For Maritain it was "splendor" a somewhat Thomast idea. The splendorous was not 
necessarily visual but a spiritual awareness. 

WC


--- On Tue, 12/23/08, Michael Brady <[email protected]> wrote:

> From: Michael Brady <[email protected]>
> Subject: Re: Enough "taste
> To: [email protected]
> Date: Tuesday, December 23, 2008, 11:25 AM
> On Dec 23, 2008, at 11:11 AM, Chris Miller wrote:
> 
> > Because -- this seems to be where his appetite for the
> beautiful  
> > runs smack
> > into the ideologies of modern art - for which he is a
> professional  
> > partisan.
> > He doesn't want to be known as old-timey -- he
> wants to be a  
> > progressive man
> > of the modern era.
> >
> > And for some reason -- he just cannot accept that his
> desire for  
> > beauty is as
> > tangential to the world of contemporary art -- as it
> is to the  
> > worlds of
> > motorbike racing, cattle breeding, investment banking,
> information  
> > technology
> > etc.
> 
> Putting aside for the moment Miller's ludicrous attempt
> to explain how  
> William thinks, let's consider an aspect of beauty that
> seems to have  
> been overlooked. I'll pose it as a question:
> 
> Does beauty describe or address *only* the manifested
> appearance of  
> things. Is beauty's subject limited to visual or
> perceptual delight?
> 
> Most dictionary definitions say otherwise. (Don't work
> yourself into a  
> frontic lather, Cheerskep. I'm not offering these
> definitions as proof  
> of what the word means, but what various authoritative
> compilations  
> have recorded as the working notion of "beauty.")
> 
> 
>  From the Apple Dictionary: "A combination of
> qualities, such as  
> shape, color, or form, that pleases the aesthetic senses,
> esp. the  
> sight; a combination of qualities that pleases the
> intellect or moral  
> sense."
> 
>  From Merriam-Webster Online Dictionary: "The quality
> or aggregate of  
> qualities in a person or thing that gives pleasure to the
> senses or  
> pleasurably exalts the mind or spirit."
> 
>  From the American Heritage Dictionary: "The quality
> that gives  
> pleasure to the mind or senses and is associated with such
> properties  
> as harmony of form or color, excellence of artistry,
> truthfulness, and  
> originality."
> 
>  From Dictionary.com online: "The quality present in a
> thing or person  
> that gives intense pleasure or deep satisfaction to the
> mind, whether  
> arising from sensory manifestations (as shape, color,
> sound, etc.), a  
> meaningful design or pattern, or something else (as a
> personality in  
> which high spiritual qualities are manifest)."
> 
>  From the OED: "1. Such combined perfection of form
> and charm of  
> colouring as affords keen pleasure to the sense of sight.
> 2. That  
> quality or combination of qualities which affords keen
> pleasures to  
> other senses or which charms the intellectual or moral
> faculties  
> through inherent grace or fitness to a desired end."
> 
> 
> 
> Note that several key characteristics stand out: beauty
> affords  
> pleasure, which is elicited by the form of the object *or
> by a fitness  
> to an end*, or something that, as one put it, "exalts
> the mind" or  
> exhibits "truthfulness" or
> "originality."
> 
> Cut to the chase: Beauty in artworks (those wholly
> independent  
> creations) can be found in striking or intriguing
> combinations of  
> elements that appeal less to the sense of pulchritude, per
> se, and  
> more to intellectual engagement. Beauty isn't just a
> property of old- 
> school art, Beaux Arts art, traditional art, lately lost by
> the  
> wholesale abandonment of standards by the debauched or
> misled leaders  
> of the Art World in the XXth century.
> 
> 
> | | | | | | | | | | | | | | | | | | |
> Michael Brady
> [email protected]

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