I have seen some pretty boring performances for both final scratch and
vinyl... I don't think you can always say one is better than another. 

part of the entertainment factor has got to do with the performer - some
people are just better entertainers than others. 


-----Original Message-----
From: Simon Hindle [mailto:[EMAIL PROTECTED] 
Sent: Friday, 15 April 2005 12:43
To: 313@hyperreal.org
Subject: Re: (313) iPod DJ

Yeah, but 'tis merely the novelty of it all I imagine. Most big DJs who
are playing out on Final Scratch probably haven't really had the gear
for long, especially when you express the time they've had it as a
percentage of their total time on the 1s and 2s.

Or maybe they're checking their email/watching the latest episode of
Battlestar Galactica they got off bittorrent the day before.

It's the perennial challenge, IMO - how do you turn an electronic music
performance into a 'show'? And furthermore, ought you to?



>>> "Cyclone Wehner" <[EMAIL PROTECTED]> 04/15/05 11:06 am >>>

Every time I have seen a DJ with Final Scratch they look at the screen
the whole set and never the crowd, and then the crowd gathers around and
if they can they look at it as well. It's created a barrier. The next
challenge is to find a way around that.  It's very disengaged...

> At 2:36 PM -0400 4/14/05, /0 wrote:
>>id like to play somewhere with sound good enough for me to 
>>differentiate between a 320k mp3 and a wav file
>
> I'd like to *dance* at a club with sound that good, too!
>
> Anyway, I still don't like the idea of computer files substituting for

> vinyl.  Just think, if DJs ripped their vinyl favs onto their ipods 
> (or laptop hard drives), where would taste-setting airline baggage 
> handlers get their bumpin' tunes?
>
> I tell ya, the world will be a sadder and poorer place if those poor 
> baggage handlers have only old Neil Diamond and Burl Ives records to 
> listen to after work.  It'll set civilization (or at least airline
> service) back at least forty years.
>
> -marc
>
> 


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