Original Message----- > From: Matthew MacQueen [mailto:[EMAIL PROTECTED] > Sent: 09 May 2003 15:34 > To: Fabrizio Nahum; Wibo Lammerts; Odeluga, Ken; [EMAIL PROTECTED]; > 313@hyperreal.org > Subject: RE: (313) Every Dog 4 > > >> i feel there are only 2 tracks that really stand out while the others >> are in the typical millsart everydog/metropolis style. which is still >> good, but its nothing groundbreaking. > > that's sort of the way I felt about vol. 3 myself. Don't get me wrong -- > what Mills does in this style is better than a lot of the crap out there > diluting the market with average techno -- , but I'd rather have fewer > tracks that are just... well... more memorable or something. Or when the > "best of Every Dog vols. 1 thru 6" comes out let me know. ;) I feel like > I keep buying the same tracks. That said there are some standouts, to be > sure! > > peace, > Matt MacQueen
