A while back on the Global Techno list, Max Duley was talking about the phenomenal energy Mills brought to the tables & clubs he played at in the UK in 94-95, & how (like the Liquid Room cd), the mistakes simply magnified the intensity of an already supercharged atmosphere.
Isn't a "trainwreck" in the hands of a Mills simply the techno equivalent of a blue note (in jazz)? The skilled musician's imagination triumphs over the technician's 'mistake' & converts it into a previously unknown sonic form. Any slip always has the potential to be so much more in the right hands. Chance + ingenuity = dynamic tension. Wes --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
