someone should throw him onto the dancefloor while dj rolando is laying down the tracks. you can't judge dance music by listening to it. you have to let it move your body. james www.jbucknell.com
"Batory, Jason" <[EMAIL PROTECTED]> on 10/30/2001 09:31:59 PM To: 'Phonopsia' <[EMAIL PROTECTED]> cc: '313' <313@hyperreal.org> (bcc: James Bucknell/Magazines/Hearst) Subject: RE: [313] Eno is keen-o Yeah, I agree about Aenima. I was actually thinking someone should give him Monolake's "Gobi: The Desert" to listen to. BTW, the new Monolake album, "Cinemascope", is awesome. Respect JasonB > ---------- > From: Phonopsia[SMTP:[EMAIL PROTECTED] > Sent: Tuesday, October 30, 2001 10:15 PM > To: Rusty Blasco; 313@hyperreal.org > Subject: Re: [313] Eno is keen-o > > I imagine he doesn't really have his finger on the pulse of the > underground > scene either. I'd be really surprised if he had the same comments about > Aenima. That's as macro as I've heard, being a 60 minute song, and you > can't > even really discern that it *is* a song rather than a live set until > you've > heard it a number of times. > > Besides that, I think it's silly to blame the tools. Cubase/Logic are as > designed for the macro as for the micro - it's just a matter of how much > attention you pay to the details. Same with any hardware > sequencers/arrangers. > > Tristan > ---------- > http://ampcast.com/phonopsia <- Music > http://phonopsia.tripod.com <- Mixes, pics, thought, travelogue & info > http://www.metatrackstudios.com > [EMAIL PROTECTED] <- email > <FrogboyMCI> <- AOL Instant Messenger > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
